He is considered a master of B-movie Hong Kong actioners. However, a number of his movies are Z-grade movies made with a "cut-and-paste" technique. He would shoot footage for one movie, often using Caucasian actors for exportation, then edit the scenes into several other movies, mixing them with footage from old, unfinished or unreleased Asian movies (using Thai as well as Chinese or Filipino footage), then trying to make the story somewhat coherent through dubbing and voice-overs. He would then have four or five movies (of rock-bottom quality, of course) while having spent the budget of one.
"I used to be a movie maker. Now I am teaching people to make movies. It really makes me glad when my students are happily showing me their works. Only if you've been through the whole process, can you understand how satisfactory and delightful it is."
(May 2005) He effectively retired from direction some 10 years ago, after 25 years making genre films in Hong Kong, Taiwan, and the Phillipines, he was most recently teaching filmmaking at Hong Kong Polytechnic Universty.
(November 2005) Teaches film making at the Hong Kong Film Academy
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