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2 items from 2012


This week's cultural highlights: from Snow White to the Cribs

6 May 2012 5:58 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

Our critics' picks of this week's openings, plus your last chance to see and what to book now

• Which cultural events are in your diary this week? Tell us in the comments below

Opening this week

Theatre

The Lion, the Witch and the Wardrobe

With the ever-inventive Rupert Goold both writing and directing, there should be no whiff of mothballs about this staged version of the Cs Lewis classic. Threesixtytheatre, Kensington Gardens, London W8 (0844 871 7693), Tuesday until 9 September.

Chariots of Fire

Sprinting in before the rerelease of the 1981 movie and the Olympics, Mike Bartlett's version promises to be no mere screen-to-stage adaptation. A nifty young cast of rising stars alongside some established talent should make sure this is a show that runs and runs. Hampstead theatre, London NW3 (020-7722 9301), Wednesday until 16 June.

Film

Goodbye First Love (dir. Mia Hansen-Løve)

Two young people pick up the romance that first flowered between »

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Anniversaries: Joe Henderson (1937-2001) Born 75 Years Ago

24 April 2012 3:11 PM, PDT | www.culturecatch.com | See recent CultureCatch news »

Joe Henderson always had the respect of fellow musicians and hardcore jazz fanatics, but for a long time it seemed the closest he'd get to fame was his brief stint in Blood, Sweat & Tears (years later he reminisced, in one of my favorite interviews, about how that short period was when sax companies wanted his endorsement and gave him free horns). Hardly fair considering that he spent a quarter century ranked among the top three tenor saxophonists alive, along with Rollins and Shorter. Then, almost miraculously, Verve put together a masterful production/promotion campaign that made him more famous in his last decade than he'd ever been before. Alas, emphysema took him at age 64, but he'd managed to leave an impressive legacy with nary a misstep -- he never made a bad album, and his appearance on anyone else's album was always a mark of quality. (Why is Ptah, the »

- SteveHoltje

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2 items from 2012


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