2 items from 2016
In Page To Screen, we compare a movie or TV show to the book that spawned it. The analysis goes into deep detail about specific plot points—in other words, you’ve been warned.
The biggest difference between Ken Kesey’s novel One Flew Over The Cuckoo’s Nest and its film adaptation is obvious from the start. The novel is narrated by “Chief” Bromden, a half-Native American mental patient who pretends to be deaf in order to avoid interacting with the outside world. Bromden’s paranoid fantasies take center stage immediately, establishing a perspective full of metaphors made literal and psycho-sexual, racially tinged terror. It takes a page or two for the reality of the situation to sink in, and even then, the reader spends much of the first half of the book working to translate Bromden’s fever dreams into a more level-headed narrative. The result is a »
- Zack Handlen
Wilder, who died Aug. 28 at the age of 83, also once pocketed $7,000 in an arbitration case waged by the Writers Guild of America West because of four little words: “A Mel Brooks Film.” Here are 12 intriguing facts from Wilder’s early career, as documented in the pages of Variety.
Wilder’s first mention in Variety came in the March 7, 1961, edition, in a review of an Off Broadway play directed by Mark Rydell. “Roots” was described as a “seamy” English family drama with not much going for it, per our critic. But Wilder was “well-cast as the thick-skinned son.” 1963 was a busy year for Wilder. In March he co-starred with Anne Bancroft in a Broadway production of Bertolt Brecht »
- Cynthia Littleton
2 items from 2016
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