Paul Massey products
| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 2008 | Nominated | Oscar |
Best Achievement in Sound Mixing for: 3:10 to Yuma (2007). Shared with: David Giammarco Jim Stuebe |
| 2007 | Nominated | Oscar |
Best Achievement in Sound Mixing for: Pirates of the Caribbean: Dead Man's Chest (2006). Shared with: Christopher Boyes Lee Orloff |
| 2006 | Nominated | Oscar |
Best Achievement in Sound Mixing for: Walk the Line (2005). Shared with: Doug Hemphill Peter F. Kurland |
| 2004 | Nominated | Oscar |
Best Sound Mixing for: Master and Commander: The Far Side of the World (2003). Shared with: Doug Hemphill Art Rochester |
| 1998 | Nominated | Oscar |
Best Sound for: Air Force One (1997). Shared with: Rick Kline Doug Hemphill Keith A. Wester |
| 1995 | Nominated | Oscar |
Best Sound for: Legends of the Fall (1994). Shared with: David E. Campbell Chris David Douglas Ganton |
| BAFTA Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2007 | Nominated | BAFTA Film Award |
Best Sound for: Pirates of the Caribbean: Dead Man's Chest (2006). Shared with: Christopher Boyes George Watters II Lee Orloff |
| 2006 | Won | BAFTA Film Award |
Best Sound for: Walk the Line (2005). Shared with: Doug Hemphill Peter F. Kurland Donald Sylvester |
| 2004 | Won | BAFTA Film Award |
Best Sound for: Master and Commander: The Far Side of the World (2003). Shared with: Richard King Doug Hemphill Art Rochester |
| 2001 | Won | BAFTA Film Award |
Best Sound for: Almost Famous (2000). Shared with: Jeff Wexler Doug Hemphill Rick Kline Michael D. Wilhoit |
| 1993 | Nominated | BAFTA Film Award |
Best Sound for: The Last of the Mohicans (1992). Shared with: Simon Kaye Lon Bender Larry Kemp Doug Hemphill Mark Smith Chris Jenkins |
| Cinema Audio Society, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 2012 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures for: Pirates of the Caribbean: On Stranger Tides (2011). Shared with: Alan Meyerson (scoring mixer) Lee Orloff (production mixer) Christopher Boyes (re-recording mixer) |
| 2010 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures for: Star Trek (2009). Shared with: Andy Nelson (re-recording mixer) Anna Behlmer (re-recording mixer) Peter J. Devlin (production mixer) |
| 2007 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures for: Pirates of the Caribbean: Dead Man's Chest (2006). Shared with: Christopher Boyes (re-recording mixer) Lee Orloff (production mixer) |
| 2006 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures for: Walk the Line (2005). Shared with: Doug Hemphill (re-recording mixer) Peter F. Kurland (production mixer) |
| 2004 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures for: Master and Commander: The Far Side of the World (2003). Shared with: Doug Hemphill (re-recording mixer) Art Rochester (production mixer) |
| 1998 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Air Force One (1997). Shared with: Doug Hemphill (re-recording mixer) Rick Kline (re-recording mixer) Keith A. Wester (production mixer) |
| Gemini Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1990 | Won | Gemini |
Best Sound in a Comedy, Variety or Performing Arts Program or Series for: Carnival of Shadows (1989) (TV). Shared with: John Martin Jane Tattersall Scott Purdy |
Best Sound in a Dramatic Program or Series for: Divided Loyalties (1989). Shared with: Steve Joles David Evans Wayne Griffin David Appleby |
| Nominated | Gemini |
Best Sound in a Comedy, Variety or Performing Arts Program or Series for: For the Whales (1989) (TV). Shared with: Brian Avery Denis Blais Gillian Jones John Martin |
|
| 1989 | Won | Gemini |
Best Sound in a Comedy, Variety or Performing Arts Program or Series for: Ravel (1987) (TV). Shared with: Gyokeres, Tibor John Martin Denise McCormick Brian Avery |
Best Sound in a Dramatic Program or Series for: Glory Enough for All (1988) (TV). Shared with: Frank Morrone John P. Megill Jim Hopkins Chris Hutton |
| 1987 | Won | Gemini |
Best Sound in a Dramatic Program or Series for: Sword of Gideon (1986) (TV). Shared with: Claude Hazanavicius Christopher Hutton Catherine Hunt James Porteous |
| Genie Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1990 | Nominated | Genie |
Best Achievement in Overall Sound for: Bye Bye Blues (1989). Shared with: Peter Kelly Garrell Clark |
| Satellite Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2007 | Nominated | Satellite Award |
Best Sound (Mixing & Editing) for: Pirates of the Caribbean: At World's End (2007). Shared with: Christopher Boyes Lee Orloff George Watters II |
| 2004 | Won | Golden Satellite Award |
Best Sound for: Master and Commander: The Far Side of the World (2003). Shared with: Richard King Doug Hemphill Art Rochester |
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