10 items from 2015
“My last dame is gone. Always had the feeling she’d be the last to go,” Eddie Muller, founder and president of the Film Noir Foundation, wrote on Facebook. He became friends with Gray while collaborating on his 2001 book “Dark City Dames: The Wicked Women of Film Noir.”
Gray played the accomplice of Sterling Hayden, the leader of a gang of thieves, in Kubrick’s “Killing.” She famously uttered the line, “I may not be pretty and I may not be smart …”
Gray appeared in a slew of films in the late 1940s and ’50s, primarily noir thrillers, including Henry Hathaway’s “Kiss of Death” (1947), as the film’s narrator and ex-con Victor Mature’s love interest; Tyrone Power’s »
- Maane Khatchatourian
Coleen Gray ca. 1950. Coleen Gray dead at 92: Leading lady in early Stanley Kubrick film noir classic Actress Coleen Gray, best known for Stanley Kubrick's crime drama The Killing, has died. Her death was announced by Classic Images contributor Laura Wagner on Facebook's “Film Noir” group. Wagner's source was David Schecter, who had been friends with the actress for quite some time. Via private message, he has confirmed Gray's death of natural causes earlier today, Aug. 3, '15, at her home in Bel Air, on the Los Angeles Westside. Gray (born on Oct. 23, 1922, in Staplehurst, Nebraska) was 92. Coleen Gray movies As found on the IMDb, Coleen Gray made her film debut as an extra in the 20th Century Fox musical State Fair (1945), starring Jeanne Crain and Dana Andrews. Her association with film noir began in 1947, with the release of Henry Hathaway's Kiss of Death (1947), notable for showing Richard Widmark »
- Andre Soares
Director John Frankenheimer.
I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.
We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.
We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that »
- The Hollywood Interview.com
Following his fall 2014 Le Conversazioni with Zadie Smith (White Teeth) and Patrick McGrath (Asylum and Spider), Antonio Monda invited Joyce Carol Oates and Stephen Sondheim to discuss films that influenced their lives and work.
Le Conversazioni and Rome Film Festival Artistic Director Antonio Monda Photo: Anne-Katrin Titze
- Anne-Katrin Titze
Christian Bale and wife Sibi Blazic Bale at the Oscars Christian Bale and wife Sibi Blazic on the Academy Awards' Red Carpet Eventual Best Supporting Actor winner Christian Bale and wife Sibi Blazic Bale are seen above on the Red Carpet of the 83rd Academy Awards, held on Feb. 27 at the Kodak Theatre in Hollywood. The Welsh-born Bale took home the Oscar statuette for his performance as a boxer turned coach and junkie in David O. Russell's boxing drama and sleeper hit The Fighter. His co-stars were Mark Wahlberg (who also co-produced the film), Best Supporting Actress winner Melissa Leo, and Best Supporting Actress nominee Amy Adams. Christian Bale movies The Fighter was Christian Bale's first Academy Award nomination. Among his other movie credits are: The Dark Knight (2008). Director: Christopher Nolan. Cast: Christian Bale. Heath Ledger. Maggie Gyllenhaal. Aaron Eckhart. The Prestige (2006). Director: Christopher Nolan. Cast: Hugh Jackman. »
- D. Zhea
Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on »
- D. Zhea
Below you will find our total coverage of the 2015 Berlin International Film Festival. New interviews will be added to the index as they are published.
Between Adam Cook and Daniel Kasman
Introduction by Daniel Kasman
Adam Cook continues the festival introduction
Talk about a legacy. Acclaimed titles designer Saul Bass worked with some of Hollywood’s most legendary directors during his 40-plus year career, and on some of their best pictures. His first title credit was on Otto Preminger’s 1954 “Carmen Jones.” From there, Bass went on to collaborate on over 60 films, many of which have become much deserved cinema classics. In this hour-long compilation, YouTube user FlaneurSolitaire pieces together scores of Bass’ revered title sequences in chronological order, starting with “The Man with the Golden Arm” (also directed by Preminger), from 1955. (Bass’ credits from that year alone also include Robert Aldrich’s “The Big Knife,” “The Shrike” helmed by José Ferrer, Billy Wilder’s “The Seven Year Itch,” and “The Racers,” which starred Kirk Douglas and was directed by Henry Hathaway.) “The Racers” wasn’t the only Kirk Douglas film Bass did the titles for; he also designed them for »
- Zach Hollwedel
Cyclops Observes the Celestial Bodies
I want to quibble with you on a point you made about an art installation in the Forum Expanded section. Discussing the simple but strangely transfixing Je proclame la destruction, you wrote to me of the order of its two shots, of first the radical speaker coming to the microphone and then the young student hero pushing through the crowd. But this installation was on loop—couldn't it be the other way around, that the hero enters, we see an empty stage, and then the radical steps up to declare destruction? I don't recall Robert Bresson's original film (from which these two shots are taken) enough to know the order, but one of the shifting pleasures of this installation was how sometimes one shot seemed to precede the other, only for the continual repetition to shift that sense of time and causality. »
- Daniel Kasman
Billy Wilder and Charles Brackett movies (See previous post: "The Charles Brackett Diaries: Billy Wilder and Hollywood in the '30s and '40s.") Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as Some Like It Hot, The Apartment, and One, Two, Three. However well-received, Wilder's later films generally lacked the sophistication and subtlety found in his earlier work with Brackett. Charles Brackett, for his part, became associated with 20th Century-Fox, working as a producer-screenwriter. His Fox films, though frequently popular and at times applauded by critics, were decidedly made-to-order, »
- Andre Soares
10 items from 2015
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners