8 items from 2015
Camerimage, the International Film Festival of the Art of Cinematography, celebrates its 23rd edition with seven special awards for artists and technicians whom they identify as possessing a “unique visual sensitivity.” From Hollywood comes renowned editor and sound designer Walter Murch, whose diverse and award-winning credits include “The Conversation,” “Apocalypse Now” and “The English Patient,” as well as this year’s summer sci-fi fantasy “Tomorrowland.”
The U.K. is represented by costumer designer Sandy Powell and production designer Eve Stewart. Powell is no stranger to awards — her outfits for films such as “Shakespeare in Love,” “Gangs of New York,” “The Aviator” and “The Young Victoria” have brought regular invitations to the Oscar ceremony in the last 20 years. Similarly, Stewart’s period work with Mike Leigh, plus her collaborations with Tom Hooper for Oscar favorites “The King’s Speech” and “Les Misérables,” has brought multiple nominations as well as a BAFTA win for the latter. »
- Damon Wise
If imitation is the sincerest form of flattery, the organizers of the Camerimage Intl. Festival of the Art of Cinematography should blush. A number of similar film festivals are gaining momentum, including the Manaki Bros. Intl. Cinematographers’ Film Festival in Macedonia, Ostrava Kamera Oko Intl. Festival of Cinematographers in the Czech Republic and the nascent Bristol Festival of Cinematography. But the question asked around the American Society of Cinematographers clubhouse and anywhere camera people gather as summer wanes, is, “Will I see you in Poland?”
Chris Menges, Walter Murch and Sandy Powell will be among those making the journey to Bydgoszcz, in western Poland, for the 23rd Camerimage, which kicks off Nov. 14 with a screening of Steven Spielberg’s “Bridge of Spies,” featuring the work of frequent collaborator and Polish native Janusz Kaminski.
The showcase has gained a position of dominance with a single-minded focus on celebrating the creators of motion picture imagery. »
- David Heuring
Twilight Time presents Irish auteur Neil Jordan’s 1982 directorial debut Angel (aka Danny Boy) on Blu-ray, an obscurely regarded gem from the great filmmaker. A visually vibrant examination of the entrenched malaise infecting a region in the midst of what’s been referred to as “the troubles” (or the Northern Ireland Conflict, a decades spanning political issue concerning the constitutional status of Ireland in the UK vs. a United Ireland, informed also by religious views and ethnic background), this melancholy revenge drama showcases Jordan’s enduring muse Stephen Rea, as well as themes he’d continue to enhance in subsequent features. Hampered by a lack of developing tension, mostly due to a dramatic catalyst granted more weight than it could possibly wield, it’s certainly a solemn precursor to Jordan’s later masterpiece that decade, Mona Lisa (1986).
Danny (Rea) is a talented saxophonist traveling around with his band to different gigs around Northern Ireland. »
- Nicholas Bell
British cinematographer Chris Menges is to receive a lifetime achievement award at Camerimage (Nov 14-21), the International Film Festival of the Art of Cinematography.
Menges will attend the 23rd edition of Camerimage in the Polish city of Bydgoszcz to accept the award, introduce screenings of his films and will meet with the festival’s audience.
He returned to work with Loach on Kes, which marked »
- email@example.com (Michael Rosser)
With Harrison Ford back as Rick Deckard, Denis Villeneuve in the director's chair, and Ryan Gosling eyeing a key role, the Blade Runner sequel was already in good hands, but now fans have another big reason to get excited, as it was recently announced that cinematographer Roger Deakins joined the film's crew:
Press Release (via The Playlist) -- "Los Angeles, CA, May, 20, 2015 – Twelve-time Academy Award-nominated cinematographer Roger Deakins will join director Denis Villeneuve (Prisoners, Incendies) on Alcon Entertainment’s sequel to Blade Runner, it was announced by Alcon co-founders and co-ceo’s Andrew Kosove and Broderick Johnson.
Deakins, who will be presented with the Pierre Angénieux Excellens in Cinematography Award at the Cannes Film Festival on May 22 reteams with Villeneuve on what will be their third feature collaboration, havingpreviously worked together on Alcon’s Prisoners, starring Hugh Jackman and Jake Gyllenhaal as well as Villeneuve’s upcoming film Sicario, a drug-trafficking drama starring Emily Blunt, »
- Derek Anderson
Denis Villeneuve to direct sci-fi sequel.
Deakins, who will be presented with the Pierre Angénieux Excellens in Cinematography Award at the Cannes Film Festival tomorrow (May 22) reteams with Villeneuve.
Deakins received his latest Oscar nomination this year for his work on Angelina Jolie’s Unbroken. He was previously nominated for Joel and Ethan Coen’s Fargo, The Man Who Wasn’t There, O Brother, Where Art Thou?, No Country for Old Men and True Grit; Frank Darabont’s The Shawshank Redemption; Martin Scorsese’s Kundun; Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford; Stephen Daldry’s The Reader, which he shared with Chris Menges; and, more recently, Prisoners and Sam Mendes’ Skyfall.
Film is scheduled »
- firstname.lastname@example.org (Michael Rosser)
While we know next to nothing about the plot for the upcoming Blade Runner sequel, we do know that at the very least, it's going to look gorgeous, as renowned cinematographer Roger Deakins has joined the team. Come inside to learn more.
Blade Runner 2 is moving full steam ahead. Just a couple months ago it was announced Denis Villenueve had been hired on to direct the sequel, with Harrison Ford set to return, and it looks like they're starting to build up the rest of the necessary behind the scenes crew to get production moving. Announced at Cannes, Roger Deakins, the cinematographer behind Prisoners, Skyfall, Fargo, and Many others has been hired on as the Dop for the new movie. Deakins has worked with Villenueve on his last two movies, so it shouldn't come as much of a surprise.
The original Blade Runner is still a visually striking movie, and »
- email@example.com (Jordan Maison)
By winning the Best Cinematography Oscar for a second year in a row, "Birdman" director of photography Emmanuel Lubezki has joined a truly elite club whose ranks haven't been breached in nearly two decades. Only four other cinematographers have won the prize in two consecutive years. The last time it happened was in 1994 and 1995, when John Toll won for Edward Zwick's "Legends of the Fall" and Mel Gibson's "Braveheart" respectively. Before that you have to go all the way back to the late '40s, when Winton Hoch won in 1948 (Victor Fleming's "Joan of Arc" with Ingrid Bergman) and 1949 (John Ford's western "She Wore a Yellow Ribbon"). Both victories came in the color category, as the Academy awarded prizes separately for black-and-white and color photography from 1939 to 1956. Leon Shamroy also won back-to-back color cinematography Oscars, for Henry King's 1944 Woodrow Wilson biopic "Wilson" and John M. Stahl »
- Kristopher Tapley
8 items from 2015
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