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Lodge Kerrigan

Lodge Kerrigan is a New York film director who has made only four films in fifteen years but whose works have left a deep imprint on the minds of those who have seen them. Difficult indeed to forget Peter Green, the schizophrene of Clean, Shaven, Claire Dolan, the reluctant call-girl of Claire Dolan and William Keane... See full bio »

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6 wins & 9 nominations See more awards »

Known For


Filmography

Hide HideDirector (6 titles)
2013 Longmire (TV series)
Carcasses (2013)
 
2012 Homeland (TV series)
 
2004 Keane
 
1998 Claire Dolan
 
1993 Clean, Shaven (as Lodge H. Kerrigan)
 
Show ShowWriter (4 titles)
2010 Rebecca H. (Return to the Dogs) (screenplay)
 
2004 Keane
 
1998 Claire Dolan (writer)
 
1993 Clean, Shaven (written by / as Lodge H. Kerrigan)
 
Show ShowActor (2 titles)
Show ShowProducer (2 titles)
2010 Rebecca H. (Return to the Dogs) (producer)
 
1993 Clean, Shaven (producer - as Lodge H. Kerrigan)
 
Show ShowCamera and Electrical Department (2 titles)
1995 Ballet (documentary) (assistant camera)
 
1994 High School II (documentary) (assistant camera)
 
Show ShowCinematographer (2 titles)
1994 Jump (short)
 
Show ShowMiscellaneous Crew (1 title)
2007 Funny Games (script consultant)
 
Show ShowThanks (3 titles)
2009/I The Messenger (special thanks)
 
2008 Eddie and Paul (short) (special thanks)
 
1995 The Incredibly True Adventure of Two Girls in Love (thanks: love and support)
 

Related Videos

Clean, Shaven -- A compelling headfirst dive into the mindscape of a schizophrenic as he tries to track down his daughter after he is released from an institution, Kerrigan’s film brilliantly uses sound and image to lead audiences into a terrifying subjectivity.
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Personal Details


Publicity Listings:

1 Interview  | See more »

Alternate Names:

Lodge H. Kerrigan
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Did You Know?

Trivia:

Between "Claire Dolan" and "Keane", he directed a feature film titled "In God's Hands", starring Peter Sarsgaard & Maggie Gyllenhall, and executive produced by Steven Soderbergh. Although fully wrapped, the film is never to be shown because of extensive negative damage. See more »