Kurosawa is one of the most tirelessly fascinating directors at work today -- he almost single-handedly lit the fuse for the J-horror movement, but actually his best-known films, from "Cure" (1997) to "Pulse" (2001) to "Doppelganger" (2003), aren't genre films but confrontational parables about instability and dislocation, often garlicked up with a Buñuelian sense of
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