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[on the movies she watched to prepare for Barbara
(2012)] Christian [Petzold] and Hans Fromm
thought that, because the film is about the state observing the people, the camera should not be at an observing angle. The camera should be a friend of Barbara. When she's on her own in the bathroom, I never have the feeling that the way we look at her is threatening. The audience is never in the ...
Performances of great dramatic intensity