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2015 Stanley Film Festival Lineup Includes The Final Girls, Deathgasm, Stung, The Invitation

Earlier this week, we gave you details on first wave of special experiences and events taking place at the 2015 Stanley Film Festival. We now have details on their impressive slate of features, short films, and additional special events, including screenings of The Final Girls, Deathgasm, Stung, The Invitation, and We Are Still Here.

We're teaming up with the festival for live coverage and special opportunities for Daily Dead readers, so be sure to check back all month for contests, features, and more.

"April 2, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today its Closing Night film, Festival lineup and the 2015 Master of Horror. The Festival will close out with The Final Girls. The film, directed by Todd Strauss-Schulson, is the story of a young woman grieving the loss of her mother, a famous scream queen from the 1980s,
See full article at DailyDead »

Starmaker Allégret: From Gay Romance with 'Uncle' (and Nobel Winner) Gide to Simon's Movie Mentor

Marc Allégret: From André Gide lover to Simone Simon mentor (photo: Marc Allégret) (See previous post: "Simone Simon Remembered: Sex Kitten and Femme Fatale.") Simone Simon became a film star following the international critical and financial success of the 1934 romantic drama Lac aux Dames, directed by her self-appointed mentor – and alleged lover – Marc Allégret.[1] The son of an evangelical missionary, Marc Allégret (born on December 22, 1900, in Basel, Switzerland) was to have become a lawyer. At age 16, his life took a different path as a result of his romantic involvement – and elopement to London – with his mentor and later "adoptive uncle" André Gide (1947 Nobel Prize winner in Literature), more than 30 years his senior and married to Madeleine Rondeaux for more than two decades. In various forms – including a threesome with painter Théo Van Rysselberghe's daughter Elisabeth – the Allégret-Gide relationship remained steady until the late '20s and their trip to
See full article at Alt Film Guide »

Top 100 Horror Movies: How Truly Horrific Are They?

Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman,
See full article at Alt Film Guide »

Which is the greatest British film in history? No one seems to be in agreement

Best British movies of all time? (Image: a young Michael Caine in 'Get Carter') Ten years ago, Get Carter, starring Michael Caine as a dangerous-looking London gangster (see photo above), was selected as the United Kingdom's very best movie of all time according to 25 British film critics polled by Total Film magazine. To say that Mike Hodges' 1971 thriller was a surprising choice would be an understatement. I mean, not a David Lean epic or an early Alfred Hitchcock thriller? What a difference ten years make. On Total Film's 2014 list, published last May, Get Carter was no. 44 among the magazine's Top 50 best British movies of all time. How could that be? Well, first of all, people would be very naive if they took such lists seriously, whether we're talking Total Film, the British Film Institute, or, to keep things British, Sight & Sound magazine. Second, whereas Total Film's 2004 list was the result of a 25-critic consensus,
See full article at Alt Film Guide »

Gardner, Crawford Among Academy's Career Achievement Award Non-Winners

Honorary Award: Gloria Swanson, Rita Hayworth among dozens of women bypassed by the Academy (photo: Honorary Award non-winner Gloria Swanson in 'Sunset Blvd.') (See previous post: "Honorary Oscars: Doris Day, Danielle Darrieux Snubbed.") Part three of this four-part article about the Academy of Motion Picture Arts and Sciences' Honorary Award bypassing women basically consists of a long, long — and for the most part quite prestigious — list of deceased women who, some way or other, left their mark on the film world. Some of the names found below are still well known; others were huge in their day, but are now all but forgotten. Yet, just because most people (and the media) suffer from long-term — and even medium-term — memory loss, that doesn't mean these women were any less deserving of an Honorary Oscar. So, among the distinguished female film professionals in Hollywood and elsewhere who have passed away without
See full article at Alt Film Guide »

The Ealing Studios Collection Vol. 1 Blu-ray Review

Directors: Robert Hamer, Charles Crichton, Alexander Mackendrick

Starring: Alec Guinness, Dennis Price, Stanley Holloway, Joan Greenwood, Valerie Hobson, Sid James, Alfie Bass, Cecil Parker, Michael Gough

Running Time: 272 Minutes

Certificate: U

Ealing comedies are so wonderful aren’t they? Transporting us back to post-war Britain at a time when it seemed much easier to mix darkness and comedy. This collection of three films, each starring Alec Guinness (one of which stars him 8 times), is a reminder of the incredible talent and unique tone that British films once possessed. Not only does each film deliver the laughs and the more sinister plotlines, but they also make interesting observations on society.

Kind Hearts And Coronets sees a man kill his way through his estranged family in order to inherit the family title and see his mother buried in the family graveyard. Dennis Price takes the lead as the sociopathic and righteous Louis
See full article at The Hollywood News »

2014 Has Its Second Major Box Office Bomb: Frankenstein Reboot

‘I, Frankenstein’ box office: Frankenstein reboot is second domestic box office bomb of 2014 (photo: buffed up, shirtless Aaron Eckhart in ‘I, Frankenstein’) Made for a reported $65 million (not including marketing and distribution expenses), the Lionsgate-distributed I, Frankenstein is surely not about to become a movie franchise. Directed by Stuart Beattie and starring Aaron Eckhart as the "I" of the title, I, Frankenstein collected a dismal $8.3 million from 2,753 North American theaters this weekend, January 24-26, 2014, according to studio estimates found at Box Office Mojo. The weekend’s only new wide release in the United States and Canada, I, Frankenstein landed in sixth place on the domestic box office chart. I, Frankenstein, in fact, is the second major 2014 domestic box office bomb, following the $70 million-budgeted Renny Harlin-Kellan Lutz effort The Legend of Hercules, which debuted with $8.86 million at 2,104 locations a couple of weeks ago. To date, The Legend of Hercules
See full article at Alt Film Guide »

Coriolanus; Stephen Ward; Oliver! – review

Donmar; Aldwych, London; Crucible, Sheffield

Tom Hiddleston's Coriolanus is blazing but bleak, and there's as little love in a 60s sex scandal as there was in Dickens's London

The first time I saw Tom Hiddleston act was at the Donmar six years ago. He was 26, a doleful Cassio to Chiwetel Ejiofor's Othello, and he made a small part look essential. Now he takes centre stage as a blazing Coriolanus. Blazing but bleak. He is the ideal combination of emotional reserve and physical bravura.

Reserve has always been one of the problems of this difficult play. Where do spectators put their trust? The play's martial hero treats the audience as he does the populace – don't say plebs – he despises. He will not show his wounds to the public in order to get their vote. He will not let spectators into his thoughts with a soliloquy.

A couple of years
See full article at The Guardian - Film News »

Long Before Obi-Wan There Were the Eight D'Ascoynes: Guinness Day

Alec Guinness: Before Obi-Wan Kenobi, there were the eight D’Ascoyne family members (photo: Alec Guiness, Dennis Price in ‘Kind Hearts and Coronets’) (See previous post: “Alec Guinness Movies: Pre-Star Wars Career.”) TCM won’t be showing The Bridge on the River Kwai on Alec Guinness day, though obviously not because the cable network programmers believe that one four-hour David Lean epic per day should be enough. After all, prior to Lawrence of Arabia TCM will be presenting the three-and-a-half-hour-long Doctor Zhivago (1965), a great-looking but never-ending romantic drama in which Guinness — quite poorly — plays a Kgb official. He’s slightly less miscast as a mere Englishman — one much too young for the then 32-year-old actor — in Lean’s Great Expectations (1946), a movie that fully belongs to boy-loving (in a chaste, fatherly manner) fugitive Finlay Currie. And finally, make sure to watch Robert Hamer’s dark comedy Kind Hearts and Coronets
See full article at Alt Film Guide »

31 Days of Horror: ‘The Bride of Franskenstein’ comes alive through much technical wizardry

The Bride of Frankenstein

Directed by James Whale

Written by William Hurlbut et al.

U.S.A., 1935

For the people who take aim at the Hollywood system for its near-constant dependency on producing sequels, prequels and remakes, they should be reminded that the studio system has engaged in such a practice essentially since its inception. While it is true that fewer sequels existed in the earlier decades of the movie making business, they did happen when a film was met with significant box office success. In fact, more to the point, sequels were made in the same mindset as they are today, bigger is better, proving that things really have not change so dramatically in the past 100 years of movie making when it comes to studios reacting to the success of one of their products.

In 1935, four years after directing the original Frankenstein movie, James Whale was convinced to return
See full article at SoundOnSight »

'Pink Panther's Herbert Lom, Clouseau's agitated boss, dead at 95

'Pink Panther's Herbert Lom, Clouseau's agitated boss, dead at 95
Herbert Lom, the Czech-born actor best known as Inspector Clouseau’s long-suffering boss in the Pink Panther movies, died Thursday, his son said. He was 95. Alec Lom said his father died peacefully in his sleep.

Herbert Lom had a handsomely lugubrious look that was suited to comedy, horror and everything in between. It served him well over a six-decade career in which roles ranged from Napoleon Bonaparte — whom he played twice — to the Phantom of the Opera.

The London-based star appeared in more than 100 films, including Spartacus and El Cid, and acted alongside film greats including Charlton Heston and Kirk Douglas.
See full article at EW.com - Inside Movies »

AMPAS to Screen Classic Horror Movie Series in Celebration of Universal's Centenary

Alfred Hitchcock The Birds, The Invisible Man, Tarantula Academy Screenings As part of the year-long celebration of Universal Pictures’ centenary, the Academy of Motion Picture Arts and Sciences will present "Universal’s Legacy of Horror," a month-long series of screenings of classic horror films in October — right in time for Halloween. (Image: Alfred Hitchcock’s The Birds poster.) "Universal’s Legacy of Horror" kicks off on Tuesday, October 2, with The Bride of Frankenstein (1935), in which Valerie Hobson (not Elsa Lanchester) has the title role, and Dracula (1931), which turned Bela Lugosi into a horror movie icon. Most of the screenings will be held at [...]
See full article at Alt Film Guide »

Film4 Frightfest Image Explosion: New Stills and Art for Hidden in the Woods, Tulpa, Outpost II, After, Chained, Before Dawn, Errors of the Human Body and More!

We've updated our Film4 Fright Fest line-up story with tons of images. Read on to see what you may have missed and what's brand spanking new! Dig it!

Programme - Screen 1

Thursday Aug 23

Opening Film - The Seasoning House (World Premiere)

Special make-up prosthetics and splatter genius Paul Hyett makes his directorial debut with a harrowing exploration into tense claustrophobia, hard-hitting action and rollercoaster suspense. In a Balkan brothel, where girls kidnapped by soldiers in war-torn zones are prostituted to the military and civilians alike, Angel (Robin Day) is the deaf mute orphan enslaved to care for the inmates. But unbeknownst to her captors, she moves between the walls and crawlspaces of the seasoning house planning her escape. Psychological horror in the nerve-shredding Alfred Hitchcock and Roman Polanski style but with an ultra-modern twist.

89 mins Director: Paul Hyett UK 2012

Rosie DayAngel

Sean Pertwee – Goran

Kevin Howarth – Viktor

David Lemberg
See full article at Dread Central »

Universal Pictures Celebrates 100th Anniversary with Restoration of 13 Classic Films

Universal Pictures Celebrates 100th Anniversary with Restoration of 13 Classic Films
Universal will mark its 100th anniversary in 2012, and will commemorate its centennial with a yearlong celebration honoring the studio's rich film history and cultural legacy. The campaign draws its inspiration from Universal's extraordinary and diverse library of films, many of which will be highlighted throughout the year, and is designed to engage fans of all ages in the art of moviemaking.

A significant element of the centennial includes the extensive restoration of 13 of the studio's most beloved titles such as To Kill a Mockingbird, All Quiet on the Western Front, Jaws, The Sting, Out of Africa, Frankenstein and Schindler's List.

Universal Studios Home Entertainment will kick off the celebration in January with a special 50th anniversary release of To Kill a Mockingbird, debuting on Blu-ray for the first time ever. Throughout the year, Universal will pay tribute to other influential films in the Universal library with special events and Blu-ray
See full article at MovieWeb »

365 Days, 100 Films #62 - Bride of Frankenstein (1935)

Bride of Frankenstein, 1935.

Directed by James Whale.

Starring Boris Karloff, Colin Clive, Valerie Hobson, Ernest Thesiger, Elsa Lanchester and Una O'Connor.

Synopsis:

Both the Monster and Frankenstein have survived the events of the previous film, but a new, darker Doctor has arrived. He wishes to create another life. A Bride for Frankenstein’s monster.

Karloff In… ”

Bride of Frankenstein doesn’t open well. There’s an awful segment between Lord Byron, Percy and Mary Shelly. This prologue is tacked onto the beginning of the film as crudely as Frankenstein’s head is onto his own neck.

They all sit around a fireplace in period dress. Mary narrates a brief montage explaining the story of the previous film, Frankenstein. “Oh, but the story doesn’t end there,” she explains conveniently to the other two, as the image dissolves into the burning windmill from the preceding film’s conclusion.

The townsfolk believe
See full article at Flickeringmyth »

Blu-Ray Review: Kind Hearts & Coronets – Timeless Comic Masterpiece About Class, Sex & Murder

Has there ever been a more charming psychopath than Louis Mazzini? He is intelligent, diplomatic and witty, and able to ingratiate himself into almost any of Edwardian London’s social circles. He also, to his shame, is poor. His mother was cast out by her wealthy family – the D’Ascoynes, dukedom and all – when she married an Italian opera singer; he dies upon first seeing the infant Louis. That could be just a coincidence, or just a gag. Or it could be something to do with the fact that Louis is – if anyone were to describe him in such vulgar terms – evil.

One of the remarkable things about Kind Hearts and Coronets, the classic 1949 black comedy from Ealing Studios, is how easily the audience finds itself on Louis’s side; despite being made in post-war Britain and set in the early 20th century, its own lack of sentiment has preserved
See full article at Obsessed with Film »

Howard Keel on TCM: Seven Brides For Seven Brothers, Show Boat, Kiss Me Kate

Jane Powell, Howard Keel, and fellow Seven Brides for Seven Brothers cast members Howard Keel, best remembered for MGM musicals such as Show Boat, Kiss Me Kate, and Seven Brides for Seven Brothers, is Turner Classic Movies' next-to-last "Summer Under the Stars" star. On Tuesday, August 30, TCM will be presenting 14 Howard Keel movies, including one TCM premiere — Charles Crichton's British crime drama Floods of Fear. (TCM had initially announced another premiere, the 1948 British drama The Small Voice, starring Valerie Hobson and James Donald; instead, as per its website TCM will be showing — once again — the 1951 comedy Three Guys Named Mike, starring Jane Wyman.) [Howard Keel Movie Schedule.] Tall, baritone-voiced, and handsome, Howard Keel could at times be a quite effective actor, whether in comedies (Callaway Went Thataway, when not singing in Annie Get Your Gun, Calamity Jane and Seven Brides for Seven Brothers) or in dramas (the Western Ride, Vaquero!, when not singing
See full article at Alt Film Guide »

Conrad Veidt Movie Schedule: The Thief Of Bagdad, The Cabinet Of Dr. Caligari, Dark Journey

Werner Krauss, Conrad Veidt, Lil Dagover, The Cabinet of Dr. Caligari Conrad Veidt on TCM: The Hands Of Orlac, Casablanca, Nazi Agent Schedule (Et) and synopses from the TCM website: 6:00 Am Above Suspicion (1943) A honeymooning couple are asked to spy on the Nazis in pre-war Europe. Dir: Richard Thorpe. Cast: Joan Crawford, Fred MacMurray, Conrad Veidt. Bw-91 mins. 7:45 Am Contraband (1940) While held up in a British port, a Danish sea captain tussles with German spies. Dir: Michael Powell. Cast: Conrad Veidt, Valerie Hobson, Hay Petrie. Bw-87 mins. 9:30 Am All Through The Night (1942) A criminal gang turns patriotic to track down a Nazi spy ring. Dir: Vincent Sherman. Cast: Humphrey Bogart, Conrad Veidt, Kaaren Verne. Bw-107 mins. 11:30 Am Jew Suss (1934) A Jewish businessman using his wealth to benefit his people discovers he's not Jewish. Dir: Lothar Mendes. Cast: Conrad Veidt, Frank Vosper, Cedric Hardwicke. Bw-104 mins. 1:
See full article at Alt Film Guide »

Kind Hearts and Coronets – review

Arguably the two most perfect British movies were made in the same year, 1949 – Carol Reed's The Third Man and Robert Hamer's Kind Hearts and Coronets. In Hamer's movie, Dennis Price, the gay, Oxford-educated son of a brigadier-general, gives his greatest performance as the aggrieved Edwardian shop assistant revenging himself on the establishment for his mother's humiliation, and he's certainly not overshadowed by Alec Guinness's protean virtuosity.

His sequence with Guinness as his senile, snobbish clerical victim is exquisitely funny and most beautifully lit by Douglas Slocombe. Equally good are Valerie Hobson and Joan Greenwood as the two women waiting for Price when he's released from the condemned cell.

Hamer had a particular liking for the late-Victorian/Edwardian world and was a great Francophile. Both passions are reflected by two classic black comedies that influenced the film: Lord Arthur Savile's Crime, which Oscar Wilde wrote just after reading Crime and Punishment,
See full article at The Guardian - Film News »

This week's new films

The Guard (15)

(John Michael McDonagh, 2011, Ire) Brendan Gleeson, Don Cheadle, Liam Cunningham, Mark Strong, David Wilmot, Rory Keenan. 96 mins

An eccentric crime comedy like only the Irish can make, but not quite the mismatched buddy cop movie it looks. Gleeson is certainly your provincial Garda and Cheadle the uptight FBI import; the actual crime they're investigating – something to do with drug trafficking – is difficult to take seriously, but casual racism and Americanisation are cleverly worked into a self-aware subversion of the Lethal Weapon premise, shot through with warmth and wit.

Cowboys & Aliens (12A)

(John Favreau, 2011, Us) Daniel Craig, Harrison Ford, Olivia Wilde. 118 mins

A genre mash-up no greater than the sum of its expensive, largely second-hand, parts, this summer spectacle corrals its cast and cliches into a plot loopier than an 11-dimensional lasso – though the title gives you a fair idea. If only it didn't try to keep such a straight face.
See full article at The Guardian - Film News »
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