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Richard Kelly Poster

Biography

Jump to: Overview (4) | Mini Bio (1) | Trade Mark (1) | Trivia (12) | Personal Quotes (8) | Salary (1)

Overview (4)

Born in Newport News, Virginia, USA
Birth NameJames Richard Kelly
Nickname RK
Height 5' 10" (1.78 m)

Mini Bio (1)

James Richard Kelly better known as Richard Kelly, is an American film director and writer, known for writing and directing the cult classic Donnie Darko in 2001. Kelly was born James Richard Kelly in Newport News, Virginia, the son of Lane and Ennis Kelly. He grew up in Midlothian, Virginia, where he attended Midlothian High School and graduated in 1993. When he was a child, his father worked for NASA on the Mars Viking Lander program. He won a scholarship to the University of Southern California to study at the USC School of Cinema-Television where he was a member of the Phi Delta Theta fraternity. He made two short films at USC, The Goodbye Place and Visceral Matter, before graduating in 1997.

- IMDb Mini Biography By: omermertcanbolat

Trade Mark (1)

Frequently casts Beth Grant, Holmes Osborne, and Lisa K. Wyatt

Trivia (12)

Born James Richard Kelly, son of Lane Kelly and Ennis Kelly. Grew up in Midlothian, Virginia.
1997 Graduate of University of Southern California, where he studied Film.
Received only $9,000 to write and direct Donnie Darko (2001) with a budget of 4.5 million dollars.
Two of his favorite films are Star Wars: Episode V - The Empire Strikes Back (1980) and The Road Warrior (1981). He has posters for them in his house.
His father worked for NASA on the Mars Viking Lander program in the 70s, developing the camera that made the first pictures from the Mars surface.
Wrote an unproduced script for Hal Lieberman and Jonathan Mostow's production company called "House at the End of the Street".
Originally wrote the screenplay for the movie Holes (2003) but after it was turned down, they had Louis Sachar do it instead. Kelly's script can be found on his website.
He was originally offered the chance to direct Valentine (2001), but turned the offer down.
Is good friends with film director Kevin Smith. He was a judge for Smith's short film contest Movies Askew when the twelve finalists were screened in Hollywood in 2006.
Currently producing 3 films ( Operation: Endgame (2010) - World's Greatest Dad (2009) - I Hope They Serve Beer in Hell (2009) ) and finishing post-production on his third feature length film The Box (2009) [August 2008]
Writing Domino (2005) a True Romance-style action/crime film for Tony Scott. [May 2004]
Casting is underway for The Box (2009) a high-concept, supernatural/thriller, that will begin filming in November. [July 2007]

Personal Quotes (8)

I did a grad film but that ended up hurting me more than it helped. My grad film was this over the top, gonzo, completely absurd sci-fi thing with non- professional actors. When you have actors in their fifties who are still doing student films, you're not going to get top-of-the-line. It was a thing with a teleportation chamber, with a mad scientist and it was completely absurd. It cost $60,000, but it was completely campy, Mystery Science Theater 3000 (1988) kinda stuff, so when people looked at the short, they went, 'Well, is this how the acting is going to be in Donnie Darko (2001)? We don't think you can direct actors if that's anything to go by.' I was like, 'Give me a good actor, and I can direct.' It became really frustrating when the short came up and it gave people a reason to pass. I would recommend that if you want to do a short, then do a short that's one or two scenes from the feature you want to direct, so they can see it. They really can't think outside the box. If you want to get a feature made, I would go and scrape together whatever money you can get, find an actor who can really pull off one of the parts and shoot a few scenes from your feature screenplay that can serve as a short. That's the best evidence that you can give them. That's what Wes Anderson did with Bottle Rocket, it was originally a short film. And it worked.
I'm very confident on a movie set. I know what I'm doing. I feel like that's what I've been waiting my whole life to do.
I don't ever want to make an impersonal film.
I was literally losing five pounds per week on the set of Donnie Darko (2001). I was turning into this walking skeleton. I was sort of becoming Donnie Darko! I started channeling Donnie and Jake [Jake Gyllenhaal], playing Donnie, started channeling me. So it was sort of a subconscious thing going on between director and actor that I can't even explain.
[on Donnie Darko (2001)] The director's cut is a lot closer to what premiered at the Sundance Film Festival. Then the movie didn't sell for four months, and all the sudden the movie is STV, going straight to video, and it's going to debut on the STARZ! Network. ...... at this point I was just desperately trying to salvage the film before they take it away from me and it debuts on the STARZ! Network and my career is over.
[on Terry Gilliam] Having discovered Terry's work and seeing that he followed a similar course, beginning in the visual arts as a cartoonist working with Monty Python, I felt a kinship to him and felt like he was someone I wanted to emulate in my career. The visual design in Brazil (1985) is so astonishing, my head almost exploded.
There's all this talk of ADHD, but kids are lazy and have always been lazy.
[on his Cannes experience with Southland Tales (2006)] Everyone's your best friend when you get into competition at Cannes. But then the movie is widely ridiculed, and all of a sudden, your phone stops ringing.

Salary (1)

Donnie Darko (2001) $9,000

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