4 items from 2017
Last month, box office analysts were predicting that Disney's long-awaited live-action remake of Beauty and the BEast will take in $120 million at the box office, a debut that most studios would be happy with for any film. As we got closer and closer to the release, the projections started to increase, with some predicting it could earn upwards of $150 million, which would still put it just short of the all-time highest March opening, Batman v. Superman: Dawn of Justice's $166.1 million tally last year. It seems Beauty and the Beast has outdone itself, besting all projections for a record-breaking $170 million box office estimate.
Disney itself was downplaying those projections, with their own internal estimates placing their debut at $100 million. Box Office Mojo reports that Beauty and the Beast debuted in 4,210 theaters, earning an impressive $40,380 per-screen average. While this 4,210-theater rollout is certainly large, it ranks as the 29th widest of all time, »
It wasn't too long ago that the month of March wasn't exactly seen as the home to box office juggernauts, but that all changed seven years ago when Disney's Alice in Wonderland opened huge with $116.1 million. Just a few years later, Lionsgate positioned its new franchise The Hunger Games in March, where it opened to the tune of a record-breaking $152.5 million, and last year, that record was broken by Batman v. Superman: Dawn of Justice's $166.1 million. This year, Disney's Beauty and the Beast could very well vie for that record, but while it will easily come out on top this weekend, we're predicting this live-action fairy tale adaptation will arrive just short of the record, with $139.7 million.
Last month, box office analysts predicted that Beauty and the Beast could open around $120 million, while Disney itself was downplaying those projections, with their own internal estimates placing their debut at $100 million. »
Of all cartoons on television right now, SpongeBob SquarePants seems to always have the most fun with writing. It’s far and away the most “adult” of all the daytime cartoons that are aimed at children. While it’s not a show the references like a Simpsons or Family Guy, you can tell that the writers are 100% aware that plenty of parents are watching. Plus the amount of innuendos on that show is nearly impossible to count. Looks like the March 4th episode of SpongeBob is really going to get adult on us. J.K. Simmons lends his voice to Maestro Mackerel
- Nat Berman
Exclusive: Iffr reveals lineup and jury for programme focused on emerging filmmakers.
Scroll down for the full lineup
The competition for the Bright Future Award 2017 consists of sixteen debut films, including Chinese documentary Children Are Not Afraid of Death, Children Are Afraid of Ghosts by Rong Guang Rong and Caroline Leone’s melancholy Brazilian road movie Pela Janela. Also competing are Belgian title Inside the Distance and German feature Self-Criticism Of A Bourgeois Dog.
The jury for the award will be made up of Italian film producer Marta Donzelli (Le Quattro Volte); Marleen Slot, Netherlands producer for Viking Film (Neon Bull) and chair of Film Producers Netherlands (Fpn); and Jean-Pierre Rehm, director of the French film festival Fid Marseille.
Outside of this competition, Bright Future also presents »
- firstname.lastname@example.org (Andreas Wiseman)
4 items from 2017
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