This one's strong, if uneven. The Living Daylights has a lot going for it, not least a lean, sharkish Timothy Dalton, tight of smile and cold of eye. Other strengths include a plot that actually goes places (even if they aren’t always the right ones), a great soundtrack, a palpably menacing hitman and the enjoyably retro prominence of the Cold War. All well and good. However, the central villains are a weakness, neither really working alone or as a duo. The girl is admirable but a little trying. The pace sometimes flags and the stakes never rise. Despite a standout fight aboard an aeroplane (as good as Bond gets) the film never quite takes off.
The Villains: A three-in-one deal. Never a great sign: quality is rarely offered in quantity. Georgi Koskov is a cheerful,