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The Jerusalem Film Festival has unveiled the lineup of pics that will compete for the Haggiag Awards, Israel’s top movie kudos, at the upcoming 32rd edition.
Mixing socially/politically engaged movies and high-concept genre features, the Jerusalem festival’s roster includes “A.K.A. Nadia,” a U.K./Israeli film directed by Tova Ascher, the helmer of “Lemon Tree” and “The Human Ressources Manager”; Hadar Morag’s “Why Hast Thou Forsaken Me”; Yoav and Doron Paz’s “Jeruzalem”; Evgeny Ruman’s “The Man in the Wall”; Avishai Sivan’s “Tikkun” and Nitzan Gilady’s “Wedding Doll.”
“A.K.A Nadia” centers on Maya Goldwasser, who was born into a Muslim family and forged herself a new identity to become a Jewish career woman. But 20 years later, Maya’s past resurfaces, forcing her to face the intolerance and xenophobia within Israeli society.
“Why Hast Thou Forsaken Me” follows the journey of Muhammad, »
- Elsa Keslassy
Actor John Turturro to visit Jerusalem and take part in opening ceremony
The movie’s premiere in Israel will be screened at the Sultan’s Pool on July 9, following its world premiere in Competition at the Cannes Film Festival last month.
The opening ceremony will be attended by John Turturro, who stars in the movie.
Italian maverick Moretti’s latest film, which stars Margherita Buy alongside the director, is a return to the family drama he explored in 2001 Palme d’Or winner The Son’s Room.
This time it’s a mother’s slow decline that sparks the melodrama, leavened by comic touches courtesy of a film within the film featuring a Us actor played by Turturro.
Moretti’s previous film in Cannes Competition was 2011 papal dramedy We Have A Pope (Habemus Papam).
Jff director Noa Regev said the selection »
- email@example.com (Michael Rosser)
While studies show that prospects for women directors are stunted in Hollywood, a program backed by a Saudi entrepreneur will create opportunities in the U.S. for Arab female filmmakers. In fact, according to the news from Cannes last week, Arab women are increasingly stepping out on the global stage in the business of moviemaking.
On May 19, Saudi philanthropist and film producer Hani Farsi announced a partnership with UCLA to fund a program that will offer three full four-year scholarships to Arab women, through the school of Theater, Film and Television, to earn graduate degrees in directing.
“I think we can bring about social change through this,” Farsi said at Cannes where, as co-owner of French distribution and sales company Le Pacte, he had eight films for sale this year, including Nanni Moretti’s “My Mother.”
Since 2007, Farsi also has been producing and distributing movies with Arab and Muslim themes via his Corniche Pictures. »
- Nick Vivarelli
Who knew that watching films can be this exhausting? The first thing any press person at Cannes will tell you is probably how tiring festival grind is – press screenings from 8.30 am till midnight, endless queueing sessions (variously put to use for writing up or sun-tanning), the adrenaline rush of the literal rush to the next screening.
What few filmmakers premiering their work at Cannes seem to realise – based on the average two-hour run of the majority of films this year – is that at a film viewing marathon such as Cannes, critics’ attention is yours during the first hour and twenty minutes and then you’d better start getting ready for a wow of an ending. The editor is your friend and if you want the press to be a friend too, it’s good to shed extraneous long-windedness and not irk the critics – unless you are Miguel Gomes, then you can go on forever… »
- Zornitsa Staneva
Paris-based Films Distribution has closed Canada (eOne), Germany (Koch Media), Australia (Palace), Korea (T-cast), Taiwan (Maison Motion), Czech Republic (Film Europe), Fidalgo (Norway), Columbia (Cineplex), Denmark (Camera Film), Turkey (Filmarty), A One (Cis) and Mexico (Mantarraya), among others.
Earlier in the festival, Alchemy snapped up “Mia madre” for U.S. distribution.
Echoing Moretti’s own experience and weaving drama with comedy, “Mia Madre” focuses on a film director who struggles to cope with her mother’s fatal illness.
- Elsa Keslassy and John Hopewell
Originally written as a Cannes market closer for Variety’s last print daily, on May 19, this article has been updated through Tuesday, May 26:
Cannes – Five years ago, Cannes biz was powered by movies selling out worldwide. U.S. distribution pick-ups were something of a sideshow.
Now it’s the U.S. and China that are driving the train. One week after on-site trading at Cannes wound down, 2015’s edition still looks like a tale of four markets: U.S. and China, both galvanized by new players; Europe, depressed by eroding ancillary markets; arthouse, still a buyers’ market focused on star titles and ever more near completed films.
Trouble is, the U.S. is helping to make up for the weakness in the market but its growth is not yet at a par with the shortfall, doesn’t take up all of Europe’s slack, said Lotus Ent.’s Bill Johnson. »
- John Hopewell and Ramin Setoodeh
John Turturro is such the ultimate Brooklynite that one sometimes forgets the 58-year-old has a lifetime of accumulated wisdom from globetrotting under his belt. Vulture met up with the veteran actor for a stroll along the beach to pick his brain on what he’s learned since his first of six trips to the Cannes Film Festival in 1991, when both Barton Fink and Jungle Fever debuted and Fink swept the top awards. Turturro was at Cannes this year as the comic relief for Nanni Moretti’s Mia Madre, playing the disastrously unprepared, big-name American actor shipped in to star in an Italian film about labor unions directed by a woman (Margherita Buy) whose mother (Giulia Lazzarini) is dying. It’s Turturro at his zaniest, spouting off dreams he’s had about Kevin Spacey trying to kill him, singing Italian songs about milk with his head out the window of a moving car, »
- Jada Yuan
Cannes — The jury of the 68th annual Cannes Film Festival handed out its awards on Sunday night.
Taiwanese auteur Hou Hsiao-hsien received the festival’s director prize for “The Assassin,” a visually dazzling martial-arts epic set in ninth-century China.
The actress prize was awarded, in a tie victory, to Rooney Mara for her performance as a 1950s shopgirl in Todd Haynes’ lesbian love story, “Carol,” and to Emmanuelle Bercot for her turn as a Frenchwoman in an emotionally destructive relationship in Maiwenn’s “Mon roi.” One of the most prominent faces of the 2015 festival, having directed the opening-night film, “Standing Tall,” Bercot gave an effusive speech during which juror Xavier Dolan could be seen brushing away tears.
Haynes accepted on behalf of Mara, who had already returned to New York from the festival. “She would be so completely blown away by this prize,” he said. “I’m just so proud of her work, »
- Justin Chang
The Price of Salt is at a market high according to our critics. While Le Film Francais have Mia Madre in the pole position and Screen Daily have a pair in a tie among their voting clan, our sixteen strong have place Todd Haynes’ Carol firmly at the top of the leader board with average 3.8 grade. In a year where French cinema was a little off-balance, where Italy cinema didn’t disappoint, where Asian films were especially strong and where a first time work from Hungary stole the show, it is one portrait and one love story in 1950’s America that is tops.
In our inaugural year, our Cannes Critics’ Panel favored Pedro Almodóvar’s The Skin I Live In by one point over the Dardenne’s The Kid With a Bike, von Trier’s Melancholia, Nicolas Refn’s Drive and Malick’s Palme d’Or winning The Tree of Life. »
- Eric Lavallee
Given the number of films in competition (19), the correspondingly infinite number of possible award/talent configurations, and the sheer impossibility of guessing at the individual and collective tastes of nine jurors, predicting the major award winners at the Cannes Film Festival is obviously a fool’s errand — and one that our critics on the Croisette have gladly undertaken.
Palme d’Or: “The Assassin.” Word on the street — and among British bookies — is that my own favorite film of the fest, Yorgos Lanthimos’ high-wire relationship fantasy “The Lobster,” is the one to beat, though whether that’s based on honest hearsay or a projection of the Coen brothers’ taste for dryer-than-dust comedy, I can’t say. As much as it would thrill me to see such a singular combination of concept-y formalism and perverse heart-tugging take the prize, I have a hard time seeing it as the unifying consensus »
- Guy Lodge and Justin Chang
Other prizes go to My Mother, Masaan and Paulina.
Hungarian Holocaust drama Son of Saul has been named the best film in the main Competition section of the 68th Cannes Film Festival by Fipresci, the International Federation of Film Critics.
Review: Son of Saul
Laszlo Nemes directorial debut - the only debut in this year’s Competition line-up - is about a Hungarian prisoner assigned to work in one of the crematoria of Auschwitz who, finding a body he believes is his son, sets out to find a rabbi to bury him.
It ranked joint second on Screen’s Cannes Jury Grid, with no prizes as yet for joint leaders Carol and The Assassin.
Nemes previously worked as assistant director to Bela Tarr on The Man From London (2007).
- firstname.lastname@example.org (Michael Rosser)
Hungarian Holocaust drama Son of Saul was amongst the award winners at this year's Cannes Film Festival.
Laszlo Nemes' movie was named best film by Fipresci, the International Federation of Film Critics, The Wrap reports.
Icelandic drama Rams was named the best film of the 2015 Cannes Film Festival's Un Certain Regard section.
Other winners in the section included Zvizdan - which won the jury prize, Kiyoshi Kurosawa's Kishibe No Tabi - which won the award for directing, Corneliu Porumboiu's Comoara - which won the Un Certain Talent Prize, and Neeraj Ghaywan's Masaan »
Cannes – Delivering early verdicts on Cannes Palme d’Or contenders, Fipresci and Ecumenical Jury Awards went to Laszlo Nemes’ “Son of Saul” and Nanni Moretti’s “My Mother,” respectively.
Fipresci’s competition nod vindicates Cannes’ selection of Holocaust drama “Son of Saul,” the only first feature in competition that has gone on to abundant international sales for Films Distribution.
A French press Palme d’Or frontrunner, “My Mother,” again sold by Films Distributiion, has scored well with overseas reviewers, as was the case with “Saul.” Neither Fipresci nor Ecumenical jury plumped for either of Cannes’ competition frontrunners, according to critics’ polls at least: Todd Haynes’ “Carol” and Hou Hsiao-hsien’s “The Assassin.”
Announced Saturday, further kudos from the Fipresci Intl. Federation of Film Critics were won by Un Certain Regard entry “Masaan,” directed by Neeraj Ghaywan, and Santiago Mitre’s Versatile-sold “Paulina,” which already topped Critics’ Week on Thursday. »
- John Hopewell
The biggest deals of this year’s Cannes Marché du Film and how the Competition titles sold throughout the festival.
Behind the glamour of this year’s Cannes Film Festival, business was booming at the Marché du Film (May 13-22), with representatives from 120 countries in attendance - up four on 2014.
A total 3,300 films were on offer this year, around 1,000 at the project stage, with an estimated 11,000 film professionals in attendance, in line with last year.
In the opening days, Marché chief Jérôme Paillard told Screen: “Acquisition agents are telling me that it’s the first time in a number of years that there are so many big projects. I’ve been told there are around 50 high profile projects on offer.”
North AmericaHOT Projects
Open Road paid »
Alchemy, which has already scooped up Gaspar Noé's 3D "Love" and Nanni Moretti's "Mia Madre," has taken Us rights to Oscar-nominated Greek director Yorgos Lanthimos' English-language debut "The Lobster." A love story set in a near-future where single people are arrested and transferred to a Hotel, where they must find a mate in 45 days or be transformed into an animal, this Cannes competition entry stars Colin Farrell, Rachel Weisz, John C. Reilly, Lea Seydoux, Olivia Colman and Ben Whishaw. Cannes: "Dogtooth" Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) "There are very powerful emotions happening inside," said Weisz at the press conference. "Yorgos creates a world and a tone where nobody’s over the top in their acting style, in a world where everything is very internal. It’s the opposite of a melodrama, that’s the tone." "There is a lot of melodrama in the. »
- Ryan Lattanzio
Moretti also stars in Mia Madre, co-wrote the semi-autobiographical screenplay with Francesco Piccolo and Valia Santella and produced via his Sacher Film alongside Domenico Procacci of Fandango and Rai Cinema.
The film follows an Italian director who tries to hold her life together during a shoot despite a disruptive American star, ailing mother and adolescent daughter.
Alchemy acquired rights from Film Distribution. »
- email@example.com (Jeremy Kay)
The deal came four days after the film’s world premiere in competition at Cannes. Guy Lodge called the film “wickedly funny” in his review.
It’s the English-language debut of Greek director Lanthimos, who received critical acclaim for “Dogtooth.” The film, which also stars John C. Reilly, Ben Whishaw and Olivia Colman, is a blackly funny love story set in a dystopian near future where single people are arrested and transformed into animals of their choosing if they fail to find a mate within 45 days.
Farrell plays a single man who checks into a hotel to find a mate, then joins a rebel group and falls in love with Weisz’ character.
“The Lobster” was shot in Ireland the spring »
- Dave McNary and Ramin Setoodeh
Moretti penned the semi-autobiographical screenplay along with co-scribes Francesco Piccolo and Valia Santella and produced the film through his Sacher Film banner along with Domenico Procacci of Fandango and Rai Cinema.
Dramatic but also comic pic features a powerful perf by Italo A-lister Margherita Buy as Moretti’s alter ego, a film director contending with a divorce and an ailing mother. John Turturro plays a funny primadonna-ish American actor. Moretti plays the director’s brother.
Moretti won the Cannes Palm d’Or in 2001 for bereavement drama “The Son’s Room.”
“Mia Madre” is a beautiful and hilarious film from one of the world’s great filmmakers,” enthused Alchemy’s Evp of Marketing, Brooke Ford, in a statement. “Nanni Moretti has delivered a wonderful film »
- Nick Vivarelli
Indie distributor Alchemy has just scooped up Cannes perennial Nanni Moretti's "Mia Madre" out of the competition. This semi-autobiographical seriocomedy centers on a director (Margherita Buy) who's shooting an Italian film with an unruly and famous American actor (John Turturro). Meanwhile, she's trying to keep her own life together, despite her mother's (Giulia Lazzarini) illness and daughter's (Beatrice Mancini) budding adolescence. Moretti, who also stars in the film and won the 2001 Palme d'Or for "The Son's Room," co-penned the script with Francesco Piccolo and Valia Santella. In 2012, he served as the Cannes jury president when Michael Haneke's "Amour" took the Palme. Read More: Indiewire's Cannes Review of "Mia Madre" Moretti produced "Mia Madre" through his Sacher Film banner along with Domenico Procacci of Fandango and Rai Cinema. While no release date has been set, the film has so far met acclaim and interest »
- Ryan Lattanzio
Alchemy has taken U.S. distribution rights to Nanni Moretti’s family drama Mia Madre. The film, which played in competition at the Cannes Film Festival on Saturday, tells the story of a female film director, Margherita (Margherita Buy) who is trying to make a movie amid chaos and craziness in her life. Some of her headaches include a teenage daughter, a formidable mother and a big-headed American film star (played by John Turturro). Pic also stars Giulia Lazzarini… »
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