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2012 | 2011 | 2010 | 2009 | 2006
7 items from 2012
Retro Active: Web of the Spider (1971)
26 April 2012 3:39 PM, PDT | GreenCine Daily | See recent GreenCine Daily news »
by Nick Schager
[This week's pick is inspired by the Edgar Allan Poe-themed horror-mystery The Raven.]
Not to be nitpicky, but it would have benefited Web of the Spider if it had something—anything—to do with a spider. Or, for that matter, a spider's web. It's likely that director Antonio Margheriti intended his title to refer to the sinister trap set in his story by a castle proprietor for an American journalist, but that's hardly a reasonable reason for bestowing this 1971 film with its chosen moniker, especially given that it's a remake of Margheriti's own aptly-dubbed (and superior) 1964 Castle of Blood. Nonetheless, this Italian horror throwaway's problems aren't relegated to name alone, as the saga of a haunted abode and its spooky inhabitants is defined by lame-brained incompetence, a fate made all the more frustrating by the fact that it has the inspired idea to cast the incomparable Klaus Kinski as Edgar Allan Poe. Kinski opens the film flailing about a tomb with a torch in hand, »
9 Great Cop Movies You’ve Probably Never Seen
21 March 2012 6:41 PM, PDT | SoundOnSight | See recent SoundOnSight news »
As happened for so many other genres, the 1960s/1970s saw a tremendous creative expansion in crime and cop thrillers. The old Hollywood moguls had died off or retired, most of the major studios were bleeding red ink, attendance had gone off a cliff since the end of Ww II, and a new breed of young, creatively adventurous production executives had been tasked with trying to save their business by coming up with movies which could hook a new, young, cinema-literate audience.
It also happened to be one of the most socially turbulent times in American history. Even before the American public grew restive over the growing disaster in Vietnam, the social fabric was unraveling with self-examination and doubt. The Cold War; a certain inner emptiness that went with a period of great material prosperity; once invisible fault lines on matters of race and gender discrimination beginning to crack – all »
- Bill Mesce
Fred Zinnemann/Oscar Actors: Gary Cooper, Deborah Kerr
26 February 2012 1:09 AM, PST | Alt Film Guide | See recent Alt Film Guide news »
Gary Cooper, High Noon Fred Zinnemann: Top Oscar Directors for Actors Fred Zinnemann-directed movies: twenty acting nominations; six wins. (s) supporting category; (*) Academy Award winner 1944 Hume Cronyn (s), The Seventh Cross 1948 Montgomery Clift, The Search 1952 * Gary Cooper, High Noon Julie Harris, The Member of the Wedding 1953 Montgomery Clift, From Here to Eternity Burt Lancaster, From Here to Eternity Deborah Kerr, From Here to Eternity * Frank Sinatra (s), From Here to Eternity * Donna Reed (s), From Here to Eternity 1957 Anthony Franciosa, A Hatful of Rain 1959 Audrey Hepburn, The Nun's Story 1960 Deborah Kerr, The Sundowners Glynis Johns (s), The Sundowners 1966 * Paul Scofield (with Susanna York), A Man for All Seasons Robert Shaw (s), A Man for All Seasons Wendy Hiller (s), A Man for All Seasons 1977 Jane Fonda, Julia Maximilian Schell (s), Julia * Jason Robards (s), Julia * Vanessa Redgrave (s), Julia »
- Andre Soares
Fred Zinnemann: Oscar Actors Director
26 February 2012 1:06 AM, PST | Alt Film Guide | See recent Alt Film Guide news »
Fred Zinnemann began his career during the studio era, but kept on going, however sporadically, long after most of his contemporaries had retired. Even so, today his name means little to most moviegoers and critics alike. But why? Quite possibly because, like William Wyler, Zinnemann covered just about every film genre there is. His relatively small oeuvre — 21 narrative feature films — encompasses the following: Western (High Noon, The Sundowners [sort of]), romance (From Here to Eternity), socially conscious drama (The Search, The Men, A Hatful of Rain), historical drama (A Man for All Seasons), adventure (The Seventh Cross, Five Days One Summer), religion (The Nun's Story), thriller (The Day of the Jackal), crime (Eyes in the Night, Kid Glove Killer, Act of Violence), war (Behold a Pale Horse), comedy (My Brother Talks to Horses), melodrama (Little Big Jim) psychological drama (Teresa, The Member of the Wedding), musical (Oklahoma), pseudo-"historical" drama (Julia, whose »
- Andre Soares
George Cukor: Oscar Actors Director
22 February 2012 3:41 PM, PST | Alt Film Guide | See recent Alt Film Guide news »
James Stewart, Cary Grant, Katharine Hepburn, The Philadelphia Story George Cukor: Oscar Actors' Director Pt.1 Additionally, the "gay sensibility" nonsense ignores the fact — and that is a fact — that George Cukor was equally adept at directing male actors. Clark Gable may have gotten Cukor fired from the Gone with the Wind set, but the extensive list of Cukor-directed performers nominated for Academy Awards includes Fredric March (The Royal Family of Broadway), Basil Rathbone (Romeo and Juliet), Charles Boyer (Gaslight), James Mason (A Star Is Born), Anthony Quinn (Wild Is the Wind), and no less than three male Oscar winners: James Stewart (The Philadelphia Story), Ronald Colman (A Double Life), and Rex Harrison (My Fair Lady). Cukor also guided numerous other male stars, including Spencer Tracy (five times), Cary Grant (three times), John Barrymore (three times), Melvyn Douglas (twice), Robert Taylor (twice), Joel McCrea (twice), William Holden, David Manners, Laurence Olivier, »
- Andre Soares
A Face In The Crowd Review: Patricia Neal, Andy Griffith, Anthony Franciosa
25 January 2012 1:57 AM, PST | Alt Film Guide | See recent Alt Film Guide news »
A Face In The Crowd Review Pt.1 [Photo: Andy Griffith as Larry 'Lonesome' Rhodes.] Rhodes' abrupt fall is based on a New York radio show incident-cum-urban legend from a few years earlier, as a Wor children’s show host named Uncle Don, purportedly believing he was off the air, said: "This is Uncle Don, saying good night. We're off. Good, that will hold the little bastards." The solid Warner Bros. DVD is part of the box set "Controversial Classics." The DVD includes only two extras: the original theatrical trailer and the 30-minute documentary Facing the Past, in which Andy Griffith, Budd Schulberg, Patricia Neal, and several scholars and behind-the-scenes contributors speak of the film, its impact, and director Elia Kazan. An audio commentary would have been most welcome, but Facing the Past is certainly a good documentary, giving the viewer a real sense of what was going on in the minds of the film’s participants. Griffith’s scenery-chewing, »
- Dan Schneider
A Face In The Crowd Review: d: Elia Kazan scr: Budd Schulberg
25 January 2012 1:53 AM, PST | Alt Film Guide | See recent Alt Film Guide news »
A Face In The Crowd (1957) Director: Elia Kazan Cast: Patricia Neal, Andy Griffith, Anthony Franciosa, Walter Matthau, Lee Remick, Percy Waram, Paul McGrath, Marshall Neilan, Alexander Kirkland, Kay Medford Screenplay: Budd Schulberg; from his short story "Your Arkansas Traveler" Patricia Neal, Andy Griffith, A Face in the Crowd Elia Kazan’s 1957 drama A Face in the Crowd, written by Kazan's On the Waterfront collaborator Budd Schulberg, is neither the forgotten masterpiece its champions claim it to be nor a minor work to be disregarded as it was for several decades. In fact, A Face in the Crowd is a good though clearly flawed effort, whose chief weaknesses are a screenplay that gets bogged down in soap-operatic didacticism and Andy Griffith's over-the-top film debut as Larry ‘Lonesome’ Rhodes, a Will Rogers-like homespun philosopher who rises from drunken jailbird to national kingmaker. On the positive side, A Face in the Crowd »
- Dan Schneider
2012 | 2011 | 2010 | 2009 | 2006
7 items from 2012
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