- There were rumors of an affair between her and Joseph Goebbels.
- In the winter of 1939/40, La Jana was engaged for a multi-city tour of Germany entertaining the troops, since her fame made her an assured draw. In February 1940, she fell ill with bilateral pneumonia, and she died on 13 March 1940 in Wilmersdorf. The premiere of her last film, Stern von Rio, took place a week later on 20 March at the Ufa-Palast am Zoo.
- After she travelled to India with Richard Eichberg, millions admired her in the films she made there, Der Tiger von Eschnapur and Das indische Grabmal,which also featured Frits van Dongen, Theo Lingen and Gisela Schlüter amongst others.
- According to contemporary reports, she was first discovered in Frankfurt, at the Weinklause cabaret, before going to Berlin to dance. Another story is that she was brought in at a day's notice to replace the ailing star of a revue in Dresden and later received engagements in Berlin as a result.
- She appeared in 1924/25 as part of a two-woman act called 'The Charming Sisters'. Autographed cards exist in Sweden on which her name appears as 'Lary Jana'.
- When Charlie Chaplin was in Berlin, they had an affair which he wrote up for the Women's Home Companion. But she is said to have been married to or at least living with the opera singer Michael Bohnen.
- Henriette 'Henny' Hiebel was born in Mauer, now part of Vienna, the younger daughter of the master gilder Heinrich Hiebel, who moved his family to Frankfurt am Main when she and her sister were still young. They grew up in the old city, near the Goethe House. Henny's older sister, Anny, later trained as an opera singer. Henny trained as a dancer at the Frankfurt Opera Ballet; she first appeared on stage there at the age of 8 and later became a dancer in revues.
- In his autobiography, Géza von Cziffra says that he encountered her in the Chat Noir cabaret in Paris and brought her back to Berlin, where he introduced her to Frederic Zelnik and got her into films. He describes her as he saw her then:And there I saw her dance for the first time: that woman possessed the most attractive body that I had set eyes upon in my not all that long life. The girl, here moving to and fro in the spotlight . . . had a boyish build: slim hips, practically just the suggestion of a bust. . . . She was a simple, nice, approachable girl, but she had as much interest in sex as Immanuel Kant. That's to say, none at all.
- The impresario Charles B. Cochran, reports reading in a newspaper that "Hitler was seldom seen in public without La Jana".
- She represented an exotic, not typically German type of womanhood.
- The sound film brought her the great breakthrough. Her dancing extras were underlined in an optimal way with the audible music and she had great successes with her appearances in "Der Schlemihl" (1931), "Truxa" (1936) and especially in the two-parter "Der Tiger von Eschnapur" (1937) and "Das indische Grabmal" (1937) where she convinced as a exotic Maharani which turned the men's heads.
- She began her career at a child ballet for the Frankfurter Opera, later she had entrances in cabarets and revues where she continued appearing successfully as a dancer.
- Around 1926, La Jana, still known as Henny Hiebel, became engaged to the actor Ulrich Bettac. That year she moved with him to Berlin; however, the engagement was called off a few years later.
- With Cochran's Streamline, La Jana toured throughout England and Scotland in 1934. In this show, she played a Spanish dancer.
- When the film business seized her dancing beauty, she made her film debut in 1925 with "Wege zu Kraft und Schönheit".
- Friedrich Zelnik engaged her for his production company and employed her in some movies within shortest time where she played support roles.
- Crown Prince Wilhelm became her lover and visited her regularly at her villa in Grunewald.
- She "initiate[d] the experiments of Nazi cinema in mimicking the Hollywood musical" and became the top dance and musical star in German films.
- During a Christmas tour she caught a pneumonia and pleurisy which led to her death at the age of 35.
- She appeared as a dancer in revues in Berlin, Stockholm (1933) and London (1934/35) among other cities, performing in Herman Haller's An und Aus, Erik Charell's Casanova and Max Reinhardt's Die schöne Helena. In Casanova she was presented to the audience semi-naked on a silver platter. She became the talk of Berlin.
- La Jana was buried in Waldfriedhof Dahlem. The grave site had been cleared, but on 25 September 1990, the City of Berlin declared it an honorary grave, and it is now marked by a simple stone with a bas relief plaque of her in profile. The stone had been kept at the Heimatmuseum in Steglitz.
- According to contemporary reports, 'La Jana' was an Indian name meaning 'like a flower'. It is likely that it was actually made up. It is uncertain how she came to adopt it, although some sources say a director chose it for her.
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