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Sid Haig Poster

Biography

Jump to: Overview (3) | Mini Bio (1) | Spouse (1) | Trade Mark (3) | Trivia (10) | Personal Quotes (3)

Overview (3)

Date of Birth 14 July 1939Fresno, California, USA
Birth NameSidney Eddie Mosesian
Height 6' 4" (1.93 m)

Mini Bio (1)

Tall, bald and nearly always bearded, Sid Haig has provided hulking menace to many a low-budget exploitation film and high-priced action film.

Sid Haig was born Sidney Eddie Mosesian on July 14, 1939 in Fresno, California, a screaming ball of hair. His parents, Roxy (Mooradian) and Haig Mosesian, an electrician, were of Armenian descent. Sid's career was somewhat of an accident. He was growing so fast that he had absolutely no coordination. It was decided that he would take dancing lessons, and that's when it all began. At the age of seven, he was dancing for pay in a children's Christmas Show, then a revival of a vaudeville show... and on it went.

Sid also showed a musical inclination, particularly for the drums. So, when his parents got tired of him denting all the pots and pans in the house, they bought him a drum set. The music was in him and he took to it immediately, a born natural. First it was swing, then country, then jazz, blues and rock 'n' roll. Sid always found it easy to make money with his music, and did very well. One year out of high school and signing a recording contract is not too bad. Sid went on to record the single "Full House" with the T-Birds in 1958. However, back while he was in high school, Sid got bitten by the "acting bug". Alice Merrill was the head of the drama department at that time and gave him all the encouragement in the world to pursue an acting career. The clincher came in his senior year. The way that the senior play was cast was that she would double cast the show, then have one of her friends from Hollywood come up and pick the final cast.

You see, Merrill was quite famous as an actress on Broadway and kept up her contacts in the business. When the appointed day came, the "friend" that showed up was Dennis Morgan, a big musical comedy star from the 1940s. The rest is history -- he picked Sid for the role, then two weeks later came back to see the show and told Sid that he should continue his education down south and consider acting as a career path. Two years later, Sid enrolled in the world famous Pasadena Playhouse, the school that trained such actors as Robert Preston, Robert Young, Gene Hackman, Dustin Hoffman, and so on. After two years of "actor's hell" (non-stop 7:00am to 11:00pm with homework thrown in just for the fun of it), it was time to move on to the big "H", Hollywood! Sid did so with longtime friend and roommate Stuart Margolin (Angel on The Rockford Files (1974)).

Sid's first acting job was in Jack Hill's student film at UCLA. It was called The Host (1960), which was released in 2004 on DVD as a companion to Switchblade Sisters (1975), another Hill film. That role launched a 40-year acting career during which Haig appeared in over 50 films and 350 television series. He has proven himself quite valuable to such filmmakers as producer Roger Corman. He also became a staple in the pictures of Jack Hill, appearing in Spider Baby or, The Maddest Story Ever Told (1967), Coffy (1973), and Foxy Brown (1974). Haig's other memorable credits include George Lucas' THX 1138 (1971), and the 1970 James Bond opus Diamonds Are Forever (1971) (he is one of the Slumber Brothers, and got to toss a topless Lana Wood from the window of a high-rise Vegas hotel).

Among his most significant television credits are appearances on such landmark programs as The A-Team (1983), T.J. Hooker (1982), The Dukes of Hazzard (1979), Quincy M.E. (1976), Hart to Hart (1979), Fantasy Island (1977), Charlie's Angels (1976), Police Woman (1974), The Rockford Files (1974), The Six Million Dollar Man (1974), Mannix (1967), Mission: Impossible (1966), Gunsmoke (1955), Get Smart (1965), Here's Lucy (1968), The Flying Nun (1967), Daniel Boone (1964), Star Trek (1966), Batman (1966) and The Untouchables (1959).

Sid has never been one to give-up on anything but after nearly 40 years of carrying a gun (except for the occasional Jack Hill or Roger Corman film), his dreams of being recognized as a more than competent actor were fading. Then in 1992, Sid, fed up with being typecast, retired from acting and quoted, "I'll never play another stupid heavy again, and I don't care if that means that I never work, ever." This just proves that if you take a stand people will listen, for in 1997 Quentin Tarantino wrote the part of the judge in Jackie Brown (1997) for Sid. Then things got better, much better. Not necessarily more work, just better work. During the mid and late 1990s, Sid ran a community theater company, as well as dabbled occasionally in theater in Los Angeles. Then in 2000, Sid came out of his self-imposed retirement at the request of Rob Zombie for a part in Zombie's debut film House of 1000 Corpses (2003). He starred as the fun-loving, but murderous, Captain Spaulding. This role breathed new life into Sid's acting career and earned him an award for Best Supporting Actor in the 13th Annual Fangoria Chainsaw Awards, as well as an induction into the Horror Hall of Fame. Sid's character of Captain Spaulding has since become the icon for the new horror genre. Sid has recently enjoyed success as Captain Spaulding once again in Rob Zombie's follow-up to House of 1000 Corpses (2003), entitled, The Devil's Rejects (2005). For this film, Sid received the award for best Actor in the 15th Annual Fangoria Chainsaw Awards, as well as sharing the award for "Most Vile Villain" at the First Annual Spike TV Scream Awards with Leslie Easterbrook, Sheri Moon Zombie, and Bill Moseley as The Firefly Family.

As of this writing at the end of 2007, Sid has several projects in various stages of production, and continues to enjoy his renewed success as an actor.

- IMDb Mini Biography By: Susan L. Oberg

Spouse (1)

Susan L. Oberg (2 November 2007 - present)

Trade Mark (3)

Shaved head
Towering height
Deep baritone voice

Trivia (10)

Attended the Pasadena Playhouse 1959-1961. Roommates with Stuart Margolin.
Certified hypnotherapist.
Drummer for the late 1950s band The T-Birds, who released the single "Full House".
He and Pam Grier appeared in many "blaxploitation" films in the 1970s, Haig usually playing a thug. So when Grier walked onto the courtroom set of Jackie Brown (1997), and saw that Quentin Tarantino had cast him as the judge, she burst out laughing.
As of 2006, Haig donates 10% of his profits from conventions and appearances to charity. He also continues to enjoy a flourishing revival of his career.
Not exactly fond of the dialogue he was given in Galaxy of Terror (1981), Haig opted to play the character mute for most of the movie. When producer Roger Corman asked him why he was trying to play the role without dialogue, Haig's response was, "Have you read it?".
Has appeared in episodes of two science fiction series with Julie Newmar: Jason of Star Command (1978) and Buck Rogers in the 25th Century (1979).
Formed his own corporation, The Haig Group, with his wife Susan L. Oberg, of which he is Founder and President.
Managed a community theater in Simi Valley, California, called Stage and Video Education Theatre (S.A.V.E.), which operated from 1989 until 2004.
Received both the Universal Eyegore Award for lifetime achievement and the prestigious Premi Maria Honorifica at the Sitges International Film Festival (2010).

Personal Quotes (3)

Well, for one reason or another I felt it was necessary to keep making money in the business. I've done over 350 episodics, in either feature or starring roles, and 34 films. I felt at the time I had to do that, because I had a family. I had the choice of falling back on selling cars or whatever -- nothing against car salesmen -- or purposefully taking on the lion. Walking right into the den and saying "Here I am, and you're going to have to deal with me." And that's what I did. Was I a successful father? Maybe not. Was I a successful husband? Probably not. Was I a successful actor? Probably not.
When I went to school - Pasadena Playhouse - we were taught that the obligation of the actor is twofold: to entertain and to educate. We don't educate. So I've taken that onto myself. Now am I a good educator? I don't know. If someone latches onto a concept of mine, then I've taught well; otherwise, I'll have to rethink my stand on things. But in a country where individualism is supreme and synonymous with being an American, it's all vanished - it's all gone now. You go to college, and you know what you learn in college? How to work for somebody else. I teach an acting class for teenagers in the summer - I have for the past fourteen years. I don't encourage them to go to college: you want to be an actor? Be an actor. If you have to starve to do it, starve to do it. But if you're not passionate about what you want to do, you won't be good at it.
We shot that [Spider Baby or, The Maddest Story Ever Told (1967)] in something like ten or twelve days. For the first two days, I basically avoided Lon Chaney Jr. Not because I was afraid of him but because I had no idea what you would say to someone like him. There was a point where I was chosen to go find him because they needed him on the set. So I went to his trailer and I knocked on the door and then he was standing in front of me and I said, "Mr. Chaney, they need you on the set." And he said, "Stop that. I'm not Mr. Chaney. I'm Lon. You're Sid. Let's just keep it at that." It really put me at ease.

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