News

British Film Institue Presents Special Rare Collection: India on Film: 1899-1947

  • Bollyspice
BFI, in partnership with British Council, has released India on Film: 1899-1947, Treasures from the BFI National Archive, an unparalleled collection of extremely rare films of India, (250 Newly digitised Films), which have survived from the earliest days of cinema. This visual record of early twentieth century offers a unique factual account giving new audiences an eye opening insight into the people, places, traditions and most famous landmarks of India.

India on Film: 1899-1947 consolidates the BFI’s commitment to preserving and sharing world film heritage, by making these significant collections accessible for audiences globally. Newly digitised specifically as part of UK/India 2017, a year-long celebration of the long-standing relationship between India and the UK, can be seen both on the BFI Player (for UK viewers) and the BFI YouTube Channel, enabling audiences in India and internationally, an opportunity to access and engage with the online collection online.

Highlights includes the
See full article at Bollyspice »

Fantasia’s Frontières Market: The Best Horror Films Yet to Be Made, Including George Romero’s ‘Road of the Dead’

  • Indiewire
For the past six years, genre moviemakers and moneymen have congregated for long weekends at Montreal’s Fantasia International Film Festival, taking part in the Frontières Co-Production Marketplace. Founded in 2012, the market was conceived as a place for horror/fantasy/action auteurs — both established names and newcomers — to pitch projects to potential backers and take part in various networking events.

A highlight of the Market is the opening-day pitch session, in which selected directors, writers, and producers offer multimedia presentations of their nascent features. At the very first Frontières, this event spawned Anouk Whissell, Francois Simard, and Yoann-Karl Whissell’s exuberant futuristic actioner “Turbo Kid”; subsequent movies that took their first steps to fruition there include Steven Kostanski and Jeremy Gillespie’s cult/monster horror film “The Void”; Caroline Labrèche and Steeve Léonard’s science-fiction thriller “Radius,” which premiered at this year’s Fantasia; and Jenn Wexler’s upcoming punk-slasher opus “The Ranger.
See full article at Indiewire »

Harry Dean Stanton, David Lynch Join John Carroll Lynch’s Drama ‘Lucky’

Harry Dean Stanton, David Lynch Join John Carroll Lynch’s Drama ‘Lucky’
Harry Dean Stanton is starring in John Carroll Lynch’s directorial debut “Lucky,” currently shooting in Los Angeles.

David Lynch will also appear in the film, which adds to the list of projects he and Stanton have worked on together, including “Wild at Heart” and “The Straight Story.” Stanton is also expected to appear in Lynch’s “Twin Peaks” reboot.

Superlative Films is the production company. John Carroll Lynch is directing from a script by Stanton’s longtime friends Logan Sparks and Drago Sumonja.

“Lucky” follows the spiritual journey of a 90-year-old atheist — played by Stanton — and the quirky characters that inhabit his off-the-map desert town. He finds himself at the precipice of life, thrust into a journey of self-exploration.

The cast includes Ed Begley Jr. (“Better Call Saul”), Ron Livingston and Tom Skerritt, along with Barry Shabaka Henley, Beth Grant, Yvonne Huff Lee, Hugo Armstrong and James Darren.“

Producers are Logan Sparks,
See full article at Variety - Film News »

Film Review: ‘V/H/S Viral’

Film Review: ‘V/H/S Viral’
The VHS homevideo format may have gone to its grave years ago, but the horror series of the same name lives on with its third anthology, “V/H/S Viral,” delivering three playful yet thoroughly disposable experiments in short-form p.o.v. cinema. While the scares are in short supply, there’s a surfeit of macabre, tongue-in-cheek creativity to be found here, from mock docs to skate vids, sandwiched between a gonzo found-footage framing device in which cameraphone-savvy teens risk their lives to become the next viral sensation. As portmanteau films go, this Bloody Disgusting-backed, Magnolia-released offering of attention-deficit thrills seems ready-made for the video-on-demand generation.

Only the wraparound segments, dubbed “Vicious Circles” and directed by “Deadgirl” helmer Marcel Sarmiento, take the “viral video” idea seriously, even if none of the teen characters seems old enough to even remember the VHS format. Instead, as members of the digital generation, these
See full article at Variety - Film News »

Sundance Institute to Host a Week of Creative Film Producing Initiatives July 28 – August 4, 2014

Sundance Institute today announced the participants for its annual Creative Producing Labs and Creative Producing Summit, both held the week of July 28 at the Sundance Resort in Sundance, Utah. These activities are part of the Institute’s year-round Creative Producing Initiative, which encompasses a series of Labs, Fellowships and other signature events that support independent producers. The Creative Producing Labs and Summit wrap the summer season of 10 residential Labs hosted in Utah by Sundance Institute, collectively representing 15 weeks of residency support and mentorship for the most promising new independent film and theater projects from the United States and around the world.

Nine films, both documentary and narrative, will participate in the Labs (July 28 – August 1), where they will work with an accomplished group of Creative Advisors to develop their creative producing, communication and problem-solving skills in all stages of film production. These Producing Fellows will also receive ongoing creative and strategic support throughout the year, as well as direct granting for further development and production. This year’s Fellows represent nine projects identified by Sundance Institute’s Feature Film Program and Documentary Film Program. Keri Putnam, Executive Director of Sundance Institute, said, ”Independent producers play a critical role in discovering, fighting for and shaping original voices. Sundance Institute is committed to developing and supporting independent producers whose skills and tenacity are critical to maintaining the health and vibrancy of independent film.”

Immediately following the Labs, the Summit (August 1-4) takes place. The Creative Producing Summit is a three-day, invitation-only gathering that connects 40 independent filmmakers with more than 50 top film industry professionals including producers, distributors, sales agents, financiers and broadcasters to build a dialogue on film producing and the state of the independent film industry. Programmed events include case study sessions, panels, roundtable discussions, one-on-one meetings and pitching sessions. Panelists this year include Michael Barker (Sony Pictures Classics), Christine Vachon (Killer Films), Tom Quinn (Radius-twc), Paul Mezey (Journeyman Pictures), Rena Ronson (UTA), Ron Yerxa (Bona Fide Productions),

Diane Weyermann (Participant), Jessica Lacy (ICM), John Sloss (Cinetic), Jess Search (BritDoc), Kevin Iwashina (Preferred Content), Lois Vossen (Independent Lens), Ian Bricke (Netflix) and Josh Braun (Submarine).

Feature Film Creative Producing Lab

The Feature Film Creative Producing Lab allows emerging narrative feature film producers to work with an accomplished group of Creative Advisors to develop their creative and strategic instincts and skills in all stages of film production. This year’s Creative Advisors include producers Paul Mezey ("Beasts of the Southern Wild"),Pam Koffler ("Boys Don’t Cry"), Jay Van Hoy ("Love is Strange") and Julie Lynn ("Albert Nobbs").

The Fellows and projects selected for the 2014 Feature Film Creative Producing Fellowship are:

Black Bats

Producing Fellows: Adam Hendricks and John Lang

Feeling cast out from society, two teens form a romantic relationship under the belief that they’re transforming into monsters. What begins as fantasy ends with horrific consequences as they both lose touch with reality. (Writer/Director: Rick Spears)

Adam Hendricks has had over a decade of experience in the entertainment industry, including development positions at The Jinks/Cohen Company and Macari Edelstein Entertainment. Adam left development to raise financing and produce the independent feature film Caroline and Jackie (Tribeca Ff 2012). He developed and produced a variety of web series for Fourth Wall Studios, including Dirty Work, winner of the 2012 Emmy for Original Interactive Programming. In 2013, Adam partnered with John Lang to form Divide & Conquer, a production company specializing in independent films, as well as commercials for clients including Ford, EA Sports and Victory Motorcycles.

John Lang began his career in Austin, Texas, working with the Austin Cinemathéque and South by Southwest Film Festival. Since relocating to Los Angeles in 2008, John has worked in a variety of fields within the film industry including production, development, festivals, and sales. In 2011, John joined Rough & Tumble Films as a development and production executive, where he co-produced We Gotta Get Outta this Place (Tiff 2013). In 2013, John partnered with Adam Hendricks to form the commercial and feature film production company, Divide & Conquer.

I’m No Longer Here

Producing Fellows: Gerry Kim and Mayuran Tiruchelvam

Following the death of his older brother, a teenage Mexican boy is forced to migrate to New York City. When he arrives, he quickly realizes that the violence plaguing his home is no match for the feelings of alienation and loneliness he experiences in America. (Writer/Director: Fernando Frias)

Gerry Kim & Mayuran Tiruchelvam formed Dodgeville Films to produce humanistic narrative and documentary films. Their most recent documentary, "To Be Takei," a portrait of actor/activist GeorgeTakei, premiered at the 2014 Sundance Film Festival and was acquired by Starz Digital Media. Gerry produced House of Suh, a feature documentary that premiered at HotDocs in 2010 and aired on MSNBC. Mayuran wrote and co-produced "The Girl is in Trouble," executive produced by Spike Lee, and line-produced "The Mend," which premiered at SXSW in 2014. In addition to " I’m No Longer Here," Gerry and Mayuran are developing Christina Choeʼs Nancy, which was selected for the 2013 Ifp Emerging Storytellers Lab, the 2013 Venice Film Festivalʼs Biennale College Cinema Program, and Film Independentʼs Fast Track. They are in post-production on the documentary Farewell, Ferris Wheel, a participant in the 2014 Film Independent Documentary Lab. They received their MFAs from Columbia University in New York City.

Microchip Blues

Producing Fellow: Riel Roch Decter

Fed up with his mundane existence working at the microchip factory, Jimmy teams up with a washed up mystic scientist to build the world's fastest microchip, win back his ex-girlfriend and save his factory from going quantum. (Writer/Director: Aaron Beckum)

Riel Roch Decter is a Canadian-born, Los Angeles-based producer and the Co-Founder of Memory, a new media and film company. Riel began his career as the Director of Production for the independent production company Olympus Pictures working on such films a "Rabbit Hole" and "Beginners." He has produced numerous awarding-winning films including the short "Night Giant"and the feature film The Wait, starring Jena Malone and Chloë Sevigny which premiered at SXSW 2013.

Tracktown, USA

Producing Fellow: Laura Wagner

In a small American town obsessed with competitive running, a famous but sheltered and lonely young runner rebels against her parents, coach and everything she’s ever known in the midst of her first Olympic Trials. (Co-Writer/Director: Jeremy Teicher, Co-Writer: Alexi Pappas)

Laura Wagner is an independent producer, founder of Bay Bridge Productions and current resident at San Francisco Film Society’s FilmHouse. She recently produced the feature film"It Felt Like Love" by Eliza Hittman, which premiered at Sundance in 2013 and opened in theaters in 2014. She also produced the film "Memorial Day" by Josh Fox, and she was Associate Producer of the documentary "John Leguizamo: Tales from a Ghetto Klown," which premiered on PBS and "Pulse: A Stomp Odyssey," the award-winning Imax film directed by the creators of "Stomp."

We the Animals

Mark Silverman Honoree & Producing Fellow: Jeremy Yaches

Based on the bestselling novel by Justin Torres,We the Animals is about the brutal yet loving dynamic of a mixed-race working class family, seen through the eyes of the youngest son, as he discovers his heritage, his sexuality and his madness. (Co-Writer/Director: Jeremiah Zagar, Co-Writer: Dan Kitrosser)

Jeremy Yaches is an Emmy-nominated producer and co-founder of Public Record, a production company that specializes in film, TV, branded content, and commercials. He produced the award-winning documentary "In A Dream," which has screened all over the world and was broadcast on HBO. A graduate of Boston University, Jeremy lives and works in Brooklyn.

Documentary Film Creative Producing Lab

The Documentary Film Creative Producing Lab allows documentary filmmakers to work intensively with award-winning Creative Advisors to hone their craft. The Lab includes sessions on financing, creative distribution, marketing and outreach for independent documentary films. This year’s Creative Advisors include Producers Bonni Cohen ("The Island President"), Brenda Coughlin ("Dirty Wars"), Josh Penn (Court 13) in addition to Nancy Willen (Acme PR), Jess Search (Britdoc), and Josh Braun (Submarine).

The Fellows and projects selected for the 2014 Documentary Film Creative Producing Fellowship are:

Transgender Youth Documentary

Director: Eric Juhola

Producer: Jeremy Stulberg

The Mathis Family in Colorado Springs struggle when their 6-year-old transgender daughter, Coy, is banned from the girl's bathroom at her elementary school. Coy's parents hire a lawyer to fight back and the family is thrust into the media spotlight, causing their lives to change forever.

Eric Juhola founded the film and television production company Still Point Pictures and produced the Gotham Award nominated documentary "Off the Grid: Life on the Mesa," winning 8 best documentary prizes at festivals around the world, followed by a theatrical release and Us broadcast on the Sundance Channel. Eric has additionally directed and produced documentaries and specials for Itvs/PBS, Discovery Channel, MTV, TLC, and TruTV, and has been featured at many film festivals including Tribeca.

Jeremy Stulberg is a documentary filmmaker, writer, and motion picture editor. His feature documentary, "Off the Grid: Life on the Mesa," co-directed with his sister Randy, screened at over 40 film festivals in the Us and Europe Jeremy has produced and edited award winning documentaries and feature films such as "My Mother’s Garden" (HotDocs, MSNBC) and "White Horse" (Berlin Ff 2008, HBO).

(T)error

Co-Directors/Producers: Lyric R. Cabral & David Felix Sutcliffe

"(T)error" is the inside story of ******, an active counterterrorism informant for the FBI. Filmed on the ground, it captures the dramatic unraveling of the informant's 20-year career with the Bureau after the target of his investigation realizes that he’s been set up.

Named one of Filmmaker Magazine’s 25 New Faces of Independent Film, Lyric R. Cabral is an independent documentary filmmaker and photojournalist based in New York City. Cabral's photography has been recently published through the Gordon Parks Foundation, the Aperture Foundation, the Smithsonian Institution Photography Initiative, and National Geographic Channel UK.

David Felix Sutcliffe is an independent documentary filmmaker recently named one of the “25 New Faces of Independent Film.” His first film, "Adama," was broadcast on PBS in November 2011. Sutcliffe has worked as a cinematographer on films in Paris, Indonesia, Kenya, and Kansas, and has taught documentary film for the Harlem Children’s Zone, the Tribeca Film Institute, and the Brooklyn Arts Council since 2003.

Uncertain

Co-Directors/Co-Producers: Anna Sandilands & Ewan McNicol

On the shores of a dying lake, neighbors in the once outlaw town of Uncertain, Texas, are haunted by their pasts and battling demons for a future more certain—a tender, humorous southern gothic tale.

Anna Sandilands is a documentary filmmaker and founder of Lucid Inc. a communications company that makes work for clients based in real stories and documentary films. With Ewan McNicol she has made the short films "The Roper," "Missing," "Ufologist," "Dirt Racer," and "Oil Man" and make TV commercials and communications for clients including Google, Apple, Nike, Nokia and BlackBerry. Anna was named Filmmaker Magazine’s “25 Fresh Faces To Watch” in 2013.

Ewan McNicol is a documentary filmmaker, cinematographer, photographer and partner of Lucid Inc. a communications company that makes work for clients based in real stories and documentary films. With Anna Sandilands, his work has received awards including the Webby for Best Documentary, The One Club’s One Screen award for Best Documentary, an Effie and been nominated for a Cinema Eye award. Their films have been screened at film festivals including Sundance, BFI London International Film Festival, Edinburgh, SXSW, True/False, Seattle, Hot Docs, Silverdocs, Visions du Reel and Idfa. Ewan was named Filmmaker Magazine’s “25 Fresh Faces To Watch” in 2013.

Speed Sisters

Producer: Avi Goldstein

The Middle East’s first all-women motor racing team has come together in Palestine. What will it take to go further and faster than anyone thought they could? Speed Sisters captures the drive to follow your dreams against the odds, leaving in its trail shattered stereotypes about gender and the Arab world.

Avi Goldstein co-founded SocDoc Studios to produce story-driven films that engage audiences with social issues. He recently completed the documentary film "Fire Lines" (to be distributed by Journeyman Pictures) with the Ma'an Network in Bethlehem and Common Ground Productions. Avi received an BA in Psychology from Princeton University and was previously a consultant at Vantage Partners, a Boston-based negotiation and relationship management consulting firm spun out of the Harvard Negotiation Project. He recently completed an Ma in Non-Profit Management and Leadership, and facilitates interest-based negotiation and problem-solving skills workshops for high schools students. "Speed Sisters" is his first feature-length documentary.

Sundance Institute

Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theater artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as "Born into Brothels," "Trouble the Water," "Son of Babylon," "Amreeka," "An Inconvenient Truth," "Spring Awakening," "I Am My Own Wife," "Light in the Piazza" and "Angels in America."Join Sundance Institute on Facebook,Twitter and YouTube.
See full article at Sydney's Buzz »

The Wait’s Riel Roch Decter & It Felt Like Love’s Laura Wagner Summoned to Sundance’s Creative Producing Summit

  • ioncinema
As we know, a passage through the many Sundance labs doesn’t guarantee a gold ticket for Park City in January, but undoubtably its certainly a professional nudge in the right direction. A total of nine films (5 fiction) will be heading to the Labs (July 28 – August 1) with this year’s Creative Advisors including folk we’ve mentioned on several occasion here in Paul Mezey (Beasts of the Southern Wild), Pam Koffler (Boys Don’t Cry), Jay Van Hoy (Love is Strange) and Julie Lynn (Albert Nobbs). Among this year’s summer camp for film producers we have the likes of Riel Roch Decter (who produced 2013 SXSW entry The Wait

from helmer M. Blash) and producer Laura Wagner (from Eliza Hittman’s It Felt Like Love fame). Here are the projects and producers heading up to the mythic location. Press release follows.

Feature Film Creative Producing Lab

The Feature Film Creative
See full article at ioncinema »

Jimmy Savile: the BBC must opt for full disclosure to draw a line under its past | Ben Shephard

The corporation should commission a social historian to bring the whole sordid story to light – and unravel its collective secrets

The Jimmy Savile affair is providing the BBC's new director general, George Entwistle, with his first real test. He has apologised profusely to the women whom Savile is accused of abusing and has promised full co-operation with police inquiries. But he has not so far begun to address the underlying question this issue raises. The BBC employed Savile for 40 years. It can only restore its authority if it offers some proper explanation of how he achieved such power over the corporation. Entwistle is still professing that hardly anybody in the BBC knew what was going on. The real point, though, is that everybody knew – and did nothing. Until he addresses that fact, he is wasting his time.

I caught a glimpse of this bizarre relationship in 1970-71. As a researcher on Radio 1's Speakeasy,
See full article at The Guardian - TV News »

SXSW announces first round of 2012 film panels

  • IFC
It's kind of insane that we're about to start talking about next year's South by Southwest and it's still October. Just last week I reposted a video from this year's SXSW! But here we go: today SXSW announced their first round of film programming, a preliminary list of panels you'll be able to check out next March in Austin, Texas. Highlights include a conversation with "Drive" and "Contagion" composer Cliff Martinez, a chat about arts criticism in the age of Twitter, and the return of the legendary "Jeffrey Tambor Acting Workshop." My favorite panel title on the list? "The Evolution of the Douchebag in Modern Cinema." It's sort of hard for douchebags to evolve -- that's kind of what makes them douchebags -- but I think I know what they're getting at.

The full list of announced panels is below. And, hey, it's not too late to submit your feature
See full article at IFC »

SXSW 2011 – SXSW Announces 2011 Panels & Schedule Live

  • HeyUGuys
Austin, TX – SXSW has released their 2011 SXSW Film Conference lineup, which includes two exciting key panels with Todd Phillips (The Hangover), and Paul Reubens (The Pee-wee Herman Show), as well, the cast and crew from Source Code will also be in attendance, in addition to many other panels and workshops to feed the creative mind.

Additionally, the complete schedule for the event, including screening and panel dates and times will be live starting Tuesday. at: http://schedule.sxsw.com.

SXSW 2011 – Saturday, March 12

A Conversation with Todd Phillips

Director Todd Phillips has forever left his mark on comedy entertainment with his own brand of films exploring, in often-outrageous ways, the nature of male relationships. With films like Old School, Starsky & Hutch, School For Scoundrels, Due Date and The Hangover, the highest grossing R-rated comedy of all time, he has worked with some of today’s most innovative and acclaimed comic actors.
See full article at HeyUGuys »

2011 SXSW Film Panels Announced

  • Slash Film
2011 SXSW Film Panels Announced
South By Southwest have announced the 2011 SXSW Film Conference lineup, which includes two key conversations with Todd Phillips (director of The Hangover), Paul Reubens (aka Pee-wee Herman), the cast and crew of Super (James Gunn, Ellen Page and Rainn Wilson) and filmmaker Duncan Jones (Source Code, Moon). Additionally, the complete schedule for the event, including screening and panel dates and times are live at: http://schedule.sxsw.com [1]. You can read the full press release after the jump. SXSW Film Festival Announces 2011 Conference Lineup Todd Phillips & Paul Reubens Among Key Panelists Schedule of Screening and Panel Dates & Times Now Live Austin, Texas – February 15, 2011 – The South by Southwest (SXSW) Film Conference and Festival is thrilled to announce over 100 Film Conference sessions for the 2011 event, which will take place Friday, March 11 – Saturday, March 19, 2011 in Austin, Texas. These panels, largely selected from proposals submitted via the SXSW PanelPicker™ interface, offer fresh perspectives on
See full article at Slash Film »

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