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Beyond The Mountains And Hills, One Week And A Day take home top prizes after 15 days of programming.
The 20th edition of UK International Jewish Film Festival selected its award winners after fifteen days of programming. The festival showcased over 80 world, European and UK premieres of features and shorts from November 5-20.
The Israel-Germany-Belgium co-production Beyond The Mountains And Hills [pictured], directed by Eran Kolirin, took home the award for best feature film. It’s star Mili Eshet collected the prize at the ceremony.
Head of jury Jason Solomons said, “It was felt that Kolirin’s film was a bold step up from his popular debut The Band’s Visit, and we admired his willingness to examine the complexities of modern Israeli life with unflinching views that will challenge some audiences. We were struck and provoked, to varying degrees, by the idea of a family representing a nation in mid-life crisis and representing its fears.
“The film maker »
Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress, as presented by the creators themselves. At the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
Of Love & Law
Logline: Fumi and Kazu – partners in love and law – run Japan’s first Lgbt law firm.
This is an indie film about Japan’s first Lgbt law firm. Japan is a highly conformist country proud of its social cohesion and unity. Yet conformity comes at a cost – to be different is to be invisible, and this is the subject of our film. “Of Love & Law” tells the hidden stories of people who are silenced and made invisible by Japanese society and its laws. What are the risks of being yourself »
- Steve Greene
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Full Lineup Announcements
– “3-D Auteurs,” a 19-day, 34-film festival spotlighting stereoscopic movies by some of history’s most distinguished directors, will run at Film Forum November 11 – 29. The festival spans 3-D’s earliest days (including some turn-of-the-century films by pioneer Georges Méliès) to the present, and represents virtually every genre, including Westerns, Film Noir, and Science Fiction. Hollywood’s first big 3-D craze (sometimes called 3-D’s “golden era”), intended to offset the threat of television, came in the early 1950s, with such movies as Hitchcock’s “Dial M For Murder,” André De Toth’s “House of Wax” and Jack Arnold’s “Creature From the Black Lagoon” (all included in the series).
Hollywood produced roughly 50 movies in the process from 1952 to 1954, before fizzling out and being overtaken by »
- Kate Erbland
Michael Sheen will host this year’s London Film Festival awards ceremony.
The juries for the 60th BFI London Film Festival (Oct 5-16) have been revealed.
They will oversee a line-up including Paul Verhoeven’s Elle, submitted by France to the 2017 Oscar race, Barry Jenkins’ Moonlight, François Ozon’s Frantz¸ Mohamed Diab’s Clash, and Benedict Andrews’ Una.
- email@example.com (Tom Grater)
Asif Kapadia’s Oscar-winner “Amy” and Alex Gibney’s controversial “Going Clear: Scientology and the Prison of Belief” will both compete in two categories at the Grierson Trust’s 44th British Documentary Awards.
The nominations, announced Tuesday, saw 23 women directors represented across the 52 film and television documentary productions short-listed.
Kapadia and Gibney’s films will compete with Joshua Oppenheimer’s “The Look of Silence” – his follow-up to the acclaimed “The Act of Killing” – and Matthew Heineman’s “Cartel Land” for Best Cinema Documentary. “Amy,” about late singer Amy Winehouse (pictured), also received a nomination as Best Arts Documentary.
“Going Clear” also vies for Best Documentary on a Contemporary Theme – International, where its competition will include Sean McAllister’s BAFTA-nominated “A Syrian Love Story,” Jerry Rothwell’s “How to Change The World” and James Jones’ “Children Of The Gaza War,” a BBC television production.
The BBC leads the way with 27 nominations across all 14 categories, »
- Robert Mitchell
Audience winner also revealed in Karlovy Vary.
The films selected for the 10th anniversary edition of the European Parliament’s Lux Film Prize have been revealed at the Karlovy Vary International Film Festival (Kviff).
At a packed event hosted at Karlovy Vary’s Hotel Pupp on Sunday (July 3), the 10 films were unveiled by Michaela Šojdrová, vice-chair of the committee on culture and education, Martina Dlabajová, vice-chair of the committee on budgetary control, Julie Ward and Bogdan Wenta, members of the committee on culture and education and Doris Pack, Lux Film Prize Coordinator.
The films are:
As I Open My Eyes (A Peine j’Ouvre Les Yeux), Leyla Bouzid (Fra-Tun-Bel-uae)A Syrian Love Story, Sean McAllister (UK)Letters From War (Cartas da Guerra), Ivo M Ferreira (Por)A War (Krigen), Tobias Lindholm (Den)Things To Come (L’avenir), Mia Hansen-Løve (Fra-Ger)Like Crazy (La Pazza Gioia), Paolo Virzi (Ita-Fra)My Life As A Courgette (Ma Vie De Courgette), [link »
- firstname.lastname@example.org (Michael Rosser)
Members of Grand Jury Award also revealed, which will be supported by Screen International and Broadcast.
The honour has been launched by Doc/Fest to highlight an influential individual’s contribution to the international documentary industry.
Doc/Fest will also present its inaugural Award for Unsung Hero in Factual TV to Jan Tomalin, the managing director of Media Law Consultancy who has advised a significant number of the UK’s top documentary makers, companies and broadcasters.
Both will be presented at the Doc/Fest Award Ceremony on June 14.
Doc/Fest has also revealed the names of those who will bestow the Grand Jury Award, which is supported by Screen International and sister title Broadcast »
- email@example.com (Michael Rosser)
As the main topic of this year’s festival, Docaviv will feature a select group of thought-provoking films about a world that is changing with the collapse of physical and social boundaries, growing economic disparities, the waves of refugees and immigrants, civil wars, international terrorism, and the ultimate undoing of social solidarity.
Within the framework of this theme the program does not only include documentaries about terror and refugees, but also about a fragmented society which is losing its solidarity. Both in Israel and elsewhere the gap between the haves and the have-nots is widening, and so are the frustrations and the unrest. Israeli and international titles correlating to these themes can be found throughout the entire festival program:
A tense, minute-by-minute, Rashomon-style account of a tragic day. On October 18, 2015, a terrorist armed with a gun and a knife entered Beersheba’s bus terminal. Within 18 minutes Omri Levy, a soldier was killed and Abtum Zarhum, Eritrean immigrant asylum seeker, was lynched after being mistaken for a terrorist.
A far-reaching, comprehensive look at the Jewish settlement enterprise in the West Bank. It examines the origins of the settlement movement and the religious and ideological visions that propelled it, while providing an intimate look at the people at the center of the greatest geopolitical challenge now facing Israel and the international community. (Isa Contact: Cinephil)
“Town on a Wire” - premiered at Cph: Dox Dir: Uri Rosenwaks
While Tel Aviv is thriving, just ten minutes away lies the town of Lod, right in the backyard of Israel’s bustling urban center. Unlike its affluent neighbor, Lod is a city that suffers from the blight of racism, crime, and sheer desperation. Can it be saved? Is there some way to bring hope to Lod’s Arab and Jewish residents?
“Foucoammare”/ “Fire at Sea” - by Gianfranco Rosi - winner of Golden Bear, Berlinale 2016 -every day the inhabitants of the Italian Island Lampedusa are confronted with the flight of refugees to Europe . These people long for peace and freedom and often only their dead bodies are pulled out of the water. (Contact Isa: Doc & Film Int’l. U.S.: Kino Lorber)
“Between fences” – by Avi Mograbi -. In an Israeli detention center asylum-seekers from Eritrea and Sudan can’t be sent back to their own countries, but have no prospects in Israel either thanks to the country’s policies. Chen Alon and Avi Mograbi, initiate a theatre workshop to give these people the opportunity to address their own experiences of forced migration and discrimination and to confront an Israeli society that views them as dangerous infiltrators.
“A Syrian Love Story” – by Sean McAllister -You can’t be Che Guevara and a mother Amer tells Raghda, but maybe she can't do it any other way. After years of struggle, life without her homeland and the revolution has no meaning for her. It is hard to determine what is more demanding in this bold film: the revolution, or the search for inner peace. (Contact Isa: Cat & Docs)
“Homo Sapiens” – by Nikolaus Geyrhalter - what does humanity leave behind when its gone? It sometimes seems as if the mark that humans leave on this planet will last forever. The truth is that the iron, bricks, cement, and steel – the human traces everywhere abandoned and forgotten – are erased by the forces of nature. This unusually beautiful film may lack people and words, but that leaves even more room for thought.(Contact Isa: Autlook)
“Land of the Enlightened” – Premiered at Sundance Ff 2016. Shot over seven years on evocative 16mm footage, first-time director Pieter-Jan De Pue paints a whimsical yet haunting look at the condition of Afghanistan left for the next generation. As American soldiers prepare to leave, we follow De Pue deep into this hidden land where young boys form wild gangs to control trade routes, sell explosives from mines left over from war, making the new rules of war based on the harsh landscape left to them. (Contact Isa: Films Boutique)
“Flickering Truth” - Premiered at Toronto Ff 2015. Director Pietra Brettkelly (The Art Star and the Sudanese Twins) directs this harrowing, compelling film about the power of cinema to preserve our history and in so doing potentially change our futures. (Contact Isa: Film Sales Company)
“Requiem for the American Dream” - Directed by Peter D. Hutchison, Kelly Nyks, Jared P. Scott. In ten chilling but lucid chapters, Noam Chomsky, one of the great intellectuals of our time, analyzes the “system,” which allows wealthy capitalists to seize the reins of government and turn those without wealth into a passive herd, willing to forego power, solidarity, and democracy itself. (U.S.: Gravitas. Contact Isa: Films Transit)
The festival will open with a first film by Israeli director Roman Shumunov
“Babylon Dreamers” Directed by Roman Somonob. An intimate report about a troupe of immigrants from the former Soviet Union, from one of Ashdod’s poorest neighborhoods; they struggle to survive facing harsh conditions - poverty, mental illness, and broken families. They channel their anger and cling to their dream of attending and winning the International Breakdance Championship.
Some 70 Israeli films produced over the last year were submitted out of which 13 films have been selected for the Israeli Competition. They will be competing for the largest cash prize for documentary filmmaking in Israel 70,000 Nis (Us$ 15,000). Other awards in the competition include the Mayor’s Prize for the Most Promising Filmmaker, the Prize for Editing, the Prize for Cinematography, the Prize for Research, and the Prize for Original Score.
"The Wonderful Kingdom of Papa Alaev," directors Tal Barda, Noam Pinchas -Tajikistan’s answer to the Jackson Family. A modern-day Shakespearean tale about a famous Tajik musical family, controlled by their charismatic patriarch-grandfather - Papa Alaev.
"A Tale of Two Balloons" by Zohar Wagner - The tale of a women who thought a pair of perfect breasts would help her find true love. But when that love came along, those perfect breasts had to go.
"Aida's Secrets," director Alon Schwarz - At 68, Izak learns he has a brother he never knew about. As part of the discoveries about the family, the film uncovers the story of the Displaced Persons camps- the vibrant and often wild social life that flourished immediately after WW2.
"Child Mother" by Yael Kipper and Ronen Zaretzky - The story of elderly women born in Morocco and Yemen, who were married off when they were still little girls. Only now, as they enter the final chapter of their lives, do they openly face their past and the ways it still affects them and their families.
"The Last Shaman" directed by Raz Degan - Inspired by an article he read, James decides to travel to the Amazon rainforests, in search of a shaman whom he thinks can save him from a clinical depression that haunts him.
"The Patriarch's Room" by Danae Elon -The bizarre imprisonment of the former head of the Greek Orthodox Church in a tiny monastic cell in Jerusalem’s Old City leads to a fascinating journey in search of the truth, penetrating the remote world of the priesthood. The complex and unfamiliar picture that emerges is revealed here, on camera, for the very first time.
"Poetics of the Brain" by Nurith Aviv –weaving associative links between her personal biographical stories and neuroscientists’ accounts of their work. They discuss topics such as memory, bilingualism, reading, mirror neurons, smell, traces of experience.
"Shalom Italia," by Tamar Tal Anati (winner of Docaviv for Life in Stills) -Three Italian Jewish brothers set off on a journey through Tuscany, in search of a cave where they hid as children to escape the Nazis. Their quest, full of humor, food and Tuscan landscapes, straddles the boundary between history and myth, both of which really, truly happened.
"Week 23" by Ohad Milstein - Rahel, the daughter of a Swiss bishop, is coping with a difficult pregnancy in Israel. One of the identical twins she is carrying has died in utero, and now poses an almost certain threat to its sibling. The doctors are unequivocal about it. They tell Rahel that she should abort the surviving fetus and end her pregnancy.
The Members of the selection committee included Sinai Abt, artistic director of the Docaviv Film Festival; director Reuven Brodsky, winner of Docaviv in 2012 for his film Home Movie and of Honorable Mention at Docaviv in 2015 and film editor Ayelet Ofarim.
Twelve films have been selected for the International Competition, which will open with the The Happy Film by Stefan Seigmeister. Also competing are Jerzy Sladkowski’s Don Juan, winner of the Idfa Award; Author: The J.T. LeRoy Story about the imaginary cult figure who became the darling of New York society and nightlife, picked up by Amazon at Sundance as its first doc title. Another festival favorite is A Flickering Truth and Sean McAllister's daring award winning documentary A Syrian Love Story.
The Depth of Field Competition will open with LoveTrue by director Alma Har’el, who will be a juror for the Israeli Film Competition. This is the Competition’s third year, held in conjunction with the Film Critics’ Forum that will award films for an outstanding and daring artistic vision. Other films that will be screened as part of the competition include Sundance winners Kate Plays Christine by Robert Greene, and Pieter-Jan De Pue’s hybrid documentary The Land of the Enlightened; other titles that will be shown are Hotel Dallas by wife and husband artist duo Livia Ungur and Sherng-Lee Huang, The Hong Kong Trilogy by noted cinematographer Christopher Doyle , and the musical- turned into documentary London Road by Rufus Norris and Alecky Blythe.
The Masters Section, a new category in the festival, highlighting new films by world renowned directors will be opened by Fire at Sea by director Gianfranco Rosi, winner of the Golden Bear at this year’s Berlinale. Avi Mograbi’s Between Fences will be accompanied by a play by the Holot Legislative Theater, with a cast of actors that includes Israelis and African asylum seekers.
Other films in this section include amongst others Junun, Paul Thomas Anderson’s portrayal of a musical project involving Shye Ben-Tzur and Jonny Greenwood, Homo Sapiens by director Nikolaus Geyrhalter, Steve Jobs: The Man in the Machine by director Alex Gibney, To the Desert by director Judd Neeman, Unlocking the Cage by directors D.A. Pennebaker and Chris Hegedus, De Palma by co-director Noah Baumbach and He Named Me Malala by David Guggenheim.
The Panorama selection of films will include amongst others the moving Strike a Pose, by Ester Gould and Reijer Zwaan about the dancers who accompanied Madonna on her “Blond Ambition” tour, Roger Ross Williams ‘Life, Animated depicting the remarkable story of an autistic boy, who learned how to communicate with his surroundings through Disney films, Those Who Jump about an African refugee who films attempts by other refugees to jump the barbed wire border fence in North Africa and Louis Theroux: My Scientology Film.
This year’s Arts Section will include Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble by Academy Award winner Morgan Neville; I Don’t Belong Anywhere: The Cinema of Chantal Akerman, which was produced shortly before her tragic death, Listen to Me, Marlon, which tells the story of Marlon Brando through the audio recordings he made throughout his life, Peggy Guggenheim: Art Addict, the salacious story of art collector Peggy Guggenheim, Koudelka Shooting Holy Land, Gilad Baram’s film about famous Czech photographer Josef Koudelka’s travels along the Separation Fence, and more.
Seven films produced by the top film schools in Israel were selected to compete in the annual Student Film Competition. The prize for the competition was donated by the Gottesman family in memory of Ruti Gottesman, a leading supporter of Docaviv and of documentary.
The Members of the selection committee included Karin Ryvind Segal, programming director for Docaviv, Hila Avraham, curator and expert on film and audiovisual media preservation and screenwriter Danny Rosenberg, whose work includes the films My Father’s House , Susia and the television series Johnny and the Knights of the Galilee.
Special Guests attending the Festival:
Award winning Director Ondi Timoner, will be attending the Israeli premiere of her film Russell Brand: A Second Coming. Her Sundance-winning film Dig! will be among the music documentaries screened at the Tel Aviv Port. In conjunction with the Film Department of Beit Berl College, Timoner will also be conducting a special master class for students, professionals, and amateurs.
This year’s festival will include a special tribute to acclaimed director Nikolaus Geyrhalter who will be attending the festival with his recent Homo Sapiens. This year’s festival will also include two previous films of his, Our Daily Bread and Abendland,.
International jury members attending the festival include:
Adriek van Nieuwenhuyzen, Director of the Idfa industry office; Gary Kam, producer of Planet of Snail; film director Alma Har’el (Bombay Beach; LoveTrue) ; Nilotpal, Director of Docedge Kolkata, Sascha Lara Bleuler, Director of the Human Rights Film Festival in Zurich, and film director Tatiana Brandrup.
The Israeli jurors include:
Around town. A record number of twelve screening venues spread out across Tel Aviv will offer free screenings. These are: Habima Square, the Beit Danny Community Center, the Hatikvah neighborhood, the Arab-Jewish Community Center in Jaffa, the rooftop of Tel Aviv City Hall, WeWork, Levinsky Park, Bar Kayma, Beit Romano, the Nalaga’at Center, Picnic Little Italy-Sarona Tel Aviv, and Artport.
Outdoors. The Tel Aviv Port will continue to host the festival this year, with outdoor screenings of music films with guest deejays from KZRadio. Films to be screened at the port include Janis: Little Girl Blue, The Reflektor Tapes about the band Arcade Fire, P.T Andersoan’s Junun about the musical collaboration between Shye Ben Tzur, Jonny Greenwood, Nigel Godrich, and a dozen Indian musicians.
Festival Firsts. DocaviVR: a collaboration between Docaviv and Steamer, Israel’s first Interactive and Virtual Reality Film Festival, presents original documentary projects from Israel and around the world, created especially for viewing with Vr gear. The event will take place at Beit Romano. A cinema will pop up in one of Tel Aviv’s trendy hubs, with 25 stations equipped with Vr gear.
The Docommunity conference aims to promote dcomentary across the country by bringing together cultural coordinators and artistic directors from across the country to introduce them to the latest documentary films from Israel and around the world.
The Platform for Alternative Documentation at Artport art space: A performative piece that brings together film artists, social activists, and researchers studying the various aesthetic, social, and philosophical aspects of documentation. Curated by Laliv Melamed and Gilad Reich.
Young audiences. For the first time, films from The Next Doc will be screened, a special initiative of Docaviv, the Second Channel, and the New Fund for Film and Television, which led to the production of three films created especially for a teenage audience.
Docaviv will also be hosting the final event of Docu Young, at which films by students in residential schools, who participated in film workshops , will be screened.
The Docyouth Competition will feature the best documentary films produced by students in high school film programs throughout the country. For the first time, voting for this year’s competition will be held online and open to high school students across the country.
Among the Screenings of docs for kids are Victor Kosakovsky’s “Varicella”, and “Landfilharmonic”.
Over the course of the festival, 110 films will be screened.
- Sydney Levine
Exclusive: A total of 110 films will screen at the festival, including recent Golden Bear-winner Fuocoammare and a selection of Israeli docs.
Topics including immigration and instability in the West Bank region will be highlighted at this year’s Docaviv international documentary festival (May 19-28) in Tel Aviv, Israel.
The festival will open with Babylon Dreamers [pictured], about a group of immigrants from the former Soviet Union who, despite struggling to survive in tough circumstances in Israeli city Ashdod, decide to pursue their dream of entering the International Breakdance Championships.
That film will compete in the festival’s Israeli competition, which offers a prize of $18.5k (70k Ils), alongside 12 other titles including films about arranged marriages in Morocco and Yemen (Child Mother), depression-curing shamans in the Amazon rainforest (The Last Shaman), and three »
Announcement coincides with the unveiling of six films by BFI graduates.
The UK’s Department for Education has announced it will invest $1.4m (£1m) of funding to support the BFI Film Academy in 2016-17.
The boost is on top of the $5.6m (£4m) the Dfe has invested in the Academy’s residential and regional programmes since 2012.
The move came on the day that 66 young filmmakers from the BFI Film Academy unveiled six short films to British film industry figures including producers Alison Owen (Suffragette, Saving Mr. Banks), Faye Ward (Suffragette, Jane Eyre) and Duncan Kenworthy (The Pass, Love Actually).
The screening and graduation ceremony, held today at BFI Southbank in London, showcased films created as part of the BFI Film Academy course at the National Film and Television School.
BFI CEO Amanda Nevill said: “Talent is everywhere but opportunity is not, and the BFI Film Academy is designed to change that. If UK film »
- firstname.lastname@example.org (Michael Rosser)
Despite the ever-increasing proximity between the Oscars and the British Academy of Film and Televison Arts awards, Bafta still remains a terrific reminder of the British brand. But the love in this year’s noms has been given to a host of veterans: Ridley Scott, Maggie Smith, Kate Winslet, Julie Walters and Mark Rylance have already notched up a collective 33 Bafta nominations. The British Academy Film Awards take place Feb. 14 at the Royal Opera House in Covent Garden, London.
That’s not to say the fresh blood isn’t there, but perhaps increasing overlap in Oscar and Bafta conversations have limited the expectation for the Brit awards to serve as a platform for discovery.
“Since Bafta has repositioned itself very deliberately and positively to overlap with the Oscar conversation, the consequence has been that the opportunity to profile exciting or emerging talents has been limited,” says British Film Institute Film Fund director Ben Roberts. »
- Diana Lodderhose
Istanbul event will host a total of 23 gala screenings, including the latest films from Charlie Kaufman and Jean-Marc Vallee, as well as a David Bowie tribute programme.Scroll down for the full line-up
!f Istanbul Independent Film Festival has revealed its programme for the 2016 edition (February 18-28).
Charlie Kaufman’s Anomalisa, which premiered at Telluride last year, and Jean-Marc Vallee’s Demolition, which opened the Toronto International Film Festival in 2015, will open and close the festival respectively.
!f Istanbul - in its 15th edition - will host screenings, competitions and events dedicated to bringing the best of independent film to the Turkish city.
Leave it to the Brits! The BAFTA nominations were announced and they gave us a slightly different look at the awards season! For instance, Tom McCarthy's "Spotlight," the leading Oscar contender in the U.S. just received 3 noms including Best Film, Supporting Actor for Mark Ruffalo and Original Screenplay. No Director nomination for McCarthy.
Meanwhile, Steven Spielberg's "Bridge of Spies," a handsomely-produced period piece led the pack along with Todd Haynes' "Carol," another handsomely-produced period piece. Both films garnered nine nominations each including Best Picture. "Bridge of Spies" and "Carol" will duke it out with "Spotlight," Alejandro Gonzales Inarritu's "The Revenant" (eight nominations), and Adam McKay's "The Big Short" (five nominations) for the Best Picture trophy.
So where's "Mad Max: Fury Road" and "Star Wars: The Force Awakens" you ask? They're relegated to the technical categories. Apparently, sequels, no matter how great they are, can't compete with originals. »
With the Academy Award nominations coming up next week, it's time for the Brits to reveal their favorites first. The nominations for the 69th Annual BAFTA Awards (British Academy of Film and Television Arts) were announced today. The top films are Todd Haynes' Carol and Spielberg's Bridge of Spies, each rounding up a total of nine nominations. The BAFTAs have a large set of categories similar to the Oscars, and they always feature some very unique picks among the nominees. This year's Best Film line-up: The Big Short, Bridge of Spies, Carol, The Revenant and Spotlight. Mad Max: Fury Road also received seven noms. Here's the complete list of nominations for this year's 69th Annual BAFTAs: Best Film The Big Short Bridge of Spies Carol The Revenant Spotlight Outstanding British Film 45 Years Amy Brooklyn The Danish Girl Ex Machina The Lobster Outstanding Debut By A British Writer, Director »
- Alex Billington
Believe it or not, members of the Academy will likely have finalized their nomination decisions by the time you’re reading this. Yes, the deadline for ballots to be in is today, and that’s coming right on the heels of the British Academy of Film and Television Arts (or BAFTA) making their nomination announcement in the wee hours. They function almost as an extra guild, as many BAFTA members are in the Academy as well, so it bears referencing. Oscar isn’t going to be able to refer to DGA nominations this year, so I think some voters will look for clues as to what their colleagues support anywhere that they can find it. This might lead to some surprises, for sure, but it also makes things almost impossible to pin down right now. Still, we try. First up, here are the BAFTA nominations: Best Film The Big Short »
- Joey Magidson
On Friday the nominations for the Ee British Academy Film Awards in 2016 were revealed. The BAFTAs will be announced on Sunday, February 14 at the Royal Opera House, Covent Garden, London. The ceremony will be hosted by Stephen Fry and broadcast exclusively on BBC One and BBC One HD, with the ceremony being rebroadcast on BBC America.
Bridge of Spies and Carol each receive nine nominations. The Revenant is nominated in eight categories. Mad Max: Fury Road has seven nominations. Brooklyn and The Martian are each nominated six times. The Big Short, The Danish Girl and Ex Machina receive five nominations. Star Wars: The Force Awakens receives four nominations.
Bridge of Spies is nominated in the following categories: Best Film, Director for Steven Spielberg, Original Screenplay, Original Music, Cinematography, Editing, Production Design and Sound. Mark Rylance is nominated for Supporting Actor.
- Michelle McCue
In an interesting turn for awards season watchers, Alicia Vikander was nominated as lead actress for "The Danish Girl." She also received mention in the supporting category for "Ex Machina." Here is the full list of nominations:
Outstanding British Film
- Kelly Woo
Nominations for the 69th annual British Academy Film Awards arrived early this morning and in welcome news, the proceedings were topped by Todd Haynes’ Carol and Steven Spielberg’s Bridge of Spies (both of which made our top 50 of the year), with 9 nominations each. Not far behind was The Revenant, which was nominated in eight categories. while Mad Max: Fury Road has seven nominations.
Following that, Brooklyn and The Martian are each nominated six times. The Big Short, The Danish Girl and Ex Machina received five nominations with Alicia Vikander picking up two acting nominations. A little film called Star Wars: The Force Awakens also managed to rack up four nominations.
Check out the full list below ahead of a ceremony on February 14th.
(presented in 2016)
- Jordan Raup
This year's BAFTA award nominations have been revealed, with Carol and Bridge Of Spies out in front on nine nominations apiece. The Revenant has eight nominations and Mad Max: Fury Road seven. This year's Rising Star nominations, meanwhile, include John Boyega, whose role in Star Wars: The Force Awakens, which received four nominations, means some people might argue that he has already risen.
The winners will receive their awards in a ceremony on Valentine's Day.
Those nominations in full:-
Outstanding British film
Outstanding debut by British writer, director or producer
Alex Garland (director, Ex Machina) Debbie Tucker Green (writer/director, Second Coming) Naji Abu Nowar (writer/director, Theeb), Rupert Lloyd (producer, Theeb) Sean McAllister (director/producer, A Syrian Love Story), Elhum Shakerifar (producer, »
- Jennie Kermode
The British Academy of Film and Television Arts (BAFTA) has just announced there nominations and there’s quite a lot to process, so let’s start from the top. Steven Spielberg’s Cold War drama Bridge of Spies and Todd Haynes’ gorgeous relationship drama Carol have tied for the lead with nine nominations apiece, with both films receiving nominations for Best Film, Best Director, and Best Screenplay (in their respective categories). Not far behind is Alejandro Gonzalez Inarritu’s revenge epic The Revenant with eight nominations, including Best Film, Best Director, Best Actor, and Best Editing.
What may come as a surprise to some is that Adam McKay’s comedy-drama about the 2008 financial crisis did rather well. It may have only received five nominations, but they were all major nods: Best Film, Best Director, Best Adapted Screenplay, Best Supporting Actor (Christian Bale), and Best Editing. Meanwhile, the film that has »
- Jeff Beck
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