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4 items from 2017


Film Review: ‘Long Strange Trip’

17 March 2017 7:00 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Long Strange Trip” is a movie that every Deadhead in the kozmic universe will want to see, and with good reason: At three hours and 58 minutes, it has the sprawl and generosity of a good Dead show, yet there’s nothing indulgent about it — it’s an ardent piece of documentary classicism. The film counts Martin Scorsese among its executive producers, and it was directed by Amir Bar-Lev (“The Tillman Story”), who works with the historical meticulousness a subject like this one deserves. Bar-Lev, who grew up in the Bay Area, uses the long-form running time to digress where he sees fit, but mostly he stays hooked to the center of his subject: how the Grateful Dead, after rising to prominence as an electric jam band in the late ’60s — the hippie minstrels of the Haight-Ashbury circus — took on a wriggling, effusive identity of their own that could be shaped »

- Owen Gleiberman

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‘Moonlight’ is the Most Frugal Best Picture Ever: See Analysis of the 10 Lowest-Budget Winners of all Time

1 March 2017 8:00 AM, PST | Indiewire | See recent Indiewire news »

With a budget of $1.5 million, 2017 Best Picture winner “Moonlight” cost less than a 30-second ad during the Oscars (reported price: $2.2 million). And, among the category’s 89 winners, it stands as the lowest-budgeted film in the Academy Awards’ history.

To determine the 10 least expensive Best Picture winners, we looked back at each year, researched reported budgets, and then calculated them at 2017 dollar values. Although independent films have dominated the Oscars for the last decade, the only indie to make the cut from that period was “Crash.” Nor did Woody Allen’s “Annie Hall,” or some black-and-white studio classics like “Casablanca” or “The Lost Weekend.”

The 10 straddle almost every decade of the Oscars and come from either independent producers or smaller distributors (four of the 10 were released by United Artists).

For comparison, the most expensive film to win remains “Titanic;” its adjusted budget was $300 million more than “Moonlight.” That total dwarfs the »

- Tom Brueggemann

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‘One Flew Over the Cuckoo’s Nest’ Trailer: BFI Re-Releasing the Best Picture Winner for Jack Nicholson’s 80th Birthday — Watch

24 February 2017 9:00 AM, PST | Indiewire | See recent Indiewire news »

For the first time in more than 40 years, “One Flew Over the Cuckoo’s Nest” has a new trailer. BFI is re-releasing the multiple Oscar winner to mark the occasion of Jack Nicholson’s 80th birthday, which the actor will celebrate on April 14. Watch the new trailer below.

Read More: Watch: 13 Minutes of Deleted Scenes From ‘One Flew Over the Cuckoo’s Nest’

Miloš Forman’s adaptation of the best-selling novel by Ken Kesey belongs to an exclusive club: “Cuckoo’s Nest” is just one of three films to win the Academy Awards for Best Picture, Director, Actor, Actress and Screenplay, the other two being “It Happened One Night” and “The Silence of the Lambs.” Made for $3 million, it grossed more than $100 million.

Read More: Watch: Exploring the Set-Ups in ‘One Flew Over the Cuckoo’s Nest’

Louise Fletcher, Will Sampson, William Redfield, Brad Dourif, Christopher Lloyd and Danny DeVito co-star in the film. »

- Michael Nordine

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Film Review: ‘Detour’

18 January 2017 10:45 PM, PST | Variety - Film News | See recent Variety - Film News news »

It may be tempting, and not entirely inaccurate, to describe Christopher Smith’s “Detour” as “Sliding Doors” reimagined by Quentin Tarantino, but this cleverly twisty neo-noir thriller turns out to be more substantial and surprising than such logline shorthand might suggest. Indeed, some VOD viewers likely will desire an instant replay of the film, to more fully appreciate (or at least better understand) how its parallel plotlines contrast and converge to intriguing effect. The only real downside to a rerun: A few minor gaps in logic could be more annoying the second time around.

Tye Sheridan offers an engaging variation of the prototypical noir protagonist as Harper, a Los Angeles law student who blames Vincent (Stephen Moyer), his despised stepfather, for the auto crash that left his mother comatose. While drowning his sorrows in a seedy bar, Harper makes the mistake of chatting up Johnny Ray (Emory Cohen of “Brooklyn »

- Joe Leydon

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4 items from 2017


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