3 items from 2015
Love can be a many splendid thing…both in triumph and sometimes in tragedy. The emphasis of this sentiment is mainly on the latter as tragedy can be defined in various degrees of despair. Consequently, we have endured all sorts of conflict between lovers in cinema throughout the history of frequenting the movies.
In You’ve Lost That Loving Feeling: Top Ten Tragic Lovers in the Movies we will look at a selection of films where the tragic circumstances have shaped the foundation of film lovers convincingly. The tragic overtones come in all varieties: marital discourse, criminal activity, fraud, addiction, etc. Granted that there are probably bigger and better choices for lovey-dovey antagonism that could be cited in You’ve Lost That Loving Feeling but hey…the outcome remains the same: hampered relationships that are creatively rooted in turmoil.
The spotlight of “lovers” are open to discussion in the realm of combative married couples, »
- Frank Ochieng
Jenni Olson begins The Royal Road, her latest emotional excavation of Hollywood nostalgia via Benning-esque 16mm landscape portraiture, by self-referentially quoting Michel Chion on the shadowy pretext of off screen voiceover after reflecting in her own dryly articulated voiceover on the monologue that opens Billy Wilder’s classic allegory of broken La dreams, Sunset Boulevard. Though Olson’s film revolves around another stretch of California highway, the 600-mile El Camino Real strip, the cinematic reference leads us down a winding poetic path on which Hollywood history, the neglected record of the Mexican American War and Olson’s own unrequited romantic pursuits come together with the same sort of mannered meditation that won her San Francisco Film Critics Circle’s Marlon Riggs Award for The Joy of Life back in 2005.
Pitting rigorously composed images of modern day Los Angeles and San Francisco against her own gender dysphoric voice, she explicates an »
- Jordan M. Smith
40. Beauty and the Beast (1991)
Lost to: Silence of the Lambs 1991 was the first time an animated film ever grabbed a nomination for Best Picture with Disney’s version of “Beauty and the Beast.” The film also picked up nominations for sound, Original Score (for which it won) and three – count ‘em Three – for Best Original Song, the Oscar going to the title song. The film never really had a chance of winning (though this was one rare year where the Academy went exceedingly dark with their winner), but its inclusion was the first step toward a wider range of films getting a chance and the creation of the eventual Best Animated Film category.
39. The Maltese Falcon (1941)
Lost to: How Green Was My Valley
1941 would one day become one of the most notorious Oscar upsets, but not because of this film, however brilliant it is (the other film is much higher »
- Joshua Gaul
3 items from 2015
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