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Jim Cody Harrington

Cody Harrington is a multi-disciplined digital effects artist/technical director with an extensive background in film production, visual effects, broadcast television, and interactive multimedia. 2009 - present - staff at Pixar Animation Studios, Emeryville, CA 2010 - Cars2, as fx technical director, 2009 - Toy Story 3, as fx technical director ... See full bio »


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Known For

Watchmen Visual Effects
Toy Story 3
Toy Story 3 Visual Effects
Inside Out
Inside Out Visual Effects
I Am Legend
I Am Legend Visual Effects


Hide Hide Show Show Visual effects (20 credits)
 2015/I Inside Out (effects artist - as Cody Harrington)
 2013 Monsters University (effects artist)
 2012 Brave (effects artist - as Cody Harrington)
 2011 Cars 2 (fx technical director)
 2010 Toy Story 3 (effects technical director)
 2009 Cloudy with a Chance of Meatballs (effects animator - as Cody Harrington)
 2009 Watchmen (senior effects technical director) / (senior visual effects technical director)
 2008 Speed Racer (senior effects technical director)
 2007 I Am Legend (senior effects technical director)
 2007 Beowulf (effects animator - as Cody Harrington)
 2007 Spider-Man 3 (effects animator: SPI - as Cody Harrington)
 2005 Stealth (digital artist: effects animator)
 2004 The Day After Tomorrow (digital artist: effects animator)
 2003 Daredevil (digital artist: effects animator)
 2002 Star Trek: Nemesis (digital artist: effects animator)
 2002 xXx (digital artist: effects animator)
 1989 The Abyss (key grip: underwater miniature crew)
 1988 Vibes (grip: effects photography - uncredited) / (production assistant: Boss Film Corporation)
 1987 Leonard Part 6 (grip: effects photography)
 1987 Date with an Angel (grip: effects photography - uncredited)
Show Show Camera and Electrical Department (10 credits)
Show Show Cinematographer (1 credit)

Personal Details

Alternate Names:

Cody Harrington | Jim Harrington

Did You Know?


He designed interactive multimedia prototypes for Apple's Multi-Media Lab and Executive Briefing Center in Chicago, 1989. Using Macromedia's Director, Photoshop, and the Electricimage 3D animation program, he showcased Apple's early efforts in interactive multimedia for key accounts. He then took those skills to the Bay Area, and worked with Vivid Studios 1992 to create, Crush, a product that ... See more »



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