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Here Are 59 Actors Who Landed Oscar Nominations For Portraying Characters With Disabilities

Here Are 59 Actors Who Landed Oscar Nominations For Portraying Characters With Disabilities
Triumph over adversity is drama defined, and Oscar nominations often go to actors whose characters find victory over physical or mental afflictions. The earliest example goes back to 1947; that was the year that non-pro Harold Russell won Best Supporting Actor and a special award for “The Best Years of Our Lives.” Russell was a WWII veteran who lost both of his hands while making a training film. Of note: Of the 59, 27 of these nominations went on to a win. This year’s roster of stars playing afflicted characters includes Jake Gyllenhaal as bombing victim Jeff Baumer in “Stronger,” Andrew Garfield as polio survivor Robin Cavendish in “Breathe,” Bryan Cranston as a millionaire quadriplegic in “The Upside,” and Sally Hawkins in two roles, as an arthritic painter in “Maudie” and a mute lab worker in “The Shape of Water.”

Check out Oscar’s rather astonishing legacy of afflicted contenders below.

Blind
See full article at Thompson on Hollywood »

Here Are 59 Actors Who Landed Oscar Nominations For Portraying Characters With Disabilities

  • Indiewire
Here Are 59 Actors Who Landed Oscar Nominations For Portraying Characters With Disabilities
Triumph over adversity is drama defined, and Oscar nominations often go to actors whose characters find victory over physical or mental afflictions. The earliest example goes back to 1947; that was the year that non-pro Harold Russell won Best Supporting Actor and a special award for “The Best Years of Our Lives.” Russell was a WWII veteran who lost both of his hands while making a training film. Of note: Of the 59, 27 of these nominations went on to a win. This year’s roster of stars playing afflicted characters includes Jake Gyllenhaal as bombing victim Jeff Baumer in “Stronger,” Andrew Garfield as polio survivor Robin Cavendish in “Breathe,” Bryan Cranston as a millionaire quadriplegic in “The Upside,” and Sally Hawkins in two roles, as an arthritic painter in “Maudie” and a mute lab worker in “The Shape of Water.”

Check out Oscar’s rather astonishing legacy of afflicted contenders below.

Blind
See full article at Indiewire »

More Cannes Winners: Diane Kruger to Become the New Isabelle Huppert + Best Director Coppola Oscar Chances?

'In the Fade' with Diane Kruger: Fatih Akin's German-language Avenging Woman drama may give its star the chance to become next awards season Isabelle Huppert. Diane Kruger: 2017–2018 awards season's Isabelle Huppert? The 2003 Cannes Film Festival's Female Revelation Chopard Trophy winner, Diane Kruger was Cannes' 2017 Best Actress winner for Fatih Akin's In the Fade / Aus dem Nichts. If Akin's German drama finds a U.S. distributor before the end of the year, Kruger could theoretically become the Isabelle Huppert of the 2017–2018 awards season – that is, in case the former does become a U.S. critics favorite while we stretch things a bit regarding the Kruger-Huppert commonalities. Just a bit, as both are European-born Best Actress Cannes winners who have been around for a while (in Huppert's case, for quite a while). Perhaps most importantly, like Huppert in Paul Verhoeven's Elle, Kruger plays a woman out for revenge in In the Fade. Diane Kruger-Isabelle Huppert 'differences' There is, however, one key difference between the two characters: in Elle, Huppert wants to avenge her own rape; in In the Fade, Kruger wants to avenge the death of her Turkish husband (Numan Acar) and their son (Rafael Santana) at the hands of white supremacist terrorists. Another key difference, this time about the Kruger-Huppert Cannes Film Festival connection: although Isabelle Huppert became a U.S. critics favorite – and later a Best Actress Oscar nominee – for her performance in Elle, her (unanimous) Best Actress Cannes win was for another movie, Michael Haneke's The Piano Teacher / La pianiste back in 2001. At that time, Huppert also became a U.S. critics favorite (winning Best Actress honors in San Diego and San Francisco; a runner-up in Los Angeles and New York), but, perhaps because of the psychological drama's sexually charged nature, she failed to receive a matching Oscar nod. Last year's Cannes Best Actress, by the way, was Jaclyn Jose for Brillante Mendoza's Philippine drama Ma' Rosa. Huppert had been in contention as well, as Elle was in the running for the Palme d'Or. Diane Kruger Best Actress Oscar nomination chances? A Best Actress nomination for Diane Kruger at the German Academy Awards (a.k.a. Lolas) – for her first German-language starring role – is all but guaranteed. Curiously, that would be her first. As for a Best Actress Oscar nod, that's less certain. For starters, unlike the mostly well-reviewed Elle, In the Fade has sharply divided critics. The Hollywood Reporter, for one, summarized Akin's film as a “thriller made riveting by an emotional performance from Diane Kruger,” while The Guardian's Peter Bradshaw called it a “mediocre revenge drama” with “a not particularly good” star turn. Besides, since the year 2000 just one “individual” Best Actress Cannes winner has gone on to receive an Oscar nomination for the same performance: Rooney Mara*, who, though one of the two leads in Todd Haynes' Carol (2011), was shortlisted in the Oscars' Best Supporting Actress category so as not to compete with her co-star and eventual Best Actress nominee Cate Blanchett. Then there's the special case of Penélope Cruz; the 2006 Best Actress Oscar nominee – for Pedro Almodóvar's Volver – was a Cannes winner as part of that family comedy-drama ensemble†. And finally, despite their Cannes Best Actress win for performances in (at least partly) English-language films, no less than seven other actresses have failed to be shortlisted for the Academy Awards this century. Björk, Dancer in the Dark (2000). Maggie Cheung, Clean (2004). Hanna Laslo, Free Zone (2005). Charlotte Gainsbourg, Antichrist (2009). Juliette Binoche, Certified Copy (2010). Kirsten Dunst, Melancholia (2011). Julianne Moore, Maps to the Stars (2014). Coincidentally, that same year Moore starred in Still Alice, which eventually earned her the Best Actress Oscar. Warner Bros. will be distributing In the Fade in Germany later this year. Regarding the Oscars, whether late in 2017 or late in 2018, seems like it would be helpful if Diane Kruger got a hold of Isabelle Huppert's – and/or Marion Cotillard's and Jean Dujardin's – U.S.-based awards season publicists. * Rooney Mara shared the 2011 Cannes Film Festival Best Actress Award with Emmanuelle Bercot for My King / Mon roi. † Also in the Cannes-winning Volver ensemble: Carmen Maura, Lola Dueñas, Blanca Portillo, Chus Lampreave, and Yohana Cobo. 'The Beguiled' trailer: Colin Farrell cast in the old Clint Eastwood role in Sofia Coppola's readaptation of Civil War-set, lust & circumstance drama. Sofia Coppola ends Cannes female drought About 13 years ago, Sofia Coppola became the first American woman to be shortlisted for the Best Director Academy Award – for the Tokyo-set drama Lost in Translation, starring Bill Murray and Scarlett Johansson. Coppola eventually lost in that category to Peter Jackson for the blockbuster The Lord of the Rings: The Return of the King, but she did take home that year's Best Original Screenplay Oscar statuette. There haven't been any other Oscar nominations since, but her father-daughter drama Somewhere, toplining Stephen Dorff and Elle Fanning, was the controversial Golden Lion winner at the 2010 Venice Film Festival. This year, Coppola has become only the second woman to win the Cannes Film Festival's Best Director Award – for The Beguiled, an American Civil War-set drama based on Thomas P. Cullinan's 1966 novel of the same name (originally published as A Painted Devil). With shades of Rumer Godden's Black Narcissus, The Beguiled follows a wounded Union soldier as he finds refuge at a girls' boarding school in Virginia. Sexual tension and assorted forms of pathological behavior ensue. Tenuous Cannes-Oscar Best Director connection From 2000 to 2016, 20 filmmakers† have taken home the Cannes Film Festival's Best Director Award. Of these, only four have gone on to receive matching Best Director Oscar nominations – but no wins: David Lynch, Mulholland Dr. (2001). Alejandro González Iñárritu, Babel (2006). Julian Schnabel, The Diving Bell and the Butterfly (2007). Bennett Miller, Foxcatcher (2014). Four other Cannes Best Director winners were bypassed by the Academy even though their movies featured – at least a sizable chunk of – English-language dialogue: Joel Coen, The Man Who Wasn't There§ (2001). Paul Thomas Anderson, Punch-Drunk Love (2002). Gus Van Sant, Elephant (2004). Nicolas Winding Refn, Drive (2011). In other words, a Best Director Cannes Film Festival win is no guarantee of a Best Director Academy Award nomination. Ultimately, Sofia Coppola's chances of an Oscar nod in the Best Director category depend on how well The Beguiled is received among Los Angeles and New York film circles, and how commercially successful – for an “arthouse movie” – it turns out to be. † During that period, there were three Cannes Film Festival Best Director ties: 2001: Joel Coen for The Man Who Wasn't There§ & David Lynch for Mulholland Dr. 2002: Im Kwon-taek for Painted Fire & Paul Thomas Anderson for Punch-Drunk Love. 2016: Cristian Mungiu for Graduation & Olivier Assayas for Personal Shopper. Both films opened in the U.S. in spring 2017 and may thus be eligible for the upcoming awards season. § Ethan Coen co-directed The Man Who Wasn't There, but didn't receive credit in that capacity. 'The Beguiled' with Nicole Kidman. The Best Actress Oscar winner ('The Hours,' 2002) had two movies in the Cannes Film Festival's Official Competition; the other one was 'The Killing of the Secret Deer,' also with Colin Farrell. Moreover, Kidman was the recipient of Cannes' special 70th Anniversary Prize. 'Sly' & 'elegant' Also adapted by Sofia Coppola, The Beguiled will be distributed in the U.S. by Oscar veteran Focus Features (Brokeback Mountain, The Danish Girl). The film has generally received positive notices – e.g., “sly” and “elegant” in the words of Time magazine's Stephanie Zacharek – and could well become a strong awards season contender in various categories. The cast includes The Killing of a Sacred Deer actors Nicole Kidman and Colin Farrell, in addition to Kirsten Dunst (the star of Coppola's Marie Antoinette), Somewhere actress Elle Fanning, Oona Laurence, Addison Riecke, Angourie Rice, and Emma Howard. As an aside, Cullinan's novel also served as the basis for Don Siegel's The Beguiled (1971), a Southern Gothic effort adapted by Irene Kamp and former Hollywood Ten member Albert Maltz. In the cast of what turned out to be a major box office flop: Clint Eastwood, Geraldine Page, Elizabeth Hartman, and Jo Ann Harris. Women directors at Cannes & the Oscars For the record, Soviet filmmaker Yuliya Solntseva was the Cannes Film Festival's first Best Director winner, for The Story of the Flaming Years back in 1961. The only woman to have directed a Palme d'Or winner is Jane Campion, for The Piano (1993). Early in 1994, Campion became the second woman to be shortlisted for an Academy Award in the Best Director category. The first one was Lina Wertmüller for Seven Beauties (1976). 'A Gentle Night' & 'Montparnasse Bienvenue' Qiu Yang's short film Palme d'Or winner A Gentle Night should be automatically eligible for the 2018 Academy Awards. But competition, as usual, will be fierce. In the last decade, the only short film Palme d'Or winner to have received an Oscar nomination is Juanjo Giménez Peña's Timecode (2016), in the Best Live Action Short Film category. This article was originally published at Alt Film Guide (http://www.altfg.com/).
See full article at Alt Film Guide »

Jerry Goldsmith’s 10 Most Indelible Scores

Jerry Goldsmith’s 10 Most Indelible Scores
In honor of Jerry Goldsmith’s star on the Hollywood Walk of Fame, Jon Burlingame offers ten scores that best capture the late composer’s genius.

1. A Patch of Blue (1965) For the tender relationship between a blind white girl (Elizabeth Hartman) and the kindly black man (Sidney Poitier) she befriends, Goldsmith wrote a haunting, delicate score featuring piano and harmonica.

2. The Sand Pebbles (1966) Goldsmith’s first epic score, for director Robert Wise’s film about a U.S. gunboat in Chinese waters in the 1920s starring Steve McQueen. He evoked an Asian atmosphere with exotic instruments, and his love theme (“And We Were Lovers”) was recorded by artists from Andy Williams to Shirley Bassey.

3. Planet of the Apes (1968) A landmark in film-music history, this unearthly, Bartok- and Stravinsky-influenced soundscape strongly implied that Charlton Heston and his fellow astronauts were marooned on a far-off planet… when, in fact, they were on Earth all along.
See full article at Variety - Film News »

Yes No Maybe So: "The Beguiled"

#vengefulbitches forever

The teaser for Sofia Coppola's remake of The Beguiled (2017) is upon us and it is glorious if surprisingly faithful. In fact, if you watched the original 1971 movie with us during the last season of Hit Me With Your Best Shot you'll be hard pressed to spot many immediate differences beyond of course the new cast. Nicole Kidman takes the Geraldine Page role (we worship Kidman but good luck topping one of Page's juiciest star turns), Colin Farrell gets the Clint Eastwood wounded womanizing soldier part, Kiki steps in for Elizabeth Hartman, and Oona Laurence (who was so good opposite Gyllenhaal in Southpaw) plays the Pamela Ferdin role. 

If you haven't yet seen the trailer or would like to watch it again (I'm on round 5) it's after the jump along with a short "Yes No Maybe So"...
See full article at FilmExperience »

Happy 86th Birthday Clint Eastwood! Here Are His Ten Best Films

Article by Jim Batts, Dana Jung, and Tom Stockman

Happy Birthday to one of We Are Movie Geeks favorite stars. Clint Eastwood was born on this day in 1930, making him 86 years old. The actor and two-time Oscar winning director hasn’t let his age slow him down a bit. Sully, his new movie as a director, opens in September.

We posted a list in 2011 of his ten best directorial efforts Here

Clint Eastwood has appeared in 68 films in his six (!) decades as an actor, and here, according to We Are Movie Geeks, are his ten best:

Honorable Mention: Honkytonk Man

By the 1980s, Clint Eastwood was one of Hollywood’s most bankable stars. With his own production company, directorial skills, and economic clout, Eastwood was able to make smaller, more personal films. A perfect example is the underrated Honkytonk Man, which also happens to be one of Eastwood’s finest performances.
See full article at WeAreMovieGeeks.com »

Sofia Coppola Rumoured For A New Take On The Beguiled

When it comes to potential Hollywood film projects, there are unsubstantiated rumours, and then there are rumours that increasingly look to be likelihoods. The Beguiled is becoming one such likelihood, as Indiewire report that the rumours surrounding the potential project are being supported by comments from people such as Kirsten Dunst. It seems that Academy Award winner Sofia Coppola could well be lining up a fresh version of The Beguiled, with Nicole Kidman, Dunst and Elle Fanning set to star.

First and foremost, The Beguiled is a 1966 novel by Thomas Cullinan, which was previously adapted for cinema in 1971, starring Clint Eastwood, Geraldine Page, Elizabeth Hartman and Jo Ann Harris. That version was directed by Don Siegel (Dirty Harry), and written by Albert Maltz, Irene Kamp and Claude Traverse. If it actually comes together, this new version by Sofia Coppola is expected to present a new adaptation of the source novel,
See full article at We Got This Covered »

Gill Dennis, ‘Walk the Line’ Screenwriter, Dies at 74

Gill Dennis, ‘Walk the Line’ Screenwriter, Dies at 74
Gill Dennis, who co-penned the screenplay for the Johnny Cash biopic “Walk the Line,” has died. He was 74.

Dennis died in his Portland, Ore. home, according to the American Film Institute. AFI was unable to confirm the date of his passing at this time.

Dennis also wrote the screenplays for Walter Murch’s “Return to Oz” (1985) and Judy Davis’ drama “On My Own” (1991), in addition to penning and directing Angelina Jolie’s thriller “Without Evidence” (1995) and the 1973 film “Intermission.” On the TV front, he did the teleplay for the 1996 TNT Western “Riders of the Purple Sage” and wrote the Showtime miniseries “Home Fires.”

Dennis was a 1969 graduate of the AFI Conservatory’s first class, which also included Terrence Malick, David Lynch and Caleb Deschanel. He returned to AFI in 1997 as a master filmmaker-in-residence and taught the incoming class this past September. His students took to Twitter to express their grief.
See full article at Variety - Film News »

Oscar-Nominated Film Series: Bates Suffers in Contrived, Overlong Drama About Christian Persecution of Jews

'The Fixer' movie with Alan Bates, Dirk Bogarde and Ian Holm (background) 'The Fixer' movie review: 1968 anti-Semitism drama wrecked by cast, direction, and writing In 1969, director John Frankenheimer declared that he felt "better about The Fixer than anything I've ever done in my life." Considering Frankenheimer's previous output – Seven Days in May, the much admired The Manchurian Candidate – it is hard to believe that the director was being anything but a good P.R. man for his latest release. Adapted from Bernard Malamud's National Book Award- and Pulitzer Prize-winning novel (itself based on the real story of Jewish brick-factory worker Menahem Mendel Beilis), The Fixer is an overlong, overblown, and overwrought contrivance that, albeit well meaning, carelessly misuses most of the talent involved while sadistically abusing the patience – and at times the intelligence – of its viewers. John Frankenheimer overindulges in 1960s kitsch John Frankenheimer
See full article at Alt Film Guide »

The Sidney Poitier Tribute Continues Thursday Night with The Defiant Ones and A Patch Of Blue

The Sidney Poitier Tribute Continues Thursday Night with The Defiant Ones and A Patch Of Blue

February is Black History Month, and to help celebrate, The St. Louis Black Film Festival will be presenting a Tribute to the 86-year old Sidney Poitier at their Classic Black Film Festival. Lucky St. Louis movie buffs will have the opportunity to view eight vintage Sidney Poitier on the big screen. Every Thursday in February, The St. Louis Black Film Festival will be presenting two Poitier films at St Louis Cinemas Galleria (630 St Louis Galleria, Richmond Heights, Mo 63117).

The Sidney Poitier Tribute Film Festival continues this Thursday night (February 20th) with two Poitier classics; The Defiant Ones and A Patch Of Blue

Sidney Poitier continued to break race barriers with the formula jail-break drama The Defiant Ones in 1958. Tony Curtis and Poitier play white and black inmates who, while chained together at the wrist,
See full article at WeAreMovieGeeks.com »

Race, Gender, and Sexuality at the Academy Awards, Part I

By Mark Pinkert

Contributor



This is the first article in a three-part series

In his 2006 Oscar acceptance speech for Best Supporting Actor, George Clooney said the following about Hollywood as a forum for social change:

We’re the ones who talk about AIDS when it was just being whispered, and we talked about civil rights when it wasn’t really popular. And we, you know, we bring up subjects. This Academy, this group of people gave Hattie McDaniel an Oscar in 1939 when blacks were still sitting in the backs of theaters. (About.com; “The Politics of George Clooney; Actor and Liberal Activist”)

Hollywood is often more progressive than other parts of the country, sure, and great films often lends pathos to social issues. They may even galvanize movements or rally support from previous non-believers. But there are other, extenuating facts we ought to consider before labeling Hollywood and the Academy the vanguard of social progress.
See full article at Scott Feinberg »

Oscar Nominee, Emmy Winner, Record-Holding Tony Winner Harris Dead

Julie Harris: Best Actress Oscar nominee, multiple Tony winner dead at 87 (photo: James Dean and Julie Harris in ‘East of Eden’) Film, stage, and television actress Julie Harris, a Best Actress Academy Award nominee for the psychological drama The Member of the Wedding and James Dean’s leading lady in East of Eden, died of congestive heart failure at her home in West Chatham, Massachusetts, on August 24, 2013. Harris, born in Grosse Pointe Park, Michigan, on December 2, 1925, was 87. Throughout her career, Julie Harris collected ten Tony Award nominations, more than any other performer. She won five times — a record matched only by that of Angela Lansbury. Harris’ Tony Award wins were for I Am a Camera (1952), The Lark (1956), Forty Carats (1969), The Last of Mrs. Lincoln (1973), and The Belle of Amherst (1977). Harris’ tenth and final Tony nomination was for The Gin Game (1997). In 2002, she was honored with a Special Lifetime Achievement Tony Award.
See full article at Alt Film Guide »

The 10 Greatest "Best Actress"-Nominated Performances That Didn't Win

Let's talk about jilted actresses, boys. 

The Oscars are next Sunday, and we still have plenty of Academy history to reinspect like amateur Clouseaus. Today's cold case: the 10 greatest Best Actress-nominated performances that didn't win an Oscar. Apologies to my other sentimental favorites like Michelle Pfeiffer in The Fabulous Baker Boys, Julie Christie in McCabe & Mrs. Miller, Nicole Kidman in Rabbit Hole, Anne Bancroft in The Graduate, and my darling Elizabeth Hartman in A Patch of Blue because I could only pick 10. Here they are.

10. Natalie Wood in Splendor in the Grass

Look, I hear you. Natalie Wood: not so inspiring in Rebel Without a Cause; barely survivable in West Side Story. But what she achieves in Splendor in the Grass, is to me, the absolute best kind of melodrama. As heartsick teen Deanie Loomis in this epic adaptation of William Inge's play, Natalie Wood jumps from lustfulness (since she's dating a young,
See full article at The Backlot »

5 "Best Supporting Actress" Performances That Deserve More Ridicule

Every year we hear from the Oscar cynics. "Marisa Tomei for My Cousin Vinny?" they clamor. "Ingrid Bergman in Murder on the Orient Express?" they ask. "Ugh, Renee Zellweger in Cold Mountain?" they huff, ending with a self-satisfied moan. Yes, the Oscars routinely reward the wrong people, but there's a bigger problem at hand: We need to criticize bad Oscar decisions even when it means disagreeing with conventional wisdom and not looking cool. It's a hard job, but I'd rather be right than a run-of-the-mill hater.

Since I already posted my list of the 5 All-Time Best Supporting Actress-winning performances, I thought I'd update my ranks with another Supporting Actress rundown. This time it's a whinier mission: Let's point out five winners who are never called out for their undeserving performances. Rest easy, Mira Sorvino. This time we're going after the titans.

5. Melissa Leo in The Fighter

Melissa Leo was blistering
See full article at The Backlot »

Mad Max's Weekend Movie Guide: 'Mama' & More

"We must accept finite disappointment, but never lose infinite hope." – Martin Luther King, Jr.

You said it, Reverend. Greetings from the apocalypse! As we continue our trek across this wind-blasted winter landscape of mediocre cinema, it's important not to toss hope in a ditch like grandma's ashes. Jumpstart the Vw bus we found abandoned next to the exploded gas station and let's move onward into the long Mlk weekend with our head held high and noseplug firmly secured. It's how the good Doctor would have wanted it.

Friday, January 18

January is always a dumping ground for crap horror flicks, which is why this week's Survivor of Thunderdome is such a labored breath of fresh air: the Guillermo del Toro-produced frightmare "Mama." Based on a short film from 2008, it chronicles two creepy little tikes discovered living la vida feral in the woods, where they've been under the watchful eye of
See full article at NextMovie »

In Honor of Vivien Leigh's 99th Birthday, Pick Your 10 Favorite Movie Performances Ever

The legendary, enigmatic, and so, so gorgeous Vivien Leigh would've been 99 years old today, and you know what that means? If she were alive now, she'd be spending her 60th (or so) year knowing she'd given the two most respected performances in cinematic history. As Scarlett O'Hara in Gone With the Wind and Blanche DuBois in A Streetcar Named Desire, the brazen Ms. Leigh redefined the standard for tour de force portrayals and presented infinitely dimensional characters who are still fun to talk (and theorize) about today. This brings me to a poll question whose answers are revealing in the best possible way: What are your personal favorite movie performances?

The rule is, you have to pick 10. Not 11, not nine. And in a brief description, explain why. Here's my personal tenpack of fabulous movie performances.

1. Vivien Leigh in A Streetcar Named Desire

Part of Vivien Leigh's power in Streetcar
See full article at The Backlot »

Camille Rewinds or Peggy Sue Gets Cloned

"The past is a foreign country; they do things differently there," L.P. Hartley noted in the opening of his novel The Go-Between.

In 1986, Francis Ford Coppola tried to explore that notion with his wan whimsy in Peggy Sue Got Married, which closed the New York Film Festival. Kathleen Turner, who was nearing the end of her film career as a marketable entity on the West Coast (The War of the Roses (1989) was her final Hollywood hit), starred as the eponymous fortyish mother whose greasy spouse (Nicolas Cage) is ditching her. Distraught, Peggy Sue is persuaded to attend her high school reunion where she ends up being crowned queen. Immediately, she collapses and winds up traveling back in time to her teens. The quirk is that both she and the audience see that Peggy Sue clearly is a middle-aged mom dressing up in age-inappropriate attire, while her parents, friends, and all
See full article at CultureCatch »

Best Movie Ever?: "Clueless"

When life grants you a news item about Alicia Silverstone's love of chewing up sorghum and mouth-feeding it to her infant, you have two options: 1) Sit around and think about the gamey taste of Alicia Silverstone's kind saliva or 2) relish the resurgence (regurgitation?) of Alicia Silverstone in pop culture and totally re-watch Clueless. It has aged like a yellow-plaid version of the Hope Diamond, kids, stunning and streamlined even now. As we learned with Nine to Five last week, it's time we started awarding the mantle of "best movie ever" to films that actually matter to us. The movies we revisit, with ease. The movies that have nothing to do with bold auteurism or Charles Foster Kane, but important matters like bold humor, funny women, strong outfits, confidence, unpretentious smarts, and best of all, funny women again. Clueless may look and sound like a feature-length Luscious Jackson video set in Holmby Hills,
See full article at The Backlot »

[Now Streaming] Your ‘This Means War,’ ‘The Secret World of Arrietty’ and ‘Undefeated’ Alternatives

  • The Film Stage
Each week within this column we strive to pair the latest in theatrical releases to worthwhile titles currently streaming on Netflix Instant Watch. This week we offer alternatives to This Means War, The Secret World of Arrietty and Undefeated.

Tomorrow in theaters it’s spy versus spy when two secret agents become romantic rivals, a scrappy underdog team fights their way to football glory and a teeny teen discovers a grand new world. But if you want more action-romance-comedies, more heartwarming sports tales, and more spirited adventures with pint-sized protagonists , we’ve got you covered with the best titles Now Streaming.

Chris Pine and Tom Hardy play a brawny pair of debonair spies who turn into prank-prone rivals when they uncover they’re dating the same woman. Reese Witherspoon co-stars, McG directs.

Do you desire more love, action and laughs?

Charade (1963) In this cheeky classic, Audrey Hepburn stars as a
See full article at The Film Stage »

Who? 5 Fascinating Oscar-Nominated Actresses You Might Know Nothing About

Elizabeth Hartman and Sidney Poitier in A Patch of Blue (1965)

Look, I can't help it: The Oscars rule. I care about them. I refuse to stop thinking about them. And if you read snicks' recent Oscar snubs piece, you'd refuse too. If you love entertainment, glamor, and winning, you simply have to love the Oscars. And Project Runway. But hey, back to the Oscars! Even the biggest Oscarphiles can stand to know more about the precious gold statuette, and I'm willing to bet most of you don't know about these five nominees, actresses who've faded from public consciousness. Let's revisit the weird and wild catacombs of the Academy's most fascinating forgotten ladies, shall we?

Eva Le Gallienne: Respected Actress, Kickass Lesbian

Before Gloria Stuart hurled an ugly diamond into the Atlantic in Titanic, Eva Le Gaillienne was the oldest woman nominated for an Oscar at age 80 for Resurrection, a
See full article at The Backlot »
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