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2014 | 2013 | 2012 | 2011 | 2010 | 2009

3 items from 2014


Disney's Snow White: the risk that changed filmmaking forever

24 November 2014 8:09 AM, PST | Den of Geek | See recent Den of Geek news »

Snow White was a risk that could have finished Disney. Ryan looks at how the world's first animated feature changed the landscape of cinema

In 2013, Walt Disney Animation Studios released Frozen, its 53rd animated feature. With takings of well over $1bn and counting, it ranks as the most successful animated film of all time, eclipsing the previous title holder - Pixar's Toy Story 3 - by around $200m.

For a generation who've grown up with such films as The Lion King and Tangled, Disney probably seems like an immovable cultural force: as recognisable and unchanging as Mount Rushmore or the American flag. But Disney has survived a series of peaks and troughs since its founding in the 1920s, from its decline in the 1970s and early 80s, its revival in the 90s, and its second burst of creative energy in the 2000s.

From its inception, Disney Animation Studios has moved with the times, »

- ryanlambie

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The Definitive Movie Musicals: 30-21

11 May 2014 9:33 PM, PDT | SoundOnSight | See recent SoundOnSight news »

As we continue on, I need to once again clarify that if this list was “Joshua Gaul’s 50 Favorite Movie Musicals,” it’d be a quite a different list. But, if my tastes determined what is definitive, I’d be asking you all to consider Aladdin as a brilliant piece of filmmaking and wax nostalgic about my love for Batteries Not Included and Flight of the Navigator (not for the musicals list, of course). Much to my dismay, my tastes are not universal. I’d like to think my research methods are.

courtesy of themoviescene.co.uk

30. Annie (1982)

Directed by John Huston

Signature Song: “Tomorrow” (http://youtu.be/Yop62wQH498)

Originally a 1924 comic strip, the beloved stage musical about a red-haired orphan girl was brought to the big screen in 1982 and directed by John Huston (yes, that John Huston – director of The Maltese Falcon and The African Queen, not to »

- Joshua Gaul

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‘Finding Nemo’ and cinema’s affection for separation

1 March 2014 5:37 PM, PST | SoundOnSight | See recent SoundOnSight news »

Finding Nemo encompasses a tremendous amount of positive imagery that makes up Disney and Pixar’s populous appeal. From learning how to trust family and friends, to overcoming biggest fears and obstacles, Finding Nemo understands how to tap into the audience’s heartstrings and neatly ties in a meaningful message for the viewer to take home. Yet with every good side, there is a dark presence that even Disney can’t back away from. Like many Disney films, from Bambi to Frozen, Finding Nemo deals with a story whose basis stems from a broken household struggling with a great deal of separation. Why does Disney cling onto threads of such despair and heartache? Perhaps it’s a factor many can relate to. Or perhaps it’s a working formula that sweetens the arc of a happy ending. Either way, separation is a tapped fountain of which Hollywood has dipped into time after time again. »

- Christopher Clemente

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2014 | 2013 | 2012 | 2011 | 2010 | 2009

3 items from 2014


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