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Jeanne Moreau More at IMDbPro »

Other works
(1947) Stage: Appeared (as "Attendant of the Queen"; her stage debut) in William Shakespeare's "Richard II"

(1947) Stage: Appeared (as "La Vigne") in Paul Claudel's "L'histoire de Tobie et de Sara"

(1947) Stage: Appeared (as "Madeleine") in Maurice Clavel's "La terrasse de midi"

(1947) Stage: Appeared (as "Hortense Mancini") in François Porché and Madame Simone's "Le lever du soleil"

(1947) Stage: Appeared (as "Vera Alexandrovna") in Ivan Turgenev's "A Month in the Country".

(1947) Stage: Appeared (as "Joas") in Jean Racine's "Athalie"

(1948) Stage: Appeared (as "Chérubin") in Beaumarchais' "Le mariage de Figaro"

(1948) Stage: Appeared (as "Rose") in François Mauriac's "Les mal aimés"

(1948) Stage: Appeared (as "Angélique") in Marivaux's "L'épreuve"

(1948) Stage: Appeared (as "Betty") in Tristan Bernard's "L'anglais tel qu'on le parle"

(1948) Stage: Appeared (as "Spanish Girl of the Ballet") in Prosper Mérimée's "Les espagnols au Danemark"

(1948) Stage: Narrator in Edmond Rostand's "Cyrano de Bergerac"

(1948) Stage: Appeared (as "Rafaela") in Claude-André Puget's "La peine capitale"

(1948) Stage: Appeared (as "Dona Maria") in Prosper Mérimée's "L'occasion"

(1949) Stage: Appeared (as "Anne-Marie") in Édouard Bourdet's "Les temps difficiles"

(1949) Stage: Appeared (as "Mariane") in Molière's "L'avare"

(1949) Stage: Appeared (as "Suzette Bourdier") in Robert de Flers, Gaston Arman de Cavaillet and Emmanuel Arene's "Le roi"

(1949) Stage: Appeared (as "Camille") in Alfred de Musset's "On ne badine pas avec l'amour"

(1950) Stage: Appeared (as "Bianca") in William Shakespeare's "Othello"

(1950) Stage: Appeared (as "Mademoiselle Molière") in Molière's "L'impromptu de Versailles"

(1950) Stage: Appeared (as "Poil de Carotte") in Jules Renard's "Poil de Carotte"

(1950) Stage: Appeared (as "Lisette") in Marivaux's "Les sincères"

(1950) Stage: Appeared (as "Thérèse") in Maria and Gregorio Martínez Sierra's "Le chant du berceau"

(1950) Stage: Stage: Appeared (as "Perdita") in William Shakespeare's "A Winter Tale"

(1950) Stage: Appeared (as "Ninon") in Alfred de Musset's "À quoi rêvent les jeunes filles"

(1950) Stage: Appeared (as "Carola Venitequa") in André Gide's "Les caves du Vatican"

(1951) Stage: Appeared )as "Mariane") in Molière's "Tartuffe"

(1951) Stage: Appeared (as "Valentine") in Georges Courteline's "La paix chez soi"

(1951) Stage: Appeared (as "Clara") in Georges Feydeau's 'Le dindon"

(1951) Stage: Appeared (as "Martine") in Molière's "Le médecin malgré lui"

(1951) Stage: Appeared (as "Lucile") in Molière's "Le bourgeois gentilhomme"

(1951) Stage: Appeared (as Silvia") in Marivaux's "La double inconstance"

(1951) Stage: Appeared (as "Nathalie d'Orange") in Heinrich von Kleist's "The Prince of Hombourg"

(1951) Stage: Appeared (as "L'Infante") in Corneille's "Le Cid"

(1952) Stage: Appeared (as "Bourgeoise") in Alfred de Musset's "Lorenzaccio"

(1952) Stage: Appeared (as "Yllen") in Henri Pichete's "Nuclea"

(1952) Stage: Appeared (as "Lucrèce") in Jean Vauthier's "La nouvelle mandragore"

(1953) Stage: Appeared (as "Géraldine") in Anna Bonacci's "L'heure éblouissante"

(1954) Stage: Appeared (as "Sphinx" in Jean Cocteau's "La machine infernale"

(1955) Stage: Appeared (as "Eliza Doolittle") in George Bernard Shaw's "Pygmalion"

(1956) Stage: Appeared (as "Maggie" in Tennessee Williams' "Cat on a Hot Tin Roof"

(1958) Stage: Appeared (as "Young Marie-Paule") in Félicien Marceau's "La bonne soupe"

(1974) Stage: Appeared (as "Henny Porten") in Peter Handke's "La chevauchée sur le lac de Constance"

(1976) Stage: Appeared (as "Lulu") in Frank Wedekind's "Lulu"

(1980) Stage: Appeared (as "Marie-Pierre") in Françoise Dorin's "L'intoxe"

(1985) Stage: Appeared (as "Hannah Jelkes") in Tennessee Williams' "The Night of the Iguana"

(1986) Stage: Appeared (as "Zerline") in Hermann Broch's "Le récit de la servante Zerline"

(1989) Stage: Appeared (as "La Célestine") in Fernando de Rojas' "La Célestine"

(2000) Stage: Directed Margaret Edson's 'Wit"

(1963) Album: "Douze Chansons de Cyrus Bassiak"

(1961) Album: "Viva Maria!"

(1966) Album: "Douze Nouvelles Chansons de Bassiak"

(1968) Album: "Les Chansons de Clarisse"

(1970) Album: "Jeanne Chante Jeanne"

(1981) Album: "Jeanne Moreau Chante Norge"

(1956) Stage: Appeared in Tennessee Williams' play, "Cat on a Hot Tin Roof", known as "La Chatte Sur Un Toit Brulant", at the Theatre Antoine in Paris, France, with Paul Guers, Antoine Balpêtré, Georges Sellier, Monique Mélinand and Maurice Dorléac in the cast. Peter Brook was the director.

(May 2, 1983) She performed in the revue, "Parade of Stars," at the Palace Theatre on Broadway in New York CIty, New York for the Actors' Fund Benefit with Eddie Albert, Debbie Allen, Edward Asner, Lauren Bacall, Harry Belafonte, Milton Berle, George Burns, David Cassidy, Dick Cavett, Carol Channing, Pam Dawber, Sandy Duncan, Bonnie Franklin, Jack Gilford, Gregory Hines, Ann Jillian, Larry Kert, Richard Kiley, Jack Klugman, Linda Lavin, Michele Lee, Rich Little, Dorothy Loudon, Lee Meredith, Christopher Plummer, Tony Randall, Lee Roy Reams, Ann Reinking, Dinah Shore, Jean Stapleton, Gwen Verndon, Fred Waring, James Whitmore, Shelley Winters, and MIchael York in the cast. Hildy Parks was the writer. John Kander and Fred Ebb were composers. Michael Frayn wrote the book. Robert Randolph was set designer. Alvin Colt was costume designer. Elliott Lawrence was musical director. Albert Stephenson was special musical stager. Clark Jones was director. Alexander H. Cohen was producer.

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