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3 items from 2008

Opening This Week: A Wong Kar-wai redux, more mumblecore and shaky-cam horror

6 October 2008 7:06 AM, PDT | | See recent IFC news »

By Neil Pedley

With the fall season's heavy hitters already starting to make an appearance, this week's feast of indie offers some calm before the big studio storm. Enjoy it while it lasts.

"Ashes of Time Redux"

Celebrated Hong Kong filmmaker Wong Kar-wai gathered together lost and damaged footage to painstakingly rework his only martial arts epic, first released in 1994, into a fresh, definitive edition (complete with an all new score from Yo-Yo Ma). With a blindingly colorful palette, Wong paints a looping, stylized portrait of an embittered agent Ouyang Feng (the late Leslie Cheung) who channels the unbearable pain of a broken heart into commissioning bounty hunters to commit acts of vengeance. Tony Leung Ka Fai, Maggie Cheung, Carina Lau and Jacky Cheung round out the still-impressive cast.

Opens in New York and Los Angeles.

"Body of Lies"

In terms of the global espionage thriller, orange is the new »

- Neil Pedley

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Leung + Lau Marry In Bhutan

22 July 2008 12:17 PM, PDT | WENN | See recent WENN news »

Hong Kong actor Tony Leung has wed his long-term girlfriend Carina Lau in a ceremony in Bhutan.

The showbiz couple married in a Buddhist-inspired ceremony in the Himalayan country on Sunday, according to local reports.

Monks presided over the union and guests included director Wong Kar-Wai and members of the Bhutan royal family.

The actors also chose to treat the reporters who had gathered outside their wedding venue, by handing out some cake and champagne. »

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Ashes of Time Redux

19 May 2008 | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »

Film Review, Ashes of Time Redux, Cannes, Special Screening, Out of Competition

This full-scale restoration will be a grand treat to those many fans of Wong Kar-wai who have never been able to see the 1994 original except on badly duped DVDs. One of the director's rare forays into genre territory, the film depicts the timeless and placeless world of wuxia (chivalric warriors practicing the martial arts).

Predictably, though, the rambunctious Wong was not content merely to repeat or reinvigorate the genre when he began shooting "Ashes of Time" more than 15 years ago, but decided to reinvent it completely. Commercial prospects for this new version are dicey because martial-arts lovers may find it too arty, and art-film lovers, Wong's international fan base, may find it too generic and too violent. DVD sales, however, should be robust and festival screenings plentiful.

In any case, one wonders what fecundity of imagination -- or perversity of artistic willfulness -- it took to shoot a costume epic that is made up almost entirely of dark rooms, close-ups and tightly constricted long shots. Or what about the fact that the film contains only a handful of repeating, doubled, easily confused characters rather than the proverbial cast of thousands?

Wong's obsessive themes of memory, the irretrievability of the past and the impossibility of love, trump those of the traditional wuxia film, which tend to deal more with honor and the indomitability of the spirit. Furthermore, where is all the sword-fighting that audiences might reasonably have expected to see? While it's true that some stirring action scenes are sprinkled throughout the film, for the most part, as in most of Wong's films set in modern times, it's all interiority, unrequited longing and emotional frustration.

The film is still a formal wonder, as it was 15 years ago, full of Wong's signature step-printing technique, his off-kilter shooting angles and a flamboyant visual style that often produces something more like an abstract expressionist painting than a movie. But while it's hard to be definitive about what's different in the new version without comparing it shot by shot with the old, the music seems much more powerful and more fully keyed-in to the action, and the color is saturated and intensified to make the film even more stylized than it already was.

In short, while those who didn't "get it" the first time around won't warm up to the film any more than they did then, those who do will be ecstatic.

Cast: Leslie Cheung, Tony Leung Chiu Wai, Tony Leung Ka Fai, Brigitte Lin, Carina Lau, Maggie Cheung, Charlie Young, Jacky Cheung. Director: Wong Kar-wai. Screenwriter: Wong Kar-wai. Director of photography: Christopher Doyle. Production designer: William Chan Suk Ping. Music: Frankie Chan, Roel A. Garcia, Wu Tong, Yo-yo Ma. Editor: William Chan Suk Ping, Patrick Tam

Production Company: Jet Tone Prods.

Sales: Fortissimo Films

No MPAA rating, 93 minutes.


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