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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009

7 items from 2015

Sloane Crosley Talks About Writing Her First Novel The Clasp With A.M. Homes

31 May 2015 1:00 PM, PDT | Vulture | See recent Vulture news »

“I speak heavily in analogies,” Sloane Crosley said Saturday at BookCon, where A.M. Homes interviewed her in front of seventy or so fans at the Javits Center. The celebrated essayist (and, full disclosure, a friend) was here to talk up her first novel, The Clasp, a major Farrar Straus and Giroux title out this coming fall, about three estranged college friends who embark on a French road trip in search of a lost piece of jewelry. It's an homage to Guy de Maupassant’s “The Necklace,” and the event began with a slightly campy reading of that famous short story by Barbara Rosenblat, introduced as “the Meryl Streep of audio books,” but possibly more familiar as cancer-stricken Rosa from Orange is the New Black. Following that, the two writers fell into some banter about the writing process, riffing on famous quotes and odd analogies like Abbot and Costello at a »

- Boris Kachka

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Cannes: MK2 Back With Stephane Brize for ‘Une Vie’ (Exclusive)

14 May 2015 6:00 AM, PDT | Variety - Film News | See recent Variety - Film News news »

MK2, France’s leading arthouse exhibitor and international sales company, has boarded Stephane Brize’s “Une Vie,” an adaptation of Guy de Maupassant’s classic novel.

The project is Brize’s follow-up to Cannes’ competition player “The Measure of a Man,” which marks the helmer’s debut in Cannes’ official selection and his first time collaborating with MK2.

Une Vie” is a 19th century-set film starring Judith Chemla as a young aristocrat from the French provinces determine to experience life to the fullest in a story spanning 20 years. As with Brize’s previous movies, the cast is made up of well-known French stars, including Jalil Lespert, Jean Pierre Darroussin and Yolanda Moreau.

Ts Prods. is producing the $7.9 million movie, which is set to shoot in two parts, starting this summer and picking up next winter.

MK2, which pulled out of production and distribution a year and a half ago to »

- Elsa Keslassy

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Classic French Film Festival Begins March 13th in St. Louis

3 March 2015 7:45 PM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

Qui aime les films français ?

If you do and you live in St. Louis, you’re in luck! The Seventh Annual Robert Classic French Film Festival — co-presented by Cinema St. Louis and the Webster University Film Series begins March 13th. The Classic French Film Festival celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1930s through the early 1990s, offering a comprehensive overview of French cinema. The fest is annually highlighted by significant restorations.

This year features recent restorations of eight works, including an extended director’s cut of Patrice Chéreau’s historical epic Queen Margot a New York-set film noir (Two Men In Manhattan) by crime-film maestro Jean-Pierre Melville, who also co-stars; a short feature (“A Day in the Country”) by Jean Renoir, on a double bill with the 2006 restoration of his masterpiece, The Rules Of The Game, and the »

- Tom Stockman

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New on Video: ‘A Day in the Country’

16 February 2015 4:27 PM, PST | SoundOnSight | See recent SoundOnSight news »

A Day in the Country

Written and directed by Jean Renoir

France, 1936

Jean Renoir’s A Day in the Country comes at a curious point in the director’s career. In 1936, he had several exceptional silent films to his credit, as well as such classics of early French sound cinema as La Chienne (1931), Boudu Saved from Drowning (1932), and The Crime of Monsieur Lange (1936), among others. But he had still not yet achieved his singular place on world cinema’s pre-war stage. That he would do just a year later, with La Grande Illusion (1937). As noted on the new Criterion Blu-ray, A Day in the Country was “conceived as a short feature…[and] nearly finished production in 1936 when Renoir was called away for The Lower Depths. Shooting was abandoned then, but the film was completed with the existing footage by Renoir’s team and released in its current form in 1946, after the »

- Jeremy Carr

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Remembering Actress Simon Part 2 - Deadly Sex Kitten Romanced Real-Life James Bond 'Inspiration'

5 February 2015 7:53 PM, PST | Alt Film Guide | See recent Alt Film Guide news »

Simone Simon in 'La Bête Humaine' 1938: Jean Renoir's film noir (photo: Jean Gabin and Simone Simon in 'La Bête Humaine') (See previous post: "'Cat People' 1942 Actress Simone Simon Remembered.") In the late 1930s, with her Hollywood career stalled while facing competition at 20th Century-Fox from another French import, Annabella (later Tyrone Power's wife), Simone Simon returned to France. Once there, she reestablished herself as an actress to be reckoned with in Jean Renoir's La Bête Humaine. An updated version of Émile Zola's 1890 novel, La Bête Humaine is enveloped in a dark, brooding atmosphere not uncommon in pre-World War II French films. Known for their "poetic realism," examples from that era include Renoir's own The Lower Depths (1936), Julien Duvivier's La Belle Équipe (1936) and Pépé le Moko (1937), and particularly Marcel Carné's Port of Shadows (1938) and Daybreak (1939).[11] This thematic and »

- Andre Soares

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La Bête Humaine and Cat People Actress Remembered Part 1 (Revised and Expanded Version)

5 February 2015 7:47 PM, PST | Alt Film Guide | See recent Alt Film Guide news »

'Cat People' 1942 actress Simone Simon Remembered: Starred in Jacques Tourneur's cult horror movie classic (photo: Simone Simon in 'Cat People') Pert, pouty, pretty Simone Simon is best remembered for her starring roles in Jacques Tourneur's cult horror movie Cat People (1942) and in Jean Renoir's French film noir La Bête Humaine (1938). Long before Brigitte Bardot, Mamie Van Doren, Ann-Margret, and (for a few years) Jane Fonda became known as cinema's Sex Kittens, Simone Simon exuded feline charm in a film career that spanned a quarter of a century. From the early '30s to the mid-'50s, she seduced men young and old on both sides of the Atlantic – at times, with fatal results. During that period, Simon was featured in nearly 40 movies in France, Italy, Germany, Britain, and Hollywood. Besides Jean Renoir, in her native country she worked for the likes of Jacqueline Audry »

- Andre Soares

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Emilie Cherpitel on ‘Eva & Leon,’ A ‘Mother-Meets-Son’ Movie

15 January 2015 9:57 AM, PST | Variety - Film News | See recent Variety - Film News news »

The art decoration of “Eva & Leon” is sublime, its impact immediate in the measured static shots of Eva’s chic and huge arrondissement Paris flat, classical in the carefully contrasting tones of white, gray, blue and salmon, setting off of furniture, curtains, drapes, sofas, cushions, gray and walls, high ceilings. A life-size flamingo stands by the mantelpiece. But such luxury is not enough. Eva, 35 (Clotilde Hesme), svelte, a dandy, an flaneur, cultured, immature, no children, absent mother, recluse father, termigant sis, lives a privileged life few can dream of, at least  seriously. But, as the film suggests, she needs Leon, 10, an orphan who has escaped from his reception miles away outside France to try to find his birth-mother, to give her life an emotional anchor. Emilie Cherpitel’s film portrays their growing relationship of an odd couple. Distributed in France and sold abroad by Pyramide, one of Europe’s top arthouse production-distribution-sales companies, »

- John Hopewell

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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009

7 items from 2015

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