3 items from 2014
Paris– In a fiscal year marked by its expansion into the U.S. market, among numerous growth operations, Luc Besson and Christophe Lambert’s EuropaCorp posted 211.8 million Euros ($288 million) in revenue, fueled by international sales and TV production.
The outfit’s net profit, however, fell 19.4% from last year’s record $26 million, and generated 4% in operating profit margin for the year 2013-2014, which ended on March 31.
The company’s international sales biz, led by Marie-Laure Montironi, scored $153 million (compared with last year’s $97 million). This figure is nonetheless bloated by EuropaCorp’s $45 milion flat-rate deal with Fox which covers future royalty revenue from “Taken” and “Taken 2.” Deal also covers collateral guarantees for any future royalties generated with Fox.
Auditors are currently probing the timing of this pact with Fox to determine whether it should be included in the financial year 2013-2014. The pact accounted for $17.7 million in operating margin and $11 million in net profit. »
- Elsa Keslassy
Paris – Bowing Jan.10 at the august Hotel Intercontinental Le Grand, abutting the Place de l’Opera, the 16th Unifrance Rendez-vous with French Cinema in Paris will be one of the biggest market-junkets ever for a national cinema.
Only France, which with the U.K. hosts one of Europe’s two biggest industries, could organize an event of this magnitude or allure.
110 French movies will screen, a Rendez-vous record, at three Gaumont cinema-theaters just across the Square,
Distributors will attend from 50 countries, principally from Europe, but also for the first time officially from Latin America as well.
In hallowed tradition, UniFrance uses its Rendez-vous to announce and analyze in admirable detail the previous year theatrical box office numbers for French films abroad. 2013’s total trawl looks set to be way down on 2012, an all time high when three juggernauts - “Taken 2” (Euros 265.8 million: $354.8 million), “The Intouchables” ($268.9 million) and “The Artist »
- John Hopewell and Elsa Keslassy
Isabelle Huppert starrer “Paris Follies,” Fabrice du Welz’s noirish cop actioner “Colt 45” and “The Yellow Eyes of Crocodiles,” an adaptation of Katherine Pancol’s runaway French bestseller, figure among 52 market premieres at 2014’s Unifrance Paris Rendez-vous.
Its higher-profile titles decidedly eclectic, the Rendez-vous lineup also features star vehicles: Heist caper “The Last Diamond” toplines Berenice Bejo; Pierre Salvadori’s “In the Courtyard” stars Catherine Deneuve; and two films feature Charlotte Gainsbourg: reincarnation thriller “His Wife” and Riad Sattouf’s femme-ruled dystopia satire “Jacky in the Kingdom of Women.”
Other noteworthy pics include post split-up drama “Gazelles” from Mona Achache (“Hedgehog”); love story “Une Rencontre” (Quantum Love), which Pathe Intl. picked up for world sales outside France, Belgium and Switzerland, from Lisa Azuelos (“Lol”); Helier Cisterne’s debut pic, teen drama “Vandal,” a Gallic critical hit; and a purported swan song: Jacques-Remy Girerd’s “Aunt Hilda!” from Folimage, »
- John Hopewell
3 items from 2014
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners