3 items from 2013
Chicago – It’s rare that I feel comfortable using this kind of hyperbole in a Blu-ray review but here it goes — having watched it again on Criterion Blu-ray, after not seeing it in years, I’m more convinced than ever that John Cassavetes’ “A Woman Under the Influence” is one of the best films ever made. Maybe it’s because I’m older now and have a family of my own, but my most recent viewing of this masterpiece was heartwrenching in a totally different way. It’s stunning.
And the Criterion remaster of it, accompanied by four other of the most important films in the history of the independent film movement in “Cassavetes: Five Films” is a beauty. Oh, yeah, “Shadows,” “Faces,” “The Killing of a Chinese Bookie,” and “Opening Night” are damn good too. This is one of the best possible gifts you could pick up for the »
- firstname.lastname@example.org (Adam Fendelman)
Reviewed by Chris Wright, MoreHorror.com
“The Unseen” (1981)
Directed By: Danny Steinmann
Starring: Sydney Lassick (Ernest Keller), Barbara Bach (Jennifer Fast), Stephen Furst (Junior Keller “The Unseen”), Karen Lamm (Karen Fast) Lelia Goldoni (Virginia Keller), Douglas Barr (Tony Ross), Lois Young (Vicki Thompson), Maida Severn (Solvang Lady)
“The Unseen” gave me “Psycho” vibes because of the moodiness of the film. It also has backwoods overtones with this messed up family as well. I came across this movie randomly and liked it much better than I thought. This is seemingly an unknown early 80s horror film that deserves some lime light as it is quite sad and disturbing to watch at times.
The story involves three female reporters who are offered cheap room and board by shady museum owner Ernest Keller (Sydney Lassick) since all the local motels are full. This house isn’t »
Blu-ray Release Date: Oct. 22, 2013
Price: Blu-ray $124.95
A former theater actor fascinated by the power of improvisation, Cassavetes brought his search for truth in performance to the screen. The five films in this anthology of dramas—all of which the director maintained total control over by financing them himself and making them outside the studio system—are electrifying and compassionate creations, populated by all manner of humanity: beatniks, hippies, businessmen, actors, housewives, strippers, club owners, gangsters, children.
Cassavetes has often been called an actor’s director, but this body of work—even greater than the sum of its extraordinary parts—shows him to be an audience’s director.
Here’s a breakdown of the movies:
3 items from 2013
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