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Jim Machin (I)

Jim Machin is known for his work on Batman Begins (2005), Lara Croft: Tomb Raider (2001) and GoldenEye (1995). See full bio »

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Known For

Batman Begins
Batman Begins Special Effects
Lara Croft: Tomb Raider
Lara Croft: Tomb Raider Special Effects
GoldenEye Visual Effects
Quantum of Solace
Quantum of Solace Special Effects


Hide Hide Show Show Special effects (25 credits)
 2016 Fantastic Beasts and Where to Find Them (sfx workshop supervisor)
 2016 The Legend of Tarzan (sfx workshop supervisor)
 2015/I Cinderella (sfx workshop supervisor)
 2014 Jack Ryan: Shadow Recruit (senior effects technician)
 2013 RED 2 (senior effects technician - uncredited)
 2012 The Dark Knight Rises (senior effects technician)
 2011 Sherlock Holmes: A Game of Shadows (senior effects technician - uncredited)
 2008 Quantum of Solace (senior special effects technician)
 2008 The Dark Knight (senior special effects technician)
 2006 Casino Royale (senior special effects technician)
 2005 Batman Begins (senior effects technician)
 2003 Lara Croft Tomb Raider: The Cradle of Life (special effects senior technician)
 2002 Die Another Day (senior special effects technician)
 2001 Black Hawk Down (senior effects technician - uncredited)
 2001 Lara Croft: Tomb Raider (special effects technician)
 1999 The World Is Not Enough (senior special effects technician - as James Machin)
 1997 Tomorrow Never Dies (senior technician)
 1997 Buddy (key animatronic designer: Jim Henson's Creature Shop)
 1995 Babe (animatronic designer: Jim Henson's Creature Shop)
 1994 Death Machine (model maker)
 1994 The NeverEnding Story III (mechanics: Jim Henson's Creature Shop)
 1994 The Flintstones (animatronics designer - uncredited)
 1990 Shipwrecked (model maker)
 1987 Empire of the Sun (model maker - uncredited)
 1986 Sky Bandits (model maker)
Show Show Visual effects (13 credits)
Show Show Art department (6 credits)
Show Show Actor (5 credits)
Show Show Producer (2 credits)

Personal Details

Alternate Names:

James Machin | Jimmy Machin

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Zach Braff on "Alex, Inc." and the Art of Directing

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