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4 items from 2012
18 May 2012 12:12 PM, PDT | The Playlist | See recent The Playlist news »
Is there a greater film than "Lawrence of Arabia?" Perhaps. There are certainly few longer ones, or few that are more epic and sweeping in their scope (thanks to the timeless Panavision 70 photography by Freddie Young). But even if the film isn't your absolute favorite, it is the number one of many, including Steven Spielberg, who credits the picture with making him want to be a filmmaker.
David Lean's tale of T.E. Lawrence's adventures in Arabia in World War I is fifty years old this year, and ahead of a brand-spanking-new Blu-ray release next month, a glorious new 4K restoration of the film is screening at Cannes tomorrow night. To mark the occasion, as well as the anniversary of the death of Lawrence himself, who died 77 years ago tomorrow, we've assembled five things you might not know about Lean's unassailable classic.
1. David Lean nearly directed a biopic of »
- Oliver Lyttelton
19 March 2012 5:42 PM, PDT | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »
She.ll always be best known as Kay Lawrence, the beauty that the Gillman falls in love with the moment he spies her swimming above him in Creature From The Black Lagoon (1954). Mimicking her movements in the water, the Creature performs a lustful underwater mating dance . he.s directly beneath her but she’s unaware of his amorous overtures in the murky depths of the river. It.s a desire most men (and monster kids) could relate to and Julie Adams is the actress who will always be fondly remembered as the .girl in the white one-piece..
Born Betty May Adams and raised near Little Rock Arkansas, Julie was bit by the acting bug early and moved to California to become an actress. She worked as a secretary to support herself and spent her free time taking speech lessons and making the rounds at the various movie studio casting departments. »
- Tom Stockman
16 March 2012 11:27 PM, PDT | SoundOnSight | See recent SoundOnSight news »
We know the greats; movies like Metropolis (1927), Invasion of the Body Snatchers (1956), 2001: A Space Odyssey (1968), Star Wars (1977).
And there are those films which maybe didn’t achieve cinematic greatness, but through their inexhaustible watchability became genre touchstones, lesser classics but classics nonetheless, like The War of the Worlds (1953), Godzilla (1954), Them! (1954), The Time Machine (1960).
In the realm of science fiction cinema, those are the cream (and below that, maybe the half and half). But sci fi is one of those genres which has often too readily leant itself to – not to torture an analogy — producing nonfat dairy substitute.
During the first, great wave of sci fi movies in the 1950s, the target audience was kids and teens. There wasn’t a lot in the way of “serious” sci fi. Most of it was churned out quick and cheap; drive-in fodder, grist for the Saturday matinee mill.
By the early 1960s, »
- Bill Mesce
6 January 2012 11:14 AM, PST | GreenCine Daily | See recent GreenCine Daily news »
by Nick Schager
What's new is always old, and in this recurring column, I'll be taking a look at the classic genre movies that have influenced today's new releases. In honor of the demonic-possession horror film The Devil Inside, this week it's Alberto De Martino's 1974 Italian Exorcist rip-off The Antichrist.
Part of the wave of cheap copycats that flooded international cinemas in the wake of William Friedkin's 1973 classic The Exorcist, Alberto De Martino's The Antichrist (a/k/a L'anticristo, though released domestically in 1974 under the lamer moniker The Tempter) makes no bones about its plagiaristic inclinations. Yet before it can get to its eventual derivative mayhem, this overheated Italian B-movie first feels compelled to spend an inordinate amount of time spinning its supernatural wheels. Paralyzed from the waist down by a childhood car accident that took her mother and was caused by her father not properly watching »
4 items from 2012
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