‘Black film properties may be to the 90s what the carphone was to the 80s; every studio executive has to have one,” wrote the New York Times magazine in the summer of 1991. It’s a comment that speaks volumes about both a cultural moment and its transience. The piece was titled They’ve Gotta Have Us, referring to Spike Lee’s 1986 breakthrough movie She’s Gotta Have It. The group portrait on the cover brought together an impressive collection of young, black film-makers – what has been labelled “the class of 91”. Lee was head boy, of course. By that time he was well
Captain T. G. Culpeper Spencer Tracy J. Russell Finch Milton Berle Melville Crump Sid Caesar Benjy Benjamin Buddy Hackett Mrs. Marcus Ethel Merman Ding Bell Mickey Rooney Sylvester Marcus Dick Shawn Otto Meyer Phil Silvers J. Algernon Hawthorne Terry-Thomas Lennie Pike Jonathan Winters Monica Crump Edie Adams Emeline Finch Dorothy Provine Cabdriver Eddie “Rochester” Anderson Tyler Fitzgerald Jim Backus Man driving in the desert Jack Benny Union official Joe E. Brown Biplane pilot Ben Blue Police sergeant Alan Carney Detective Chick Chandler Mrs. Halliburton Barrie Chase Mayor Lloyd Corrigan Police chief William Demarest Sheriff of Crocket County Andy Devine Ginger Culpeper (voice) Selma Diamond Cabdriver Peter Falk Detective Normal Fell Colonel Wilberforce Paul Ford Deputy sheriff Stan Freberg Billie Sue Culpeper (voice) Louise Glenn Cabdriver Leo Gorcey Fire chief Sterling Holloway Mr. Dinckler Edward Everett Horton Irwin Marvin Kaplan Jimmy the Cook Buster Keaton Nervous motorist Don Knotts Airport
Robertson’s suspension by A&E over inflammatory remarks in an interview has served up a pre-holiday feast for cable news — tapping into, as “Reliable Sources” host Brian Stelter accurately put it, “the four-way stop of sex, religion, television and celebrity.”
Unfortunately, there are very few people who are authorities on all of those things, but hey, it’s just a few days before Christmas, so we’ll take whatever warm body we can find.
In the case of the Howard Kurtz-hosted “MediaBuzz,” that meant TheBlaze.com’s Amy Holmes, who spewed out a pretty
I have always been a great admirer of Paul Henning, the crooner-turned-tv producer/writer of some of the best-loved shows of the 1960s. It was Henning who gave a voice to rural audiences by creating such classic TV series as The Beverly Hillbilllies, Petticoat Junction and Green Acres. If you revisit any of them today, they remain far superior to most contemporary sitcoms. Henning not only created shows that have timeless appeal, but he also brainstormed the concept of interweaving characters and plot devices between the series- a stroke of genius that brought cross-promotion marketing to new levels. Henning also prided himself on making his country characters eccentric, but never idiotic. They were simple people living simple lives and if they seemed to exist in a time warp, they were all honest, admirable folks. It was always the sophisticated city slickers who would get their comeuppance at
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