Gloria Holden - News Poster


Dracula & The Mummy: Complete Legacy Collections

The 2016 blu ray release of the Frankenstein and Wolf Man Legacy Collections was a moment of celebration for movie and monster lovers everywhere, bringing together all the golden age appearances of Frankenstein’s misbegotten creation and Larry Talbot’s hairy alter-ego. Universal Studios treated those dusty creature features to luminous restorations; from Bride of Frankenstein to She Wolf of London, these essential artifacts never looked less than impeccable and, at times, even ravishing. Colin Clive’s frenzied declaration, “It’s Alive!”, never felt more appropriate.

Now Universal has turned their attention to their other legendary franchise players, Dracula, the sharp-dressed but undead ladies’ man and Im-ho-tep, the cursed Egyptian priest who loved not wisely but too well.

Dracula: Complete Legacy Collection


Universal Studios Home Entertainment

1931, ’36, ’43, ’44, ’45, ’48 / 449 min. / B&W / 1:33 / Street Date May 16, 2017

Starring: Actors: Bela Lugosi, Lon Chaney Jr. , Boris Karloff, Bud Abbott, Lou Costello

Cinematography: Karl Freund,
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“Chris Alexander’s Shock Treatment”: In Praise of 1971’s Daughters Of Darkness

In this ongoing Shock column, editor Chris Alexander muses on classic and contemporary films and music worthy of a deeper discussion. Ever since Gloria Holden first made ghoulish goo-goo eyes at her girl victims in 1936’s Dracula’S Daughter, horror films have been fascinated by the lesbian vampire. Blame J. Sheridan LeFanu, the Irish writer whose…

The post “Chris Alexander’s Shock Treatment”: In Praise of 1971’s Daughters Of Darkness appeared first on Shock Till You Drop.
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Last Surviving Gwtw Star and 2-Time Oscar Winner Has Turned 99: As a Plus, She Made U.S. Labor Law History

Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous
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Oscar-Nominated Film Series: Bates Suffers in Contrived, Overlong Drama About Christian Persecution of Jews

'The Fixer' movie with Alan Bates, Dirk Bogarde and Ian Holm (background) 'The Fixer' movie review: 1968 anti-Semitism drama wrecked by cast, direction, and writing In 1969, director John Frankenheimer declared that he felt "better about The Fixer than anything I've ever done in my life." Considering Frankenheimer's previous output – Seven Days in May, the much admired The Manchurian Candidate – it is hard to believe that the director was being anything but a good P.R. man for his latest release. Adapted from Bernard Malamud's National Book Award- and Pulitzer Prize-winning novel (itself based on the real story of Jewish brick-factory worker Menahem Mendel Beilis), The Fixer is an overlong, overblown, and overwrought contrivance that, albeit well meaning, carelessly misuses most of the talent involved while sadistically abusing the patience – and at times the intelligence – of its viewers. John Frankenheimer overindulges in 1960s kitsch John Frankenheimer
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10 Actors Who Achieved Cult Villainy On The Strength Of One Movie

When you’re on a role you’re on a role! Once again here is a list of ten actors who achieved cult movie villainy on the strength of one movie. Some of the actors faded into obscurity while others continued their careers without scaling the heights of their defining cinematic performance. Perhaps I should do a one for heroes! Nah! Villains are much more fun!

[Spoilers follow]

Rudolph Klein-Rogge (Metropolis – 1927)

Although dated, Fritz Lang’s utopian masterpiece still has the unique power to fascinate. Not only did the film make a star of Brigitte Helm, it introduced the father of all mad scientists, C A Rotwang, played with eye rolling relish by Lang’s favourite actor Rudolph Klein-Rogge. The Austrian born star specialised in villainous roles so he was a natural for playing the nutty inventor who creates the legendary female robot used to impersonate Helm’s freedom fighter. With his exaggerated mannerisms and facial expressions,
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Horror as Metaphor: ‘Dracula’s Daughter’: Homosexuality and Vampirism

When Universal’s Dracula was released in 1931 vampires were a relatively underexplored creature of genre films. Sure you had Nosferatu, which was released a full nine years before, but Dracula was the first film to feature a blood sucking fiend that made a killing at the box office. Universal was quick to capitalize on the surprise success of Dracula and several sequels (some in name only) were made. There was Son of Dracula (‘Alucard’ is all I need to say about that one), Dracula’s Daughter, House of Dracula, House of Frankenstein (which featured all the Universal monsters) and Abbott and Costello Meet Frankenstein. While most of those films are disposable fodder, Dracula’s Daughter stands out from the pack as not only being entertaining, but also being the one sequel that had as much influence as its predecessor.

Released in 1936 and written by Garrett Ford and directed by Lambert Hillyer,
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Day to Rejoice: Deneuve Is Today's TCM Star

Catherine Deneuve: Style, beauty, and talent on TCM tonight A day to rejoice on Turner Classic Movies: Catherine Deneuve, one of the few true Living Film Legends, is TCM’s "Summer Under the Stars" star today, August 12, 2013. Catherine Deneuve is not only one of the most beautiful film actresses ever, she’s also one of the very best. In fact, the more mature her looks, the more fascinating she has become. Though, admittedly, Deneuve has always been great to look at, and she has been a mesmerizing screen presence since at least the early ’80s. ‘The Umbrellas of Cherbourg’: One of the greatest movie musicals ever Right now, TCM is showing one of the greatest movie musicals ever made, Jacques Demy’s Palme d’Or winner The Umbrellas of Cherbourg (1964), in which a very blonde, very young, very pretty, and very dubbed Catherine Deneuve (singing voice by Danielle Licari
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DVD Release: The Corsican Brothers

DVD Release Date: April 3, 2012

Price: DVD $19.95

Studio: Hen’s Tooth

Douglas Fairbanks, Jr. let's his sword do the talking in The Corsican Brothers.

The 1941 action-adventure film The Corsican Brothers, adapted from the 1844 novella by Alexandre Dumas, stars the incomparable Douglas Fairbanks, Jr. (The Mark of Zorro).

Hen’s Tooth’s DVD release marks the first time the Gregory Ratoff-directed movie has ever been issued on disc.

There’s plenty of swordplay and swashbuckling adventure in Dumas’ tale of identical twins Lucien and Mario, separated as infants, and raised unaware of each other’s existence. One becomes a Parisian gentleman, the other a country bandit.

When they are reunited as adults (both played by Fairbanks), they seek revenge on the evil Baron (Akim Tamiroff) who plundered their homestead and robbed them of their birthright. Complications arise when both fall in love with the same beautiful Countess (Ruth Warrick, Citizen Kane
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Tim Sullivan on Sean Lockhart, Rising Star + My Top Queer Fears Part 1

Horror maestro Tim Sullivan shares with his thoughts on his new Chillerama movie, the I Was A Teenage Werebear short, the Rising Star award for Sean Paul Lockhart (Brent Corrigan) and the best in Queer Fear. -Dqm

With 4th of July fireworks still bursting in the air, how fitting that this week also marks the arrival of Q Fest, Philadelphia’s premiere Lgbt film festival. Having just played San Francisco and Denver to great success, I Was a Teenage Werebear will screen this Friday, July 8th in the City of Freedom.

The response to Teenage Werebear and its playfully subversive message of tolerance and “Room For All” has been quite heartening and encouraging not only for me, but for my Chillerama partners in crime, Adam Green, Joe Lynch and Adam Rifkin. The goal was to make something that particularly spoke to gay audiences, but at the same time
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"Dracula's Daughter" Hangs With The "She-Wolf Of London"

  • SneakPeek
"Dracula's Daughter" is the 1936 Universal vampire sequel to Bela Lugosi's classic 1931 feature "Dracula".

Directed by Lambert Hillyer from a screenplay by Garrett Fort, "Daughter" stars Otto Kruger, Gloria Holden, Marguerite Churchill and Edward Van Sloan.

Based on author Bram Stoker's story "Dracula's Guest", the film begins where "Dracula" ends, with the 'Count' destroyed by 'Professor Von Helsing' (Van Sloan).

Von Helsing is immediately arrested by the police and escorted to Scotland Yard, where he confesses to destroying Count Dracula, but because the vampire had already been dead for over 500 years, it could not be considered murder.

Van Helsing enlists the aid of psychiatrist 'Dr. Jeffrey Garth' (Otto Kruger), once one of his star students, while Dracula's daughter, 'Countess Marya Zaleska' (Gloria Holden), with the aid of her manservant,' Sandor' (Irving Pichel), steals Dracula’s body from Scotland Yard and ritualistically burns the fiend's body, hoping to break
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Daughters Of Darkness

Ever since Gloria Holden first made ghoulish goo-goo eyes at her girl victims in 1936's Dracula's Daughter, horror films have been fascinated by the lesbian vampire. Blame J. Sheridan LeFanu, the French writer whose risqué short story Carmilla broke the boundaries of homo-erotic bloodsucking and whose taboo allure helped eventually launch this evolving spate of increasingly explicit dark fantasy pictures, many of which reared their horny heads in the considerably more liberal 1970's. UK horror studio Hammer were the first ones to really make their muff munching mark with Roy Ward Baker's LeFanu adaptation The Vampire Lovers and other films, like Jose Laraz's almost hardcore 1974 epic Vampyres and Vincente Aranda's The Blood Spattered Bride (whose title I happily cribbed for this tome) continued to push the envelope, mixing fangwork with female nudity to grand effect.

But there's one incredible film that always gets lumped in with those lower brow sex-soaked exploitation pictures.
See full article at Fangoria »

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