Six world premieres in the International feature competition.
Sarah Mallegol’s Kumva – Which Comes From Silence, is among the 10 features selected for the international competition of Germany’s Dok Leipzig festival, taking place from October 8-15.
Kumva is one of six world premieres in the section and sees children and parents who experienced the Rwandan genocide of 1994 speak about the atrocity which has traumatised generations.
Scroll down for the full list of features in competition
The film is in Kinyarwanda and French language; it is a debut feature for French director Mallegol.
The competition also includes the world premiere of Stillstand,...
Sarah Mallegol’s Kumva – Which Comes From Silence, is among the 10 features selected for the international competition of Germany’s Dok Leipzig festival, taking place from October 8-15.
Kumva is one of six world premieres in the section and sees children and parents who experienced the Rwandan genocide of 1994 speak about the atrocity which has traumatised generations.
Scroll down for the full list of features in competition
The film is in Kinyarwanda and French language; it is a debut feature for French director Mallegol.
The competition also includes the world premiere of Stillstand,...
- 9/21/2023
- by Ben Dalton
- ScreenDaily
Six world premieres in the International feature competition.
Sarah Mallegol’s Kumva – Which Comes From Silence, is among the 10 features selected for the international competition of Germany’s Dok Leipzig festival, taking place from October 8-15.
Kumva is one of six world premieres in the section and sees children and parents who experienced the Rwandan genocide of 1994 speak about the atrocity which has traumatised generations.
The film is in Kinyarwanda and French language; it is a debut feature for French director Mallegol.
The competition also includes the world premiere of Stillstand, the latest film from Austrian director and producer Nikolaus Geyrhalter,...
Sarah Mallegol’s Kumva – Which Comes From Silence, is among the 10 features selected for the international competition of Germany’s Dok Leipzig festival, taking place from October 8-15.
Kumva is one of six world premieres in the section and sees children and parents who experienced the Rwandan genocide of 1994 speak about the atrocity which has traumatised generations.
The film is in Kinyarwanda and French language; it is a debut feature for French director Mallegol.
The competition also includes the world premiere of Stillstand, the latest film from Austrian director and producer Nikolaus Geyrhalter,...
- 9/21/2023
- by Ben Dalton
- ScreenDaily
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Beau Is Afraid (Joaquin Phoenix)
Ari Aster’s brazenly original three-hour odyssey Beau Is Afraid is, refreshingly, the kind of film where it seems no notes were given––or at least the director had the creative control to reject them. Jumping from some of the most brilliant dark comedy in cinema as of late to a boldly conceived existential journey to an emotionally rife reckoning with mother issues, this Charlie Kaufman-esque journey of the mind packs in quite a lot. Even at its most unwieldy, Aster’s film is continued proof that Joaquin Phoenix––brilliant here, at the center of every scene––is the rare breed of actor seeking new challenges with each performance. – Jordan R.
Where to Stream: VOD
Chevalier...
Beau Is Afraid (Joaquin Phoenix)
Ari Aster’s brazenly original three-hour odyssey Beau Is Afraid is, refreshingly, the kind of film where it seems no notes were given––or at least the director had the creative control to reject them. Jumping from some of the most brilliant dark comedy in cinema as of late to a boldly conceived existential journey to an emotionally rife reckoning with mother issues, this Charlie Kaufman-esque journey of the mind packs in quite a lot. Even at its most unwieldy, Aster’s film is continued proof that Joaquin Phoenix––brilliant here, at the center of every scene––is the rare breed of actor seeking new challenges with each performance. – Jordan R.
Where to Stream: VOD
Chevalier...
- 6/16/2023
- by Jordan Raup
- The Film Stage
Considering many films premiering at the Locarno Film Festival can take years to get a release here in the United States––should they get any at all––Locarno in Los Angeles has been a welcome addition to the festival scene. Now in its sixth edition, the series (curated by Jordan Cronk and Robert Koehler) highlights the best of Locarno over four days, and kicks off this Thursday at 2220 Arts + Archives. Find our recommendations for what to seek out this year below.
The Adventures of Gigi the Law (Alessandro Comodin)
In the heat of late summer, San Michele al Tagliamento is a humid emulsion of corn fields, cypress trees, and silent streets. Sitting along the border between Veneto and Friuli, in the northeast of Italy, it’s a rural town in which nothing ever happens, everyone knows each other, and the sun throws everything into a somnolent lockdown—the concrete blazing,...
The Adventures of Gigi the Law (Alessandro Comodin)
In the heat of late summer, San Michele al Tagliamento is a humid emulsion of corn fields, cypress trees, and silent streets. Sitting along the border between Veneto and Friuli, in the northeast of Italy, it’s a rural town in which nothing ever happens, everyone knows each other, and the sun throws everything into a somnolent lockdown—the concrete blazing,...
- 3/14/2023
- by The Film Stage
- The Film Stage
Doc previously had world premiere at Berlinale.
Under The Sky Of Damascus by Talal Derki, Heba Khaled and Ali Wajeeh won the Golden Alexander prize in the international competition of the 25th Thessaloniki Documentary Festival, which closed on March 12.
The Denmark-Germany-us-Syrian co-production centres on a group of young Syrian women producing a play that lays bare the culture of misogyny and sexual abuse that has blighted their lives. The documentary had its world premiere in the Panorama section of this year Berlinale.
The Golden Alexander comes with a €12,000 and secures the place in the pre-selection shortlist for the Best Documentary Academy Award.
Under The Sky Of Damascus by Talal Derki, Heba Khaled and Ali Wajeeh won the Golden Alexander prize in the international competition of the 25th Thessaloniki Documentary Festival, which closed on March 12.
The Denmark-Germany-us-Syrian co-production centres on a group of young Syrian women producing a play that lays bare the culture of misogyny and sexual abuse that has blighted their lives. The documentary had its world premiere in the Panorama section of this year Berlinale.
The Golden Alexander comes with a €12,000 and secures the place in the pre-selection shortlist for the Best Documentary Academy Award.
- 3/13/2023
- by Alexis Grivas
- ScreenDaily
The Thessaloniki Documentary Festival kicks off its 25th edition Thursday at a time when the nonfiction genre has arguably reached unprecedented heights.
This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews).
Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the...
This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews).
Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the...
- 2/28/2023
- by Christopher Vourlias
- Variety Film + TV
Carl Olsson’s discreet documentary is an unfailingly human look at the funeral industry and those who work continually surrounded by mortality
This discreet yet gently ironic Swedish documentary encourages us to look at the bright side of death; that is, the attentive preparations for those passing, and the miraculous persistence of earthly matters around them. It’s shot in what you might call the European objective style, reminiscent of Ulrich Seidl and Nikolaus Geyrhalter: largely static, square-on tableaux of activity in morgues, crematoriums, cemeteries, hearses and the like. But they’re filled with small talk that attests to the unstoppable flow of life, even in these most sombre of places.
The dead are conspicuous by their absence; shrouded in the back of a hearse or occasionally glimpsed hands as a mortician works on them. But a whole army from the funeral industry are at their disposal: embalmers, grave and urn diggers,...
This discreet yet gently ironic Swedish documentary encourages us to look at the bright side of death; that is, the attentive preparations for those passing, and the miraculous persistence of earthly matters around them. It’s shot in what you might call the European objective style, reminiscent of Ulrich Seidl and Nikolaus Geyrhalter: largely static, square-on tableaux of activity in morgues, crematoriums, cemeteries, hearses and the like. But they’re filled with small talk that attests to the unstoppable flow of life, even in these most sombre of places.
The dead are conspicuous by their absence; shrouded in the back of a hearse or occasionally glimpsed hands as a mortician works on them. But a whole army from the funeral industry are at their disposal: embalmers, grave and urn diggers,...
- 2/6/2023
- by Phil Hoad
- The Guardian - Film News
UK/Ireland deals have been sealed for ‘The Thief Collector’ and ‘Myanmar Diaries’.
Austrian director Nikolaus Geyrhalter’s award-winning feature documentary Matter Out of Place, about waste disposal, has been acquired by Frenetic for Switzerland, Against Gravity for Poland, Zero Em Comportamento for Portugal, and You Shiu Enterprises for Taiwan from Autlook Film Sales.
Matter Out Of Place won the Green Leopard at Locarno in August and is now screening in the Masters section at this week’s International Documentary Festival Amsterdam (IDFA).
Austrian outfit Autlook has also sold theatrical rights to Allison Otto’s The Thief Collector to Signature Entertainment...
Austrian director Nikolaus Geyrhalter’s award-winning feature documentary Matter Out of Place, about waste disposal, has been acquired by Frenetic for Switzerland, Against Gravity for Poland, Zero Em Comportamento for Portugal, and You Shiu Enterprises for Taiwan from Autlook Film Sales.
Matter Out Of Place won the Green Leopard at Locarno in August and is now screening in the Masters section at this week’s International Documentary Festival Amsterdam (IDFA).
Austrian outfit Autlook has also sold theatrical rights to Allison Otto’s The Thief Collector to Signature Entertainment...
- 11/14/2022
- by Geoffrey Macnab
- ScreenDaily
The awards aim to promote European films to Arab audiences.
Jerzy Skolimowski’s Eo and Mikko Myllylahti’s The Woodcutter Story are among the nominees for the 4th Arab Critics’ Awards for European Film.
The 23-strong list, which will be shortlisted to three and an eventual winner, includes 11 entries for best international feature at the Oscars.
Alongside Eo, which follows a donkey travelling from the Polish circus to an Italian slaughterhouse, other Oscar hopefuls on the list include Gudmundur Arnar Gudmundsson’s Beautiful Beings from Iceland and Juraj Lerotic’s Locarno winner Safe Place from Croatia.
A joint venture between...
Jerzy Skolimowski’s Eo and Mikko Myllylahti’s The Woodcutter Story are among the nominees for the 4th Arab Critics’ Awards for European Film.
The 23-strong list, which will be shortlisted to three and an eventual winner, includes 11 entries for best international feature at the Oscars.
Alongside Eo, which follows a donkey travelling from the Polish circus to an Italian slaughterhouse, other Oscar hopefuls on the list include Gudmundur Arnar Gudmundsson’s Beautiful Beings from Iceland and Juraj Lerotic’s Locarno winner Safe Place from Croatia.
A joint venture between...
- 11/2/2022
- by Ellie Calnan
- ScreenDaily
Titles include Sofia Brockenshire’s ‘The Dependents’.
Eight feature documentaries will have world premieres in the international feature competition of Dok Leipzig, which runs from October 17-23 in Germany.
World debuts in the 13-strong international competition include Sofia Brockenshire’s The Dependents, an Argentina-Canada co-production about the life of an official in the Canadian Immigration Service.
Scroll down for the full competition selection
Brockenshire previously co-directed One Sister, a fiction film that debuted in Biennale College – Cinema at Venice Film Festival in 2016.
The international competition section will also launch Joseph Mangat’s Divine Factory, a Filipino-us-Taiwanese co-production that looks at the economic,...
Eight feature documentaries will have world premieres in the international feature competition of Dok Leipzig, which runs from October 17-23 in Germany.
World debuts in the 13-strong international competition include Sofia Brockenshire’s The Dependents, an Argentina-Canada co-production about the life of an official in the Canadian Immigration Service.
Scroll down for the full competition selection
Brockenshire previously co-directed One Sister, a fiction film that debuted in Biennale College – Cinema at Venice Film Festival in 2016.
The international competition section will also launch Joseph Mangat’s Divine Factory, a Filipino-us-Taiwanese co-production that looks at the economic,...
- 9/29/2022
- by Ben Dalton
- ScreenDaily
Human Flowers of Flesh (2022).I’ve always known that the context of any screening affects our response to a film, but I think I came to understand this on a gut level only recently. It’s only when you travel to a different landscape that you can really comprehend—in your body as much as in your mind—how much your environment shapes your aesthetic experience. I was at the Locarno Film Festival in August, for instance, and I found myself drawn to movies that wouldn’t normally have moved me, the type of slow cinema that’s popular on the festival circuit but which sometimes leaves me cold. Maybe I was more open-minded about this kind of film because of my unusually relaxed surroundings. Maybe it was the psychic energy of the location itself—Locarno, nestled on the shore of Lake Maggiore, surrounded on all sides by steep, lush...
- 9/7/2022
- MUBI
The 18th edition of the Camden Intl. Film Festival, kicking off Sept. 15, will feature a handful of award-contending documentaries fresh off showings at Telluride and the Toronto film festivals. The Maine-based festival will unfold in a hybrid format, with both in-person events over a three-day period concluding Sept. 18, and online screenings available from Sept. 15 to Sept. 25 to audiences across North America.
This year’s Ciff highlights include the U.S. premiere of Tamana Ayazi and Marcel Mettelsiefen’s Netflix release “In Her Hands,” which follows one of Afghanistan’s first female mayors during the months leading up to the Taliban takeover the country in 2021; Chris Smith’s “Sr.,” centered on the life and career of Robert Downey Sr. and his relationship to his son, Robert Downey Jr.; and Steve James’ “A Compassionate Spy,” about Manhattan Project physicist, Soviet spy and University of Chicago alum Theodore Hall. Each of the three...
This year’s Ciff highlights include the U.S. premiere of Tamana Ayazi and Marcel Mettelsiefen’s Netflix release “In Her Hands,” which follows one of Afghanistan’s first female mayors during the months leading up to the Taliban takeover the country in 2021; Chris Smith’s “Sr.,” centered on the life and career of Robert Downey Sr. and his relationship to his son, Robert Downey Jr.; and Steve James’ “A Compassionate Spy,” about Manhattan Project physicist, Soviet spy and University of Chicago alum Theodore Hall. Each of the three...
- 8/22/2022
- by Addie Morfoot
- Variety Film + TV
Julia Murat’s film is second from Brazil to win festival’s top honour.
The Golden Leopard at Locarno Film Festival’s 75th anniversary edition (August 3-13) has gone to Julia Murat’s Rule 34 (Regra 34), which had its world premiere in the Swiss festival’s international competition.
The award includes a cash prize of Chf 75,000 to be shared equally between the film’s director and producer.
Rule 34 is the story of a young law student whose sexual desires lead her into a world of violence and eroticism. It was part of the 2019 Berlinale Co-Production Market and last year received...
The Golden Leopard at Locarno Film Festival’s 75th anniversary edition (August 3-13) has gone to Julia Murat’s Rule 34 (Regra 34), which had its world premiere in the Swiss festival’s international competition.
The award includes a cash prize of Chf 75,000 to be shared equally between the film’s director and producer.
Rule 34 is the story of a young law student whose sexual desires lead her into a world of violence and eroticism. It was part of the 2019 Berlinale Co-Production Market and last year received...
- 8/13/2022
- by Martin Blaney
- ScreenDaily
Brazilian filmmaker Julia Murat clinched the Golden Leopard prize in the main international competition of the 75th Locarno Film Festival with her latest feature Rule 34.
The film follows Simone, a young law student who finds a passion for defending women in abuse cases. Yet her own sexual interests lead her to a world of violence and eroticism.
Rule 34 is Murat’s third feature film after Pendular, which picked up the Fipresci Prize at the 2017 Berlinale. The Brazillian filmmaker’s first film, Found Memories, debuted at Venice.
Locarno’s Golden Leopard comes with a Chf 75,000 cash prize to be shared equally between the director and the producer. Murat produced the film alongside Tatiana Leite.
This year’s Golden Leopard competition jury was comprised of Swiss producer Michel Merkt, British filmmaker Prano Bailey-Bond, French filmmaker Alain Guiraudie, American producer William Horberg, and Italian director Laura Samani.
In other main competition awards, the...
The film follows Simone, a young law student who finds a passion for defending women in abuse cases. Yet her own sexual interests lead her to a world of violence and eroticism.
Rule 34 is Murat’s third feature film after Pendular, which picked up the Fipresci Prize at the 2017 Berlinale. The Brazillian filmmaker’s first film, Found Memories, debuted at Venice.
Locarno’s Golden Leopard comes with a Chf 75,000 cash prize to be shared equally between the director and the producer. Murat produced the film alongside Tatiana Leite.
This year’s Golden Leopard competition jury was comprised of Swiss producer Michel Merkt, British filmmaker Prano Bailey-Bond, French filmmaker Alain Guiraudie, American producer William Horberg, and Italian director Laura Samani.
In other main competition awards, the...
- 8/13/2022
- by Zac Ntim
- Deadline Film + TV
Click here to read the full article.
Matter Out of Place, a sobering documentary about the growing global problem of garbage and waste management, has won the inaugural “green leopard,” the Pardo Verde WWF environmental prize from the Locarno Film Festival and the World Wildlife Fund (WWF).
Directed by famed Austrian documentarian Nikolaus Geyrhalter (Our Daily Bread, Earth), Matter Out of Place tracks how the rich world’s garbage is dumped in remote areas around the globe and follows the Sisyphus-like work of garbage collectors and waste managers trying to clean up the mess. Autlook Filmsales is handling worldwide sales for the project.
With its new environmental film prize, Locarno hopes to raise awareness and provide promotional support for movies that highlight ecological issues and offer “audiences new and challenging interpretations that inspire change.” The Pardo Verde WWF trophy is a bright green version of Locarno’s traditional golden leopard award stature.
Matter Out of Place, a sobering documentary about the growing global problem of garbage and waste management, has won the inaugural “green leopard,” the Pardo Verde WWF environmental prize from the Locarno Film Festival and the World Wildlife Fund (WWF).
Directed by famed Austrian documentarian Nikolaus Geyrhalter (Our Daily Bread, Earth), Matter Out of Place tracks how the rich world’s garbage is dumped in remote areas around the globe and follows the Sisyphus-like work of garbage collectors and waste managers trying to clean up the mess. Autlook Filmsales is handling worldwide sales for the project.
With its new environmental film prize, Locarno hopes to raise awareness and provide promotional support for movies that highlight ecological issues and offer “audiences new and challenging interpretations that inspire change.” The Pardo Verde WWF trophy is a bright green version of Locarno’s traditional golden leopard award stature.
- 8/13/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In the mesmerizing and strangely beautiful documentary “Matter Out of Place,” which world premieres in International Competition at the Locarno Film Festival on Wednesday, Austrian director Nikolaus Geyrhalter looks at how we dispose of our trash. But, taking a broader view, he is trying to gain a better understanding of mankind, and the impact it is having on the planet, he tells Variety.
The locations for the film are wide ranging: it moves from the mountains of Switzerland to the coasts of Greece and Albania, to an Austrian refuse incinerator, and then to Nepal and the Maldives, and finally to the deserts of Nevada for the Burning Man event.
When choosing locations, sound was as much of a consideration as the images. Geyrhalter says he invested heavily in capturing high-quality surround sound, which is designed to be heard using Dolby Atmos, and then carefully fine tuned the results when it...
The locations for the film are wide ranging: it moves from the mountains of Switzerland to the coasts of Greece and Albania, to an Austrian refuse incinerator, and then to Nepal and the Maldives, and finally to the deserts of Nevada for the Burning Man event.
When choosing locations, sound was as much of a consideration as the images. Geyrhalter says he invested heavily in capturing high-quality surround sound, which is designed to be heard using Dolby Atmos, and then carefully fine tuned the results when it...
- 8/10/2022
- by Leo Barraclough
- Variety Film + TV
Click here to read the full article.
On Aug. 23, 1946, just a few months after the inaugural Cannes Film Festival, the very first Locarno International Film Festival opened with a screening of Giacomo Gentilomo’s Italian neorealist classic O sole mio.
From the start, the festival aimed to represent the full spectrum of cinema, showcasing what current festival managing director Raphaël Brunschwig calls “a culture with a thousand facets.”
The 75th Locarno Festival, which runs Aug. 3-13, is sticking to those first principles. Perhaps more than any other major A-list fest, Locarno continues to straddle the gap between mainstream Hollywood and experimental avant-garde movie making.
Locarno 2022 will kick off with the world premiere of Brad Pitt action-thriller Bullet Train directed by the Deadpool 2 helmer David Leitch, who returns to Locarno after the 2017 screening of Atomic Blonde. This year’s event also includes gala screenings of Medusa Deluxe, a British murder...
On Aug. 23, 1946, just a few months after the inaugural Cannes Film Festival, the very first Locarno International Film Festival opened with a screening of Giacomo Gentilomo’s Italian neorealist classic O sole mio.
From the start, the festival aimed to represent the full spectrum of cinema, showcasing what current festival managing director Raphaël Brunschwig calls “a culture with a thousand facets.”
The 75th Locarno Festival, which runs Aug. 3-13, is sticking to those first principles. Perhaps more than any other major A-list fest, Locarno continues to straddle the gap between mainstream Hollywood and experimental avant-garde movie making.
Locarno 2022 will kick off with the world premiere of Brad Pitt action-thriller Bullet Train directed by the Deadpool 2 helmer David Leitch, who returns to Locarno after the 2017 screening of Atomic Blonde. This year’s event also includes gala screenings of Medusa Deluxe, a British murder...
- 7/19/2022
- by Stjepan Hundic
- The Hollywood Reporter - Movie News
Medusa Deluxe (Thomas Hardiman).The lineup for the 75th-anniversary edition of the festival has been announced, including new films by Helena Wittmann, João Pedro Rodrígues, Aleksandr Sokurov and others, alongside retrospectives, tributes, and much more.Piazza GRANDEAlles über Martin Suter. Ausser die Wahrheit. (Everything About Martin Suter. Everything but the Truth.) (André Schäfer)Annie Colère (Blandine Lenoir)Bullet Train (David Leitch)Compartiment tueurs (The Sleeping Car Murder) (Costa-Gavras)Delta (Michele Vannucci)Home of the Brave (Laurie Anderson)Imitation of Life (Douglas Sirk)Last Dance (Delphine Lehericey)Medusa Deluxe (Thomas Hardiman)My Neighbor Adolf (Leon Prudovsky)Paradise Highway (Anna Gutto)Piano Piano (Nicola Prosatore)Printed Rainbow (Gitanjali Rao)Semret (Caterina Mona)Une femme de notre temps (Jean Paul Civeyrac)Vous n'aurez pas ma haine (You Will Not Have My Hate) (Kilian Riedhof)Where the Crawdads Sing (Olivia Newman)Human Flowers of Flesh (Helena Wittmann).Concorso INTERNAZIONALEAriyippu (Declaration) (Mahesh Narayanan)Balıqlara xütbə...
- 7/13/2022
- MUBI
Ten world premieres among 17 international competition titles.
The Locarno Film Festival (August 3-13) has revealed the line-up for its 75th edition, which includes the world premiere of Russian filmmaker Aleksandr Sokurov’s Fairytale.
The international competition will comprise 17 films, including 10 world premieres, which will vie for the coveted Golden Leopard awards.
Scroll down for full line-up
These titles include Fairytale, a Belgium-Russia co-production written and directed by Sokurov, whose films have played in Competition at Cannes five times with features including Russian Ark in 2002. His debut The Lonely Voice Of a Man received the Bronze Leopard in Locarno in 1987.
The...
The Locarno Film Festival (August 3-13) has revealed the line-up for its 75th edition, which includes the world premiere of Russian filmmaker Aleksandr Sokurov’s Fairytale.
The international competition will comprise 17 films, including 10 world premieres, which will vie for the coveted Golden Leopard awards.
Scroll down for full line-up
These titles include Fairytale, a Belgium-Russia co-production written and directed by Sokurov, whose films have played in Competition at Cannes five times with features including Russian Ark in 2002. His debut The Lonely Voice Of a Man received the Bronze Leopard in Locarno in 1987.
The...
- 7/6/2022
- by Michael Rosser
- ScreenDaily
Returning for its milestone 75th edition, Locarno Film Festival has now unveiled its full lineup. Taking place from August 3 through 13th, the selection includes Helena Wittmann’s Human Flowers of Flesh, Jean-Paul Civeyrac’s Une femme de notre temps, Aleksandr Sokurov’s Fairytale, Patricia Mazuy’s Bowling Saturne, Abbas Fahdel’s Tales of the Purple House, Ana Vaz’s It Is Night In America, Leon Prudovsky’s My Neighbor Adolf, a massive Douglas Sirk retrospective, and much more.
“The selection of films that we have put together, after watching and appraising over 3,000 titles (of every length and format), is intended to be the mark of a time and of a cinema in motion,” Artistic Director Giona A. Nazzaro said. “A historic time that is moving in multiple directions simultaneously, and a cinema that is probing the issues facing the world, and how to live in it re- sponsibly, sustainably. The...
“The selection of films that we have put together, after watching and appraising over 3,000 titles (of every length and format), is intended to be the mark of a time and of a cinema in motion,” Artistic Director Giona A. Nazzaro said. “A historic time that is moving in multiple directions simultaneously, and a cinema that is probing the issues facing the world, and how to live in it re- sponsibly, sustainably. The...
- 7/6/2022
- by Jordan Raup
- The Film Stage
The Locarno Film Festival has announced the full line-up and juries for its 75th edition, which is due to unfold August 3-13.
The festival will get a starry kick-off on August 3 with the international festival premiere of David Leitch’s action-comedy Bullet Train, starring Brad Pitt alongside an ensemble cast featuring Joey King, Michael Shannon, Aaron Taylor-Johnson, Brian Tyree Henry, Sandra Bullock, Hiroyuki Sanada, Andrew Koji and Benito A Martínez Ocasio.
The film will be given a gala screening in the festival’s trademark 8,000-seat, open-air Piazza Grande arena.
Other titles due to get a splash on the Piazza Grande include Laurie Anderson’s Home Of The Brave, U.K. director Thomas Hardiman’s Medusa Deluxe and German director Kilian Riedhof’s French-language drama You Will Not Have My Hate, based on the memoir of a man on how he and his son coped following the death of his wife in the 2015 Bataclan terror attack.
The festival will get a starry kick-off on August 3 with the international festival premiere of David Leitch’s action-comedy Bullet Train, starring Brad Pitt alongside an ensemble cast featuring Joey King, Michael Shannon, Aaron Taylor-Johnson, Brian Tyree Henry, Sandra Bullock, Hiroyuki Sanada, Andrew Koji and Benito A Martínez Ocasio.
The film will be given a gala screening in the festival’s trademark 8,000-seat, open-air Piazza Grande arena.
Other titles due to get a splash on the Piazza Grande include Laurie Anderson’s Home Of The Brave, U.K. director Thomas Hardiman’s Medusa Deluxe and German director Kilian Riedhof’s French-language drama You Will Not Have My Hate, based on the memoir of a man on how he and his son coped following the death of his wife in the 2015 Bataclan terror attack.
- 7/6/2022
- by Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
The Locarno Film Festival has unveiled the lineup for its 2022 edition, to be held from Aug. 3-13.
And the Swiss festival will be hoping Brad Pitt will be kicking some butt when Locarno gives an international festival premiere to Sony’s upcoming Bullet Train. The action thriller, set to hit theaters Aug. 5, comes from the director of Deadpool 2, David Leitch, and has an ensemble cast that includes Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon and Benito Antonio Martínez Ocasio.
Locarno also booked world premieres for the Sophie Marceau starrer Une Femme de Notre Temps, by director Jean Paul Civeyrac; Leon Prudovsky’s My Neighbor Adolf; John Swab’s horror thriller Candy Land; Blandine Lenoir’s Annie Colere; and Delta, by director Michele Vannucci. Debut features bowing at Locarno include Jeff Rutherford’s A Perfect Day for...
The Locarno Film Festival has unveiled the lineup for its 2022 edition, to be held from Aug. 3-13.
And the Swiss festival will be hoping Brad Pitt will be kicking some butt when Locarno gives an international festival premiere to Sony’s upcoming Bullet Train. The action thriller, set to hit theaters Aug. 5, comes from the director of Deadpool 2, David Leitch, and has an ensemble cast that includes Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon and Benito Antonio Martínez Ocasio.
Locarno also booked world premieres for the Sophie Marceau starrer Une Femme de Notre Temps, by director Jean Paul Civeyrac; Leon Prudovsky’s My Neighbor Adolf; John Swab’s horror thriller Candy Land; Blandine Lenoir’s Annie Colere; and Delta, by director Michele Vannucci. Debut features bowing at Locarno include Jeff Rutherford’s A Perfect Day for...
- 7/6/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Clara Stern’s debut feature “Breaking the Ice,” a drama about the blossoming love between ice-hockey player Mira and her new teammate Theresa, has debuted its trailer. The film will have its world premiere Saturday in the Viewpoints section of the Tribeca Film Festival. Julien Razafindranaly at Films Boutique is handling world sales.
The Austrian film follows on from Stern’s prize-winning short film “Mathias,” about a transgender man’s struggle to find his place in the world. “Mathias” screened at more than 30 festivals, and won best short film at Diagonale – Festival of Austrian Film in 2017, and the Austrian Academy Award for best short film in 2018.
Frédéric Boyer, Tribeca’s artistic director, commented: “She brings that same sensitivity to ‘Breaking the Ice,’ a film that explores what happens when someone with a very rigid approach to life meets their freewheeling opposite.”
Alina Schaller stars as Mira, the heir to an...
The Austrian film follows on from Stern’s prize-winning short film “Mathias,” about a transgender man’s struggle to find his place in the world. “Mathias” screened at more than 30 festivals, and won best short film at Diagonale – Festival of Austrian Film in 2017, and the Austrian Academy Award for best short film in 2018.
Frédéric Boyer, Tribeca’s artistic director, commented: “She brings that same sensitivity to ‘Breaking the Ice,’ a film that explores what happens when someone with a very rigid approach to life meets their freewheeling opposite.”
Alina Schaller stars as Mira, the heir to an...
- 6/9/2022
- by Leo Barraclough
- Variety Film + TV
Via hand-painted sex dolls and Maga hats, Jessica Kingdon slyly tracks China’s shift from global factory to consumer society
In a street market in China, factory recruiters with loudspeakers compete for the attention of job seekers, yelling like they’re selling vegetables: “Seating working available!” “Air conditioning!” Others list restrictions: “No tattoos. No hair dye.” One advertises a salary: $2.99 (£2.21) an hour. Outside the market, inspirational slogans are plastered across billboards extolling the Chinese dream. “Work hard and all your dreams will come true.” When you’re paid $2.99, that’s a lot of hard work.
So begins this brilliant documentary by Chinese-American director Jessica Kingdon, which slyly observes China’s transition from the world’s factory to a massive consumer society. It’s a film in the tradition of Koyaanisqatsi or Nikolaus Geyrhalter’s Our Daily Bread. Shot in more than 50 locations in China, it splits more or less into three sections: factory workers,...
In a street market in China, factory recruiters with loudspeakers compete for the attention of job seekers, yelling like they’re selling vegetables: “Seating working available!” “Air conditioning!” Others list restrictions: “No tattoos. No hair dye.” One advertises a salary: $2.99 (£2.21) an hour. Outside the market, inspirational slogans are plastered across billboards extolling the Chinese dream. “Work hard and all your dreams will come true.” When you’re paid $2.99, that’s a lot of hard work.
So begins this brilliant documentary by Chinese-American director Jessica Kingdon, which slyly observes China’s transition from the world’s factory to a massive consumer society. It’s a film in the tradition of Koyaanisqatsi or Nikolaus Geyrhalter’s Our Daily Bread. Shot in more than 50 locations in China, it splits more or less into three sections: factory workers,...
- 1/10/2022
- by Cath Clarke
- The Guardian - Film News
The International Documentary Film Festival Amsterdam (IDFA) added 65 titles to its lineup Tuesday, unveiling the non-competitive program sections Best of Fests, Masters and Paradocs. The 34th edition of IDFA takes place from Nov. 17-28 in Amsterdam.
Best of Fests honors award winners, critics’ picks and audience favorites from the year’s festivals. The 46 strong selection includes India-set story about estranged lovers “A Night of Knowing Nothing” by Payal Kapadia, documentary award winner at Cannes, wildlife film “The Velvet Queen,” by debut director Marie Amiguet, “Users,” an exploration of humanity’s future by Natalia Almada, and “Taming the Garden,” the slow-cinema feature by Salomé Jashi.
These are joined by buzzy audience films such as Alison Klayman’s Alanis Morissette biopic “Jagged,” and Bing Liu and Joshua Altman’s “All These Sons,” from the filmmaking team behind “Minding the Gap.” The section also pays tribute to the surprise gems from the festival circuit,...
Best of Fests honors award winners, critics’ picks and audience favorites from the year’s festivals. The 46 strong selection includes India-set story about estranged lovers “A Night of Knowing Nothing” by Payal Kapadia, documentary award winner at Cannes, wildlife film “The Velvet Queen,” by debut director Marie Amiguet, “Users,” an exploration of humanity’s future by Natalia Almada, and “Taming the Garden,” the slow-cinema feature by Salomé Jashi.
These are joined by buzzy audience films such as Alison Klayman’s Alanis Morissette biopic “Jagged,” and Bing Liu and Joshua Altman’s “All These Sons,” from the filmmaking team behind “Minding the Gap.” The section also pays tribute to the surprise gems from the festival circuit,...
- 10/5/2021
- by Leo Barraclough
- Variety Film + TV
The Criterion Channel’s July 2021 Lineup Includes Wong Kar Wai, Neo-Noir, Art-House Animation & More
The July lineup at The Criterion Channel has been revealed, most notably featuring the new Wong Kar Wai restorations from the recent box set release, including As Tears Go By, Days of Being Wild, Chungking Express, Fallen Angels, Happy Together, In the Mood for Love, 2046, and his shorts Hua yang de nian hua and The Hand.
Also among the lineup is a series on neo-noir with Body Double, Manhunter, Thief, The Last Seduction, Cutter’s Way, Brick, Night Moves, The Long Goodbye, Chinatown, and more. The channel will also feature a spotlight on art-house animation with work by Marcell Jankovics, Satoshi Kon, Ari Folman, Don Hertzfeldt, Karel Zeman, and more.
With Jodie Mack’s delightful The Grand Bizarre, the landmark doc Hoop Dreams, Orson Welles’ take on Othello, the recent Oscar entries Preparations to Be Together for an Unknown Period of Time and You Will Die at Twenty, and much more,...
Also among the lineup is a series on neo-noir with Body Double, Manhunter, Thief, The Last Seduction, Cutter’s Way, Brick, Night Moves, The Long Goodbye, Chinatown, and more. The channel will also feature a spotlight on art-house animation with work by Marcell Jankovics, Satoshi Kon, Ari Folman, Don Hertzfeldt, Karel Zeman, and more.
With Jodie Mack’s delightful The Grand Bizarre, the landmark doc Hoop Dreams, Orson Welles’ take on Othello, the recent Oscar entries Preparations to Be Together for an Unknown Period of Time and You Will Die at Twenty, and much more,...
- 6/24/2021
- by Leonard Pearce
- The Film Stage
We’ve all been alone inside our heads a lot recently, and the question “why am I having weird dreams” has reportedly surged as a Google search over the past year. Natalia Almada’s “Users,” which won the directing award for U.S. Documentary in Sundance, is perhaps best appreciated as one of those peculiarly vivid dreams. Like them, it is made of uncanny imagery and strange echoey mood. But also like them, it comes apart under the scrutiny of the more logical, waking mind, and dissipates quickly in daylight.
In the beginning there’s a baby, being rocked in a mechanical crib. The baby is crying, then quiets, then falls asleep, and as this is an infant not yet capable of artifice or performance, it’s a fascinatingly unfakeable sequence to watch play out in real time. All the while a voice muses at us, apparently from a future...
In the beginning there’s a baby, being rocked in a mechanical crib. The baby is crying, then quiets, then falls asleep, and as this is an infant not yet capable of artifice or performance, it’s a fascinatingly unfakeable sequence to watch play out in real time. All the while a voice muses at us, apparently from a future...
- 2/20/2021
- by Jessica Kiang
- Variety Film + TV
New Indie
One of the best films of 2020 — and the last one I’ll get to see in a theater for who knows how long — Kelly Reichardt’s “First Cow” (Lionsgate) sees the director once again turning to the American frontier to tell a story about America now. John Magaro and Orion Lee play two men in pioneer-era Oregon who go into business selling fried-dough “oilycakes” to homesick miners, but find themselves in the crosshairs of the plutocrat who owns the territory’s only source of fresh milk. It’s gorgeous, elegaic, witty, and powerful — and you’ll crave some funnel cakes.
Also available: Director James Sweeney, who also wrote and starred, makes an impressive feature debut with “Straight Up” (Strand Releasing), about a gay man whose lack of relationship success drives him to give women one last shot; two siblings try to fulfill their grandmother’s dying wish in...
One of the best films of 2020 — and the last one I’ll get to see in a theater for who knows how long — Kelly Reichardt’s “First Cow” (Lionsgate) sees the director once again turning to the American frontier to tell a story about America now. John Magaro and Orion Lee play two men in pioneer-era Oregon who go into business selling fried-dough “oilycakes” to homesick miners, but find themselves in the crosshairs of the plutocrat who owns the territory’s only source of fresh milk. It’s gorgeous, elegaic, witty, and powerful — and you’ll crave some funnel cakes.
Also available: Director James Sweeney, who also wrote and starred, makes an impressive feature debut with “Straight Up” (Strand Releasing), about a gay man whose lack of relationship success drives him to give women one last shot; two siblings try to fulfill their grandmother’s dying wish in...
- 9/29/2020
- by Alonso Duralde
- The Wrap
Always be wary of claims of “first” or “only.” Such is the case with brand-new streaming platform Documentary Plus+, which announced this summer that it would be “the first of its kind to focus exclusively on documentary films.” The venture comes from Xtr, the well-financed Los Angeles-based nonfiction film and television studio that Oscar-nominated documentary short producer Bryn Mooser (“Lifeboat”) launched last year.
Xtr, which took five co-financed films to Sundance 2020 — including well-received docs “Feels Good Man,” “Mucho Mucho Amor,” and “Bloody Nose, Empty Pockets” — plans to roll out Documentary Plus+ this fall; a representative said they’re hoping for the end of September.
Billed as a “highly curated documentary streaming service,” Documentary Plus+ aims to “provide audiences with the best in documentary film and further serve as a permanent home for the work of nonfiction filmmakers along with added distribution and amplification of their projects across all social channels.
Xtr, which took five co-financed films to Sundance 2020 — including well-received docs “Feels Good Man,” “Mucho Mucho Amor,” and “Bloody Nose, Empty Pockets” — plans to roll out Documentary Plus+ this fall; a representative said they’re hoping for the end of September.
Billed as a “highly curated documentary streaming service,” Documentary Plus+ aims to “provide audiences with the best in documentary film and further serve as a permanent home for the work of nonfiction filmmakers along with added distribution and amplification of their projects across all social channels.
- 8/20/2020
- by Kate Erbland
- Indiewire
Simultaneously stoic and anguished, “Earth” takes a determined, unrelenting look at what Austrian director Nikolaus Geyrhalter calls “the wounds we are inflicting” on our planet.
Like his previous documentaries, this one is forcefully experimental, rejecting what the film’s press materials disdain as “familiar rhetorical devices” and “uninspired formal qualities of more run-of-the-mill ‘social issues’ docs.” Because the result is an experience that was not made for the masses, he is likely to preach primarily to the converted. But anyone willing to submit to the urgent exactitude of his methods will walk away deeply unsettled.
The film is divided into seven chapters, each of which brings us to a different location, but the overarching vision is always the same: In any economic or ecological battle between nature and humankind, the latter will do anything necessary to win.
Also Read: 'Hollywood's Architect' Paul R. Williams Finally Gets to Shine in the...
Like his previous documentaries, this one is forcefully experimental, rejecting what the film’s press materials disdain as “familiar rhetorical devices” and “uninspired formal qualities of more run-of-the-mill ‘social issues’ docs.” Because the result is an experience that was not made for the masses, he is likely to preach primarily to the converted. But anyone willing to submit to the urgent exactitude of his methods will walk away deeply unsettled.
The film is divided into seven chapters, each of which brings us to a different location, but the overarching vision is always the same: In any economic or ecological battle between nature and humankind, the latter will do anything necessary to win.
Also Read: 'Hollywood's Architect' Paul R. Williams Finally Gets to Shine in the...
- 2/6/2020
- by Elizabeth Weitzman
- The Wrap
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSIvan Passer by Irfan Khan for the Los Angeles TimesFilmmaker Ivan Passer, a key figure in the Czech New Wave alongside peers like Miloš Forman, has died. For The Guardian, Andrew Pulver writes of Passer's departure from Prague and entry into Hollywood. The latest lineup announcement for this year's Berlinale includes the very exciting world premieres of Charlatan by Agnieszka Holland and Swimming Out Till the Sea Turns Blue by Jia Zhangke. The Cannes Film Festival has announced that Spike Lee will preside over its jury, making him the first Black jury head in the festival's history. In a statement, Lee writes: "You could easily say Cannes changed the trajectory of who I became in world cinema.”Amid increasing festival buzz, awards season also continues with the release of the Academy Awards nominations, which can be found here.
- 1/15/2020
- MUBI
If you have become numb to television's preference for narrow-minded camerawork that frequently gets so close as to kiss its actors, you will be refreshed by immersing yourself in the gargantuan images of Earth, Nikolaus Geyrhalter’s latest wide-widescreen landscape documentary. No mere glorification of nature’s ambiance, it is instead a distressing dispatch of violent upheaval, capturing the magnitude of the displacement of earth on a massive scale in such places as a San Fernando Valley real estate development, Italian marble quarry, and Hungarian strip mine. For those who have seen Geyrhalter’s other highly politicized landscape films, like Our Daily Bread (2005) and Homo Sapiens (2016), the scope of Earth’s images may seem familiar: an immense pictorial canvas so filled with detail as to surpass the maximalism of any Hollywood epic, yet a framing of the land that is inextricable from understanding its use and exploitation by man. Earth...
- 1/10/2020
- MUBI
The Aretha Franklin documentary “Amazing Grace,” the moon-mission chronicle “Apollo 11” and the first film from Barack and Michelle Obama’s production company, “American Factory,” have made the short list for the International Documentary Association’s 2019 Ida Documentary Awards, the Ida announced on Thursday.
The announcement narrows the field to 30 feature films and 21 shorts that will move on to a second round of voting.
The IDA’s short list of 30 feature films contains 10 films that were on Doc NYC’s recent 15-film list of the year’s likeliest nonfiction awards contenders: “American Factory,” “The Apollo,” “Apollo 11,” “The Biggest Little Farm,” “The Cave,” “Diego Maradona,” “The Edge of Democracy,” “For Sama,” “Honeyland” and “One Child Nation.”
Additional films on the Ida’s list include “Amazing Grace,...
The announcement narrows the field to 30 feature films and 21 shorts that will move on to a second round of voting.
The IDA’s short list of 30 feature films contains 10 films that were on Doc NYC’s recent 15-film list of the year’s likeliest nonfiction awards contenders: “American Factory,” “The Apollo,” “Apollo 11,” “The Biggest Little Farm,” “The Cave,” “Diego Maradona,” “The Edge of Democracy,” “For Sama,” “Honeyland” and “One Child Nation.”
Additional films on the Ida’s list include “Amazing Grace,...
- 10/10/2019
- by Steve Pond
- The Wrap
Adele Tulli’s elegantly deadpan documentary challenges the sexual stereotypes that prevail across the generations
Adele Tulli’s quizzically entitled film, Normal, is an elegantly composed, pleasingly shot series of vignettes, presented in a documentary style that I think of as anthropo-deadpan – the Austrian film-maker Nikolaus Geyrhalter is a master of this. Tulli is taking issue with the normality of sexual stereotypes as they are manufactured in Italy, from toddlerhood to early middle age. It is well made and there are some very startling moments, although I wonder if, in the end, this film is a beautifully made sermon to the choir.
A seraphically calm and heartbreakingly sweet little girl submits (with face in extreme closeup) to having earrings attached by a doctor; a boy prepares for a speedway event with his dad cheering lustily from the sidelines; a plastics factory turns out plastic moulds for irons, and then we...
Adele Tulli’s quizzically entitled film, Normal, is an elegantly composed, pleasingly shot series of vignettes, presented in a documentary style that I think of as anthropo-deadpan – the Austrian film-maker Nikolaus Geyrhalter is a master of this. Tulli is taking issue with the normality of sexual stereotypes as they are manufactured in Italy, from toddlerhood to early middle age. It is well made and there are some very startling moments, although I wonder if, in the end, this film is a beautifully made sermon to the choir.
A seraphically calm and heartbreakingly sweet little girl submits (with face in extreme closeup) to having earrings attached by a doctor; a boy prepares for a speedway event with his dad cheering lustily from the sidelines; a plastics factory turns out plastic moulds for irons, and then we...
- 9/25/2019
- by Peter Bradshaw
- The Guardian - Film News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSCitizen Kane.After an extended sojourn from filmmaking with canceled productions and the Netflix show Mindhunter, David Fincher has finally locked his next film. Derived from a screenplay written by his father (!), it concerns Citizen Kane's co-writer Herman Mankiewicz, to be played by Gary Oldman and photographed in black and white (!!!).Greta Gerwig will be co-writing a live-action Barbie—yes, the Barbie—movie with Noah Baumbach. The film will star Margot Robbie as the titular doll. Recommended VIEWINGThe long-awaited trailer for Inventing the Future, by Isiah Medina—whose films Semi-Auto Colours, 88:88, and Idizwadidiz previously screened on Mubi. The film is an adaptation of Inventing the Future: Postcapitalism and a World Without Work by Nick Srnicek and Alex Williams.The Museum of Modern Art launches its first "online film exhibition highlighting NYC shorts from...
- 7/17/2019
- MUBI
Luke Lorentzen’s Midnight Family won the grand jury award at this year’s Sheffield Doc/Fest, which held its closing ceremony last night (June 11).
The Sundance premiere follows a family trying to make a living by operating a private ambulance in Mexico city. The jury praised the film for providing a “timely warning to the dangers of privatised healthcare.” The top prize also came with a £2,000 windfall.
The jury gave a special mention to Hazzan Fazili’s Midnight Traveller (another Park City premiere) and Waad al-Kateab and Edward Watts’ Sxsx and Cannes title For Sama. The latter also won the audience award.
The respected UK documentary showcase presented its inaugural international award to Nikolaus Geyrhalter’s Earth, which charts the environmental destruction wrought by large-scale mining. A special mention went to Kristof Bilsen’s Mother.
The £2,000 Tim Hetherington award, named in honor of the UK photo-journalist...
The Sundance premiere follows a family trying to make a living by operating a private ambulance in Mexico city. The jury praised the film for providing a “timely warning to the dangers of privatised healthcare.” The top prize also came with a £2,000 windfall.
The jury gave a special mention to Hazzan Fazili’s Midnight Traveller (another Park City premiere) and Waad al-Kateab and Edward Watts’ Sxsx and Cannes title For Sama. The latter also won the audience award.
The respected UK documentary showcase presented its inaugural international award to Nikolaus Geyrhalter’s Earth, which charts the environmental destruction wrought by large-scale mining. A special mention went to Kristof Bilsen’s Mother.
The £2,000 Tim Hetherington award, named in honor of the UK photo-journalist...
- 6/12/2019
- by Andreas Wiseman
- Deadline Film + TV
Further winners included Nikolaus Geyrhalter’s Earth and Nanfu Wang and Jialing Zhang’s One Child Nation.
Luke Lorentzen’s Midnight Family won the grand jury award (with a £2000 prize) at this year’s Sheffield Doc/Fest, which held its closing ceremony last night (June 11).
Full list of winners below
The film tells the story of a family scraping a living operating a private ambulance in Mexico city, and was praised by the jury for acting “as a timely warning to the dangers of privatised healthcare.”
The jury, made up of artist Jeremy Deller, producer Charlotte Cook and artist-filmmaker Jenn Nkiru...
Luke Lorentzen’s Midnight Family won the grand jury award (with a £2000 prize) at this year’s Sheffield Doc/Fest, which held its closing ceremony last night (June 11).
Full list of winners below
The film tells the story of a family scraping a living operating a private ambulance in Mexico city, and was praised by the jury for acting “as a timely warning to the dangers of privatised healthcare.”
The jury, made up of artist Jeremy Deller, producer Charlotte Cook and artist-filmmaker Jenn Nkiru...
- 6/12/2019
- by Orlando Parfitt
- ScreenDaily
Photo courtesy of Pablo Ocqueteau and Berlinale 2019Below you will find our favorite films of the 69th Berlin International Film Festival, as well as an index of our coverage.AwardsFAVORITE Filmsdaniel KASMANHeimat Is a Space in Time (Thomas Heise)Just Don’t Think I’ll Scream (Frank Beauvais)Fourteen (Dan Sallitt)I Was at Home, But... (Angela Schanelec)Synonyms (Nadav Lapid)The Plagiarists (Peter Parlow)Delphine and Carole (Callisto McNulty)Holy Beasts Years of Construction (Heinz Emigholz)Bait (Mark Jenkins)Giovanni Marchini CAMIASynonyms (Nadav Lapid)I Was at Home, But... (Angela Schanelec)The Plagiarists (Peter Parlow)Just Don't Think I'll Scream (Frank Beauvais)The Blue Flower of Novalis (Gustavo Vinagre & Rodrigo Carneiro)The Portuguese Woman (Rita Azevedo Gomes)The Last to See Them (Sara Summa)Earth (Nikolaus Geyrhalter)Heimat Is a Space in Time (Thomas Heise)Ms Slavic 7 (Sofia Bohdanowicz & Deragh Campbell)Jordan Cronki Was at Home, But... (Angela Schanelec...
- 2/28/2019
- MUBI
Gender as a construct is explored to unsettling effect in the ironically titled documentary Normal, directed by Italian academic-turned-filmmaker Adele Tulli (365 without 377). This startling and confrontational work of non-fiction cinema is really in full-on observational mode — a la Nikolaus Geyrhalter and his Our Daily Bread — serving up scene after scene of mundane events and tasks carried out by John (or should that be Giovanni?) Does and Jane Does in different parts of Italy. The cumulative effect is that an idea emerges of the frightening extent to which our daily lives in the West are informed by ...
- 2/20/2019
- The Hollywood Reporter - Movie News
Gender as a construct is explored to unsettling effect in the ironically titled documentary Normal, directed by Italian academic-turned-filmmaker Adele Tulli (365 Without 377). This startling and confrontational work of non-fiction cinema is really in full-on observational mode — a la Nikolaus Geyrhalter and his Our Daily Bread — serving up scene after scene of mundane events and tasks carried out by John (or should that be Giovanni?) Does and Jane Does in different parts of Italy. The cumulative effect is that an idea emerges of the frightening extent to which our daily lives in the West are informed by ...
- 2/20/2019
- The Hollywood Reporter - Film + TV
After watching numerous televisual streaming shows whose cameras frequently get so close as to kiss their actors, it was refreshing to be immersed in the gargantuan images of Earth, Nikolaus Geyrhalter’s latest wide-widescreen landscape documentary. No mere glorification of nature’s ambiance, it is instead a distressing dispatch of violent upheaval, capturing the magnitude of the displacement of earth on a massive scale in such places as a San Fernando Valley real estate development, Italian marble quarry, and Hungarian strip mine. For those who have seen Geyrhalter’s other highly politicized landscape films, like Our Daily Bread (2005) and Homo Sapiens (2016), the scope of Earth’s images may seem familiar: an immense image canvas so filled with detail as to surpass the maximalism of any Hollywood epic, yet a framing of the land that is inextricable from understanding its use and exploitation by man. Earth opens with title cards explaining...
- 2/12/2019
- MUBI
In today’s film news roundup, “Spider-Man: Far From Home” sets a studio record, Chris Meledandri and Glenn Close are honored, an art-house streaming service is unveiled, and “Cliffs of Freedom” gets a release.
Trailer Stats
The first “Spider-Man: Far From Home” trailer has set a record as the biggest digital launch in Sony Pictures history after 24 hours.
The teaser trailer was unveiled Jan. 15 and generated 130 million views, topping the 116 million views for the first “Spider-Man: Homecoming” trailer. Sony said Friday the trailer was shared at twice the frequency of the first trailer for “Homecoming” and social conversation volume was also the highest in the studio’s history, topping 1.1 million posts in the first day. The studio reported that audiences were particularly excited to see Tom Holland’s return as Spider-Man and Jake Gyllenhaal’s debut as Mysterio.
The trailer began with Holland embarking on a European adventure that’s...
Trailer Stats
The first “Spider-Man: Far From Home” trailer has set a record as the biggest digital launch in Sony Pictures history after 24 hours.
The teaser trailer was unveiled Jan. 15 and generated 130 million views, topping the 116 million views for the first “Spider-Man: Homecoming” trailer. Sony said Friday the trailer was shared at twice the frequency of the first trailer for “Homecoming” and social conversation volume was also the highest in the studio’s history, topping 1.1 million posts in the first day. The studio reported that audiences were particularly excited to see Tom Holland’s return as Spider-Man and Jake Gyllenhaal’s debut as Mysterio.
The trailer began with Holland embarking on a European adventure that’s...
- 1/19/2019
- by Dave McNary
- Variety Film + TV
With FilmStruck gone and Fandor recently sold to a new entity, cinephiles would appear to be running out of streaming services catered toward them. Here to fill that void is Ovid.TV, a new venture from six different independent film distributors — Bullfrog Films, Distrib Films Us, First Run Features, Grasshopper Film, Icarus Films, and KimStim — set to launch in March. In a statement announcing the new Svod platform, Ovid is is said to be “designed to provide North American viewers with access to thousands of mostly un-streamable documentaries, independent films, and notable works of international cinema.”
Jonathan Miller of Icarus Films, who will serve as director of Ovid, said, “the time for this kind of partnership is now, as the streaming giants focus on generating fast-turnaround new content, this coalition will offer new access to high-quality catalogs found nowhere else, featuring some of the most celebrated filmmakers and films in the canon.
Jonathan Miller of Icarus Films, who will serve as director of Ovid, said, “the time for this kind of partnership is now, as the streaming giants focus on generating fast-turnaround new content, this coalition will offer new access to high-quality catalogs found nowhere else, featuring some of the most celebrated filmmakers and films in the canon.
- 1/18/2019
- by Michael Nordine
- Indiewire
Selection includes 39 titles and 31 world premieres.
This year’s Forum programme at the Berlin Film Festival (Feb 7-17) will feature 39 films, including 31 world premieres.
The Forum brings together challenging and thought-provoking filmmaking that brings together film with visual art, theatre and literature.
Highlights include a Super 8 silent vision of Elfriede Jelinek’s ghost novel ’Die Kinder der Toten’ in a film of the same name by Kelly Copper and Pavol Liska, Ghassan Salhab’s “essayistic collage” An Open Rose for which the filmmaker has used the letters from prison by Polish Marxist Rosa Luxembourg, and the documentary Landless, the...
This year’s Forum programme at the Berlin Film Festival (Feb 7-17) will feature 39 films, including 31 world premieres.
The Forum brings together challenging and thought-provoking filmmaking that brings together film with visual art, theatre and literature.
Highlights include a Super 8 silent vision of Elfriede Jelinek’s ghost novel ’Die Kinder der Toten’ in a film of the same name by Kelly Copper and Pavol Liska, Ghassan Salhab’s “essayistic collage” An Open Rose for which the filmmaker has used the letters from prison by Polish Marxist Rosa Luxembourg, and the documentary Landless, the...
- 1/18/2019
- by Louise Tutt
- ScreenDaily
In the opening shot of “The Border Fence,” the camera straddles the invisible line between Austria and Italy, watching without comment as a man blithely walks from one country to the other. This is as it should be in modern Europe, where a heavy influx of refugees and migrants from countries devastated by war and stripped of economic opportunity has sparked a pushback against the flow of newcomers (witness Brexit). Sound familiar? Americans need only look to their own border — and the seemingly absurd proposal to build a wall that will keep immigrants out — to recognize much of the same psychology at play.
But director Nikolaus Geyrhalter’s documentary isn’t about the vast Mexico-u.S. border. Rather, it’s about a controversial 2016 proposal by Austrian politicians to erect a 370-meter wire fence across the Brenner Pass, a narrow break in the otherwise postcard-ready expanse of the Alps that separate Austria from Italy.
But director Nikolaus Geyrhalter’s documentary isn’t about the vast Mexico-u.S. border. Rather, it’s about a controversial 2016 proposal by Austrian politicians to erect a 370-meter wire fence across the Brenner Pass, a narrow break in the otherwise postcard-ready expanse of the Alps that separate Austria from Italy.
- 11/21/2018
- by Peter Debruge
- Variety Film + TV
Amsterdam — It’s hard to predict where Austria’s Nikolaus Geyrhalter will go next. “Pripyat” (1999) saw him investigate the radioactive legacy of Chernobyl; 2005’s food-processing doc “Our Daily Bread” took him all over Europe, while “7915km” (2008) involved a mini-tour of Africa on the trail of The Dakar Rally. His latest film, though, is a little closer to home. Making its international premiere in competition at Idfa, “The Border Fence” visits the Brenner Pass, a tiny strip of land between Austria and Italy that suddenly became a media hotspot in 2016, after a deal between the European Union and Turkey officially closed the “Balkan Route” that was being used by refugees. With that road closed, Austrian authorities feared that illegal migrants would cross at the Brenner Pass instead.
The result was a proposed border fence, although all those involved with its development and construction were reluctant to call it that. And when work finally started,...
The result was a proposed border fence, although all those involved with its development and construction were reluctant to call it that. And when work finally started,...
- 11/18/2018
- by Damon Wise
- Variety Film + TV
Above: French poster for A Grin Without a Cat.Starting today, the Metrograph in New York will be launching an extensive series celebrating the 40th anniversary of one of the most dedicated, unsung heroes of U.S. film distribution: Icarus Films. Founded in 1978 by filmmaker Ilan Ziv and sold two years later (in exchange for a video camera) to Jonathan Miller who has run the company ever since, Icarus has become one of the leading repositories for aesthetically challenging, politically engaged documentary cinema. The two-week long series contains 56 films by some of the most important names in documentary film: Chantal Akerman, Jean Rouch, Peter Watkins, Chris Marker, Marcel Ophuls and Wang Bing, to name just a few.Finding posters for a lot of these films was not easy. Many of the titles were never really theatrical material (they range in length from 44 minutes to 345) and so a theatrical poster would...
- 9/14/2018
- MUBI
Languid and without judgement, the world is stared down. Nikolaus Geyrhalter, forever working in wide-shot, frames up and presents his true-life landscapes with the eye of a high-end still photography artist. Then, he holds and holds his shots, just long enough to digest, but then cutting away before whatever question the shot is asking could be resolved. If anything, the viewer has accumulated more unresolved questions than before. And when it comes to how we as people reconcile our ever-changing, diverse yet universally relatable world, questions are what fuel our empathy, our attempts at understanding. It is precisely those qualities that documentarian Nikolaus Geyrhalter is interested in mining. Though still relatively young, the Austrian documentarian boasts an expansive filmography, both in terms of decades worked...
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- 8/17/2018
- Screen Anarchy
You don’t need great performances for a great movie, we suppose — Nikolaus Geyrhalter’s mesmerizing 2016 documentary/art piece “Homo Sapiens,” for instance, doesn’t feature a single human being on screen and is still excellent. But on the whole, the two things go hand in hand: it’s impossible to imagine “Lawrence Of Arabia” without Peter O’Toole, “Star Wars” without Harrison Ford, “Cabaret” without Liza Minnelli, or “Tokyo Story” without Chishu Ryu and Chieko Higashiyama, to name but a few.
Continue reading The Best Performances Of 2017 at The Playlist.
Continue reading The Best Performances Of 2017 at The Playlist.
- 12/20/2017
- by Oliver Lyttelton
- The Playlist
It’s been an interesting run-up to the Toronto International Film Festival, and in terms of the survival of the species, the good ol’ U.S.A. has been something of a race to the bottom. What would do us in first: violent neo-Nazis whose activities are almost explicitly condoned by the Klansman In Chief? Or a 1,000-year weather event on the Gulf Coast whose magnitude surely owes something to global climate change, and whose aftermath of collapsing dams and exploding chemical factories has everything to do with systematic neglect?Given the state of things down here, who wouldn’t want to repair to Canada for some challenging cinema? As always, the Toronto International Film Festival (Tiff) is the place to be in September, and Wavelengths once again features the best of the fest. This is because the films selected for Wavelengths are the opposite of escapism. Whether they tackle...
- 9/7/2017
- MUBI
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