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Alex Gordon (I) (1922–2003)

Alex Gordon and his equally movie-crazy brother Richard Gordon haunted English movie theaters as boys before emigrating to New York in 1947. Richard remained East Coast-based as he forged a career as a film distributor and producer, while Alex set down roots in Hollywood, where he got in on the ground floor at AIP and produced the company's Day ... See full bio »

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created 28 Aug 2015

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Known For

Jail Bait
Jail Bait Writer
Bride of the Monster
The Underwater City
Day the World Ended


Hide Hide Show Show Producer (18 credits)
 1965 The Bounty Killer (producer)
 1965 Requiem for a Gunfighter (producer)
 1962 The Underwater City (producer)
 1959 The Atomic Submarine (producer)
 1958 Submarine Seahawk (producer)
 1958 Jet Attack (producer)
 1957 Motorcycle Gang (producer)
 1957 Dragstrip Girl (producer)
 1957 Voodoo Woman (producer)
 1956 Runaway Daughters (producer)
 1956 Shake, Rattle & Rock! (producer)
 1956 Flesh and the Spur (producer)
 1956 The She-Creature (producer)
 1956 Girls in Prison (producer)
 1956 The Oklahoma Woman (associate producer)
 1955 Day the World Ended (executive producer)
 1955 Apache Woman (executive producer)
 1954 The Lawless Rider (executive producer)
Show Show Writer (4 credits)
Show Show Casting director (1 credit)
Show Show Thanks (3 credits)
Show Show Self (3 credits)

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Personal Details

Publicity Listings:

6 Interviews | 2 Articles | See more »

Did You Know?

Personal Quote:

[about director Spencer Gordon Bennet] He was more interested in bringing a picture in on time and on budget and staging the action sequences rather than directing the actors. He did very little to direct the actors.


Interviewed in the Tom Weaver books "Science Fiction and Fantasy Film Flashbacks" (McFarland, 1998), "Science Fiction Confidential" (McFarland, 2002), "Eye on Science Fiction" (McFarland, 2003), "Earth vs. the Sci-Fi Filmmakers" (McFarland, 2005) and "A Sci-Fi Swarm and Horror Horde" (McFarland & Co., 2010). See more »

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