Mateo Gil products
9 items from 2012
14 April 2012 4:07 PM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »
Sam Shepard excels in Mateo Gil's elegiac sequel imagining further adventures in Bolivia for the Wild Bunch leader
Back in 1969 George Roy Hill brought Paul Newman and Robert Redford together in Butch Cassidy and the Sundance Kid, a self-consciously stylish western in which two notorious bandits were celebrated as forerunners of the outlaw sensibility of the 1960s. A decade later, Richard Lester, one of the film-makers credited for shaping the artistic expression of the 60s with The Knack and two Beatles films, made his only western, Butch and Sundance: The Early Days. Featuring two young actors, Tom Berenger and William Katt, with uncanny resemblances to Newman and Redford, the film took a quirky but generally realistic look at frontier life as it related to the pair's early criminal life and friendship, ending in the 1890s at the point where they were becoming aware of being legends, leaders of a gang called the Wild Bunch. »
- Philip French
13 April 2012 4:06 PM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »
(Drew Goddard, 2011, Us) Richard Jenkins, Bradley Whitford, Chris Hemsworth, Anna Hutchison, Fran Kranz. 95 mins
It's clear from the outset this Jj Abrams-produced genre offering isn't your standard slasher movie, as a traditional teen country break set-up is monitored by wisecracking officials in some mysterious bunker. But exactly what the twist is, it's better to discover for yourself. Let's just say it gives the horror formula an exhilarating jolt without destroying it, in a Lost-meets-Scooby-Doo sort of way – a meta-mystery tour signposted with spoiler alerts.
Battleship (12A)
(Peter Berg, 2012, Us) Taylor Kitsch, Liam Neeson, Alexander Skarsgård, Rihanna. 131 mins
After the triumph of Transformers, Hasbro spin off another of their products, resulting in an effects-driven alien invasion that looks a lot like, er, Transformers. Expect Michael Bay-scale destruction, lots of CG explosions and military heroism, with extra cheese.
A Night To Remember (PG)
(Roy Ward Baker, »
- Steve Rose
13 April 2012 3:30 AM, PDT | HeyUGuys.co.uk | See recent HeyUGuys news »
This week’s release schedule is dominated by two very different movie beasts.
One is horror movie ‘game-changer’, The Cabin in the Woods, the other is a mega-budget Sci-Fi movie about the navy fighting off an alien invasion called Transformers of the Sea. Sorry, my mistake, it’s called Battleship, named after the popular board game…….Battleship.
The existence in both of big fighting ships is basically where the connection ends though as, let’s face it, board games don’t really lend themselves directly to great movie concepts, with the possible exception of the oft overlooked Pop-Up Pirate and the Hungry Hungry Hippos of Death of course. I had a great gag lined up here by the way where I’d type out B7, D4, C5,C6, C7 and say, whoops, Spoiler Alert, but some bastard on twitter already got there before me. Anyway, you can still enjoy that »
- Rob Keeling
12 April 2012 12:27 AM, PDT | Obsessed with Film | See recent Obsessed with Film news »
Rating: 3 out of 5 stars
There are certain genres that, whilst once being the staples of cinema, seem to have fallen off the radar in recent decades. Top of that list is surely the western. In many ways it is the archetypal American genre, harking back to the ideas of the frontier and westering that are ingrained in American national identity. The western showcased new technologies like Technicolour and Widescreen, the vastness of the American landscape tailor made for the medium. But it didn’t stand the test of time, factors such as the popularity of the road movie, in many ways a modernisation of the Western, conspiring to consign it to the Hollywood graveyard.
In recent years however there’s been something of resurgence. As well as the remakes of 3:10 to Yuma and True Grit, we had The Assassination of Jesse James by the Coward Robert Ford, as well »
- Harry Harris
19 February 2012 4:28 PM, PST | Alt Film Guide | See recent Alt Film Guide news »
Elena Anaya, Antonio Banderas, The Skin I Live In No Rest For The Wicked Tops, Pedro Almodóvar Empty-Handed: Goyas 2012 Winners Best Film La Piel que habito / The Skin I Live In, Pedro Almodóvar * No habrá paz para los malvados / No Rest for the Wicked, Enrique Urbizu La Voz dormida / The Sleeping Voice, Benito Zambrano Blackthorn. Sin destino / Blackthorn, Mateo Gil Best Foreign Film in the Spanish Language Boleto al paraíso (Cuba), Gerardo Chijona Miss Bala (Mexico), Gerardo Naranjo * Un cuento chino / Chinese Take-Away (Argentina), Sebastián Borensztein Violeta se fue a los cielos (Chile), Andrés Wood Best European Film Jane Eyre (United Kingdom), Cary Fukunaga Melancholia (Germany / Denmark / France), Lars von Trier * The Artist (France), Michel Hazanavicius Carnage (France), Roman Polanski Best Director Pedro Almodóvar, The Skin I Live In Benito Zambrano, The Sleeping Voice * Enrique Urbizu, No Rest for the Wicked Mateo Gil, Blackthorn Best New Director Paula Ortiz, De tu ventana a la mía »
- Steve Montgomery
19 January 2012 9:00 AM, PST | Twitch | See recent Twitch news »
One of my favourite films of 2011, Blackthorn has recently been nominated for 11 Premios Goya (Spanish Oscars.) Now available on DVD and Blu Ray, Mateo Gil's haunting, elegiac western is both an homage to the second wave films of the genre of the 1970s, and part of the new wave, with less emphasis on heroic action and more on character and landscape.The film is a what-if-story of Butch Cassidy, who possibly survived the final shoot-out in Bolivia, and has been living quietly under the name of Blackthorn for many years. His decision to return to America has been hampered by a run-in with a mining engineer, on the run for stealing money from the local mine owner. Blackthorn must help the man to get »
11 January 2012 2:41 AM, PST | Film-Book | See recent Film-Book news »
The Skin I Live In (La piel que habito) and the other nominations for the 2012 Goya Awards (Premios Goyas) have been announced. The 26th Annual Goya Awards (Premios Goyas), presented by the Academia de las Artes y Ciencias Cinematográficas de España (Spanish Academy of Cinematographic Arts and Sciences), is “Spain’s main national film awards, considered by many in Spain, and internationally, to be the Spanish equivalent of the American Academy Awards.” The awards will be handed out on February 19, 2012 in Madrid, Spain.
The full listing of the 2012 Goya Awards (Premios Goyas) nominations is below.
Film
La piel que habito (The Skin I Live In), Pedro Almodovar
No habrá paz para los malvados (No Rest for the Wicked), Enrique Urbizu
La voz dormida (The Sleeping Voice), Benito Zambrano
Blackthorn. Sin destino (Blackthorn), Mateo Gil
Director
Pedro Almodovar, La piel que habito (The Skin I Live In)
Benito Zambrano, La voz dormida »
- filmbook
10 January 2012 1:38 PM, PST | AwardsDaily.com | See recent AwardsDaily news »
Mejor Película europea Jane Eyre (Reino Unido) Melancolía (Dinamarca) The Artist (Francia) Carnage (Un dios salvaje)) (Francia) Mejor Dirección Mateo Gil por Blackthorn (Sin destino) Pedro Almodóvar por La piel »
- Ryan Adams
3 January 2012 8:33 AM, PST | HollywoodChicago.com | See recent HollywoodChicago.com news »
Chicago – I frankly can’t imagine how any moviegoer could favor Mateo Gil’s somber, low-key genre exercise, “Blackthorn,” over George Roy Hill’s marvelously entertaining 1969 classic, “Butch Cassidy and the Sundance Kid.” Sure, Western buffs have often criticized Hill’s film for romanticizing its subject matter, yet there was a dark edge and tragic poignance in William Goldman’s script that earned the film its shattering ending.
Moviegoers seeking similar thrills from “Blackthorn” will be sorely disappointed. The picture is a wholly unremarkable rethinking of the Butch Cassidy legend that fails in its aspirations to leave an equally iconic imprint on the oft-mythologized tale. Miguel Barros’ script bases its premise off the conceit that Butch and Sundance’s death in the 1908 Bolivian standoff was based on unsubstantiated evidence. It’s an intriguing premise, but Barros just uses it as an excuse to concoct a less whimsical retread of Goldman’s formula. »
- adam@hollywoodchicago.com (Adam Fendelman)
9 items from 2012
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