| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 2000 | Nominated | Oscar |
Best Sound for: The Green Mile (1999). Shared with: Robert J. Litt Elliot Tyson Willie D. Burton |
| 1996 | Nominated | Oscar |
Best Sound for: Batman Forever (1995). Shared with: Donald O. Mitchell Frank A. Montaño Petur Hliddal |
| 1995 | Nominated | Oscar |
Best Sound for: Clear and Present Danger (1994). Shared with: Donald O. Mitchell Frank A. Montaño Art Rochester |
Best Sound for: The Shawshank Redemption (1994). Shared with: Robert J. Litt Elliot Tyson Willie D. Burton |
| 1994 | Nominated | Oscar |
Best Sound for: The Fugitive (1993). Shared with: Donald O. Mitchell Frank A. Montaño Scott D. Smith |
| BAFTA Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1994 | Won | BAFTA Film Award |
Best Sound for: The Fugitive (1993). Shared with: John Leveque Bruce Stambler Becky Sullivan Scott D. Smith Donald O. Mitchell Frank A. Montaño |
| Cinema Audio Society, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1995 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Clear and Present Danger (1994). Shared with: Donald O. Mitchell (re-recording mixer) Frank A. Montaño (re-recording mixer) Art Rochester (production mixer) |
| 1994 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: The Fugitive (1993). Shared with: Donald O. Mitchell (re-recording mixer) Frank A. Montaño (re-recording mixer) Scott D. Smith (production mixer) |
| Primetime Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1989 | Won | Primetime Emmy |
Outstanding Sound Mixing for a Miniseries or a Special for: "Lonesome Dove" (1989). Shared with: Donald F. Johnson (sound mixer) James L. Aicholtz (dialogue mixer) Kevin O'Connell (sound effects mixer) (CBS). For part IV ("The Return"). |
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