Pablo Ferro - News Poster

News

Movie Poster of the Week: The Early Films of Jonathan Demme

  • MUBI
We’re all still reeling from the death of Jonathan Demme, one of the most unpredictable, open-hearted and by all accounts best loved of American filmmakers. I was surprised to learn that he was 73 when he died because he, and his films, always seemed so youthful. The fact that his swansong was the beautifully exuberant Justin Timberlake + the Tennessee Kids only added to that impression of vitality.Many of the posters for Demme’s films are as well known as the films themselves: the Dali-esque death’s head moth for Silence of the Lambs; the cutout of Spalding Gray’s head bobbing in a flat plane of blue for Swimming to Cambodia; an upside-down Jeff Daniels on Something Wild; Pablo Ferro’s Strangelove-esque titles over the Big Suit for Stop Making Sense. And of his later films I particularly like the screen-print look of Man From Plains. But the posters for Demme’s early films,
See full article at MUBI »

Movie Poster of the Week: “A Touch of Zen” and “Dragon Inn”

  • MUBI
These gorgeous posters—a Movie Poster of the Week exclusive premiere—for King Hu’s A Touch of Zen (1971) and Dragon Inn (1967) were drawn by comic book artist Greg Ruth. Hu’s wuxia masterpieces have been digitally restored and will soon be re-released by Janus Films, with A Touch of Zen opening at Film Forum next Friday and Dragon Inn opening at the Film Society of Lincoln Center on May 6. Ruth is a prolific and talented graphic artist, best known for his books Freaks of the Heartland and The Lost Boy, who has most recently collaborated with Ethan Hawke on Indeh, a graphic novel about the Apache wars. He has made a few movie poster screen prints in the past—for Breakfast at Tiffany’s, One Flew Over the Cuckoo’s Nest and The Godfather II and is in the middle of Visible/Invisible, a series of limited-edition, large format
See full article at MUBI »

The 10 Best Opening Title Sequences in Film

  • Cinelinx
Title sequences don’t have to be boring. They can be just as exciting, creative, or innovative as the films they introduce. These are our picks for the 10 best opening title sequences of feature films.

Spring is upon us, and what better way to celebrate the beginning of brighter days than to celebrate the best film beginnings of all time! Check back all month long as we look at the films with the best beginnings.

The title sequence for a film is more than a bunch of letters spelling words on a screen. A title sequence is an opportunity for a filmmaker to grab the attention of his or her audience. It’s an ideal spot to introduce musical themes, set a stylistic tone, or establish a directorial style. During the opening titles a filmmaker has the opportunity to explain a backstory, show a flashback, or even dictate the setting to the audience.
See full article at Cinelinx »

Sundance Next Fest Happens This Weekend in L.A.

At their annual retreat, the traditional internal kick-off for the big Sundance Film Festival this January, programmer Charlie Reff was able to take some time to talk with me about Next Fest.

My colleague Carlos Aguilar has already written about this big L.A. event here, so I will cover other areas and fill in on the music components of the film program.

Each film is its own event so that audiences will go to one film and not necessarily all films. Though the series package is selling well, the individual ticket sales are significant not only selling out but in bringing in new audiences. Getting L.A. people’s attention is not an easy task, but the pairing of movies and music in the unique way Next is creating, plus the spectacular venue, the Theatre at the Ace Hotel, one of L.A.’s most lavish and historic film venues, downtown at 9th and Broadway, will also bring out new audiences who care about preservation of our art deco landmarks.

This year more than half the films that showed in Sundance came out quickly theatrically this spring and summer followed by their VOD releases. If they did not get released theatrically then they were eligible to be chosen for Next if they were sufficiently “renegade” in the best spirit of indie filmmakers, like past films “Obvious Child”, “Compliance”, “Appropriate Behavior”, “Tangerine” and “Escape from Tomorrow”.

Out of the six films chosen for the unconventional and forward thinking of their narrative styles – including one doc -- there is a full range of experience to be had.

Four films showing in the evening are paired with live musical acts which somehow fit the film in mood or in ideas and are new and next in film and music.

In addition there will be three world premiere music videos and a full-body, mind-blowing virtual reality flight simulator, Birdly which was shown this past Sundance in the New Frontier exhibition. You can experience being a bird from a first-person perspective through a full-body virtual reality set up….it’s free, in the mezzanine of The Theatre of the Ace Hotel and available through an onsite waitlist system.

The world premiere music videos are Superhumanoid’s music video for “Anxious in Venice”, premiering Friday along with Noah Baumbach’s out of the mold “Mistress America” (Fox Searchlight) followed by a live performance by Sky Ferreira.Health’s album trailer for “Death Magic” as part of Saturday evening’s screening of “ Entertainment“ (Magnolia Releasing) starring Michael Cera will be followed by a solo performance by Sharon Van Etten. “Death Magic” is directed by acclaimed graphic designer, title designer, and editor Pablo Ferro, who has worked alongside some of the most respected filmmakers of all time including Stanley Kubrick, Hal Ashby and Tim Burton. An experimental short film by Eddie Alcazar with soundtrack by Flying Lotus, “Fuckkkyouuu”, will premiere Sunday at the “Turbo Kid” (Epic Pictures Releasing) screening with a back-to-back DJ battle between Neon Indian and Toro Y Moi.

Pairing music audiences with movie audiences aims to bring new awareness of new art canvasses to people who do not have a lot of crossover knowledge of film on one hand or of music on the other. Musicians often want to make movies and both they and filmmakers have had the carpets pulled out from under them and are struggling to find their way amidst digitization. It seems self-evident that fimmakers appreciate music since soundtracks and even the most incidental music in a film can make or break it. By pairing “Mistress America” with Sky Ferreira, Charlie is sure Sky’s fans will love “Mistress America” which will result in new discussions and will perhaps begin to define how to make sense of movies to music audiences. The cross-pollination of audiences enriches everyone.

The two daytime films, “Cronies” by Michael Larnell and “Finders Keepers” will be followed by conversations, paired respectively with Robert Townsend, one of the Godfathers of the Independent Film World, actor, writer, director and producer of first of “Hollywood Shuffle” followed by many other films; and Saturday’s “Finders Keepers” directors Bryan Carberry and Clay Tweel with Thomas Middletich (“Silicon Valley” ) along with the film’s subject John Wood himself! Speakers were chosen by the filmmakers who were told to ask who was influential them them and who would they want to see their film.

Among the filmmakers, cast and musicians expected to attend Sundance Next Fest are Rick Alverson, Noah Baumbach, Bryan Carberry, Munro Chambers, Greta Gerwig, Health, Tim Heidecker, Lola Kirke, Michael Larnell, François Simard, Superhumanoids, Gregg Turkington, Clay Tweel, Anouk Whissell and Yoann-Karl Whissell.

Attendance is expected to be around 10,000 judging by lat year’s numbers. Last year all three film with music event was sold out. The opening screening in the Hollywood Forever Cemetery was huge and the screenings over three days had about 1,000 at each event.

Next is not just a film festival; it is an Event.

Sundance Next Fest is supported by Principal Sponsors – Acura and Adobe; Major Sponsor – Kickstarter; Media Sponsor – Kcrw; and Supporting Sponsors – Beachside Films, Dolby, FilmL.A., Inc., ShopHouse, Shudder, Skullcandy®, Southwest Airlines, Stella Artois®, The Theatre at Ace Hotel and the Utah Film Commission. As part of their presence at the festival, Adobe and Kickstarter will host panels open to the public on Saturday and Sunday afternoons;

Below is the full program in detail. Even more details and tickets ($15-25) now on sale can be found at sundance.org/next.

Friday, August 7, 8:00 p.m.

"Anxious in Venice" (Band: Superhumanoids, Director: Taylor Cohen) — It's 4:37 a.m. and someone straps a camera to your chest. Nearby, your hungover bandmate sips gas station coffee and the director yells about missing the sunrise. You hate performance music videos but you're sure this one will be different. Then again, when you've been up all night and are shooting without a permit -- you can't be sure of anything. Welcome to Anxious In Venice. Music Video. World Premiere

"Mistress America" / U.S.A. (Director: Noah Baumbach, Screenwriters: Noah Baumbach, Greta Gerwig) — Tracy is a lonely college freshman in New York, having neither the exciting university experience nor the glamorous metropolitan lifestyle she envisioned. But when she is taken in by her soon-to-be stepsister, Brooke – a resident of Times Square and adventurous gal about town – she is rescued from her disappointment and seduced by Brooke's alluringly mad schemes. Cast: Greta Gerwig, Lola Kirke. Los Angeles Premiere

Sky FerreiraSky Ferreira has quickly established herself as one of today’s most exciting new faces in music, film and fashion. She first signed to Capitol Records at the early age of 15 where she eventually wrote & executive produced her critically acclaimed debut album, Night Time, My Time. As an actress, she has worked with many independent filmmakers including Eli Roth, Liza Johnson & Matthew Porterfield. Sky is currently recording her highly anticipated new album, Masochism.

Saturday, August 8, 3:30 p.m.

"Finders Keepers" / U.S.A. (Directors: Bryan Carberry, Clay Tweel) — Recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it, therefore, to be his rightful property. Los Angeles Premiere

Followed by a conversation between directors Bryan Carberry and Clay Tweel, subject John Wood and special guests Aubrey Plaza and Thomas Middleditch.

Saturday, August 8, 8:00 p.m.

"Death Magic" (Band: Health, Director: Pablo Ferro) — The sun slowly sets; its beauty soundtracked by a serene yet melancholy sound. As the last rays of light slip behind the clouds, a violent transformation takes place. The music, ever-changing and explosive, creates the imagery… supergraphic and never seen before! The quick cuts in sync with the music, introduce the emotional range and complexity of Health’S new album Death Magic. Album Trailer. World Premiere

"Entertainment" / U.S.A. (Director: Rick Alverson, Screenwriters: Rick Alverson, Gregg Turkington, Tim Heidecker) — In an attempt to revive his dwindling career and reunite with his estranged daughter, a broken, aging comedian plays a string of dead-end shows in the California desert. Cast: Gregg Turkington, John C. Reilly, Tye Sheridan, Michael Cera, Amy Seimetz, Lotte Verbeek. Los Angeles Premiere

Sharon Van Etten — Singer/songwriter Sharon Van Etten writes from free-flowing emotional honesty and vulnerability, creating a bond with the listener that few contemporary musicians can match. Following her 2012 break-through Tramp, last year’s follow up Are We There and her new Ep I Don’t Want to Let You Down, Van Etten finds herself in full stride, writing, producing and performing.

Sunday, August 9, 3:30 p.m.

"Cronies" / U.S.A. (Director and screenwriter: Michael J. Larnell) — Twenty-two-year-old Louis doesn’t know whether his childhood friendship with Jack will last beyond today. Cast: George Sample III, Zurich Buckner, Brian Kowalski. Los Angeles Premiere

Followed by a conversation between director Michael J. Larnell and special guest Robert Townsend.

Sunday, August 9, 8:00 p.m.

"Fuckkkyouuu" (Director: Eddie Alcazar, Music: Flying Lotus) — With the ability to travel in time, a lonely girl finds love and comfort by connecting with her past self. Eventually faced with rejection she struggles with her identity and gender, and as time folds onto itself only one of them can remain. Cast: Jesse Sullivan, Charles Baker. Experimental Short / Music Video. World Premiere

"Turbo Kid" / Canada, New Zealand (Directors and screenwriters: Anouk Whissell, François Simard, Yoann-Karl Whissell) — Set in a post apocalyptic year of 1997, this nostalgic tribute to ’80s action-adventure films follows an orphaned teenager who goes on an adventure to save his female-robot companion from the hands of the evil warlord who controls the only water supply. Cast: Munro Chambers, Laurence Leboeuf, Michael Ironside, Aaron Jeffery, Edwin Wright. Los Angeles Premiere

Neon Indian (DJ set) B2B Toro Y Moi (DJ set) — Neon Indian, the brainchild of Alan Palomo, is defined by a unique electro-mangled sound which has attracted fans and opening slots before acts like Massive Attack, The Flaming Lips, Phoenix and Chromeo. Toro Y Moi, the guise of Chaz Bundick, channels a wide swath of stylistic influences into his electronics-incorporating music and cites Big Star, Talking Heads and Todd Rundgren as some of his inspirations.
See full article at Sydney's Buzz »

A Brief Look at the History of Movie Titles & Opening Credits

One year ago, Nora Thos and Damian Perez released the following short film taking a look at the history of movie titles and today it was brought to my attention thanks to Slashfilm. While only touching on the art of movie titles in broad strokes, it's an interesting look at what the short calls "The Film Before the Film", covering enough territory and offering enough details to make it easy for you to being doing a little research of your own. The film obviously touches on the work of Saul Bass (North by Northwest, The Man with the Golden Arm), Maurice Binder (Dr. No), Pablo Ferro (Dr. Strangelove), Greenberg Associates' work on the original Superman titles, Kyle Cooper (Seven, Mimic), Digital Domain (Fight Club) and the inventive work of Kook Ewo for Splice as well as plenty of earlier work in film from Thomas Edison to the Rko titles before
See full article at Rope Of Silicon »

50 brilliant movie opening credits sequences

  • Den of Geek
From a range of eras and genres, here's Jenny and Alex's light-hearted pick of 50 great opening title sequences from the movies...

Odd List

We don’t go to the cinema much, because we hate people. We also don’t go because there’s always the risk of accidentally going to see the wrong film. It's not helped by the fact that there's no way of telling until it’s too late, because there are no bloody opening credits on lots of modern films. And by the time you do realise, you’ve eaten all your popcorn and you can’t be bothered to move.

The movies on this list won’t give you that problem. These opening credits are perfect scene setters for the movies that follow, so you won’t have to worry about awkward popcorn wasting moments. It's not a top 50, rather a selection of 50 interesting credits sequences,
See full article at Den of Geek »

Woman on the Verge of a Nervous Linkdown

Art of the Title has an amazing 3-part retrospective / interview with title designer Pablo Ferro. His work includes: Bullitt, Married to the Mob, Dr Strangelove, Beetlejuice, Women on the Verge of a Nervous Breakdown and so many other greats

The New Yorker "why Mean Girls is a classic" even esteemed publications got into the 10th anniversary frenzy. Good piece from Richard Brody

The Dissolve Joaquin Phoenix will headline the next Woody Allen film, the one after Magic in the Moonlight. The prolific auteur isn't slowing down his one-a-year pac. Phoenix isn't slowing down either; remember how just a few short years ago, people thought Phoenix's career was over? The joke was on us.)

Vulture Bilge Ebiri sticks his neck out for "Why Adam Sandler Matters"

Paper Mag 5 Most Swintessential Moments from Tilda Swinton's career. Love this though none are her actual acting & filmography which is tops.

Playbill Idina Menzel & Julie Andrews talk Frozen,
See full article at FilmExperience »

'Dr. Strangelove' at 50: Why Stanley Kubrick's Nuclear Satire Still Matters

  • Moviefone
The ultimate punchline to the nuclear satire of "Dr. Strangelove"? As absurd as Stanley Kubrick's imaginative black comedy about World War III seemed when it opened 50 years ago this week (on January 29, 1964), it all turned out to be true.

Everything in the movie that the Pentagon said couldn't happen in real life -- from Air Force officers launching nuclear strikes without Presidential approval, to the Ussr being ready to respond with an automated doomsday system of its own -- actually could have happened. The safeguards really were as flimsy as Kubrick and his screenwriters imagined them to be. (Which begs the question: How safe are we now from a nuclear apocalypse?)

That's just one reason -- albeit the most chilling one -- that Kubrick's 50-year-old comedy holds up shockingly well today. But there are many other reasons that the aftershocks of "Dr. Strangelove" continue to have an impact.

The
See full article at Moviefone »

LatinoBuzz: Laliff-Pablo Ferro Receives "Gabi Lifetime Achievement Award"

  • Sydney's Buzz
Breaking Glass Pictures is releasing the DVD of Pablo tomorrow.

This documentary is an imaginatively told tribute and story of the respected film title designer, Pablo Ferro, who was this year's recipient of the Gabi Lifetime Achievement Award at the 16th Los Angeles Latino International Film Festival.

Pablo blends documentary and animation elements to tell the saga of "famous unknown" Pablo Ferro, a man with a personal journey that starts in Havana during the pre-Cuban revolution and spans to today in his current home, in the garage behind his son's house. The animation part of the film takes us through the dream-scape of Pablo's memories, while the documentary footage chronicles a very eccentric lifestyle of a 72 year old artist, once hailed by Stanley Kubrick as the father of the 60's look and the MTV aesthetics. Narrated by Oscar-winner Jeff Bridges.

When he lived in New York's infamous alphabet city in the '60s he hosted tout New York, from Andy Warhol to Jack Kerouac at his raucous parties. In spite of troubles in love, lots of drugs and his crazy life, his talent made him sought after as a precious talent. Today he can recall those wonderful days and show his talent in its many, many forms, enriching all listeners with his great story telling talents. Check out the DVD. Shoreline handles international rights to this fascinating documentary for those international distributors who like documentaries about art, movies, Latinos, Cubans or crazy menschen.

During his extensive career, over four decades, Mr. Ferro has worked on the title designs of over 80 films and television shows. Some his more notable works include classics like Dr. Strangelove and Thomas Crowne Affair, and more recent titles like Beetlejuice, Men in Black and Good Will Hunting.

“His immense contributions to the entertainment industry are a point of pride for the Hispanic filmmaking community,” said Marlene Dermer, Co-founder and Executive Director/Programmer of Laliff.

The prestigious Gabi Lifetime Achievement Award is named after legendary Mexican cinematographer Gabriel Figueroa, who is best known for his work on the films Macario, Pedro Paramo and Luis Buñuel’s Simon Del Desierto. Pablo Ferro joined the ranks of other past recipients that represent the highest degree of talent in the Latino film industry, among them the celebrated Spanish director Pedro Almodovar, and cinematographer Guillermo Navarro.

To purchase the DVD of the documentary on the work of this remarkable artist please visit Here
See full article at Sydney's Buzz »

Isa of the Day: Shoreline Entertainment: A Discussion with Founder and Head Morris Ruskin

  • Sydney's Buzz
International Sales Agents are the core of the current international film market system – i.e., the buying and selling of films worldwide. Half of the approximately 450 worldwide ISAs are based in La, the rest spread around the globe, but it matters little in a business sense where they are based. They gather together during the upcoming American Film Market November 6 in Santa Monica, California, in Berlin at the European Film Market February 6, 2014, and at the Cannes Marche in May as well as other events around the world to license rights to their films to distributors coming from every corner of the world. Their films also originate from every corner of the world.

Shoreline has been selling to the international film market since 1992. Morris Ruskin sat down last week for a chat with me here in La. I sum up our discussion as follows, after I add that Morris’ friendship and professionalism (and good taste!), is in general one of the principal reasons we like this film business. When we travel, which is frequent, it is people like Morris who light up the distant locations for us and, while both of us are L.A. based, we often only see each other throughout the year at various film business related events in remote places such as Cannes, Berlin, Bahamas., etc.

Morris Ruskin was born in South Africa to anti-Apartheid parents. He left there, along with parents and three older sisters, at age 9, to move to Boston where his Dad went to Harvard Business School. Then they moved to Bermuda for 3 years. When Morris was 15 his mother attended graduate school at UCLA School of Theater. There he met Athol Fugard, the South African playwright about whom his mother did her dissertation.

Many years later, Morris Executive Produced Master Harold & the Boys and dedicated the movie to his mother. He fell in love with L.A. and the movies in high school in L.A. His best friend lured him into filmmaking through Super 8 films which they recreated --movies like Raiders of the Lost Ark and The Blues Brothers. Attending UCLA he wrote screenplays, some of which were optioned and he became an intern at MTV, an experience he considered at that time to be “the new frontier” of entertainment.

He soon became employed at Zupnik Entertainment Enterprises, staying for 6 years. He began as a script reader, then moved up to become the Director of Development and finally became a Vice President. His high water mark there was as a Co-Producer for the high profile very successful film, Glengarry Glen Ross.

He began Shoreline in 1992 on his own with a financial partner. It started as a production company. He then had operating money to run the company but No income. Projects were set up at New Line, Warner Brothers and various sales companies but they all got stuck in development. He figured out that there were two viable ways to make money in the business – selling movies worldwide and managing talent. Because he worked very closely with the sales company, New Line, on Glengarry Glen Ross, he decided to start a sales company. In 1995 he hired sales people to sell films and within six months he had three films in play. Morris says this meant “we were off to the races”. He then began to pick up / or acquire other films to sell.

He continues to branch out. In 2012 he formed a management company for directors, writers and writer / directors.

When we spoke he was intensely proud of a new film he served as Executive Producer on, Pablo, which was opening the Los Angeles Latino International Film Festival this past October. This is a Spanish language feature documentary about graphic artist, trailer and title maker, Pablo Ferro, narrated by Jeff Bridges. Pablo was Kubrick’s title designer. Born in Cuba, he migrated as a teen to New York and had, as Morris expresses it, “a rags to riches and back to rags life”. The documentary is a representation for how difficult it can be to make it as an artist in the business. Perhaps it resonates with Morris as he has been able to successfully balance the art of filmmaking with the business side of selling movies.

For Morris Shoreline is a “purposely eclectic” company. His team acquires and sells feature narrative films and documentaries. They pick up “foreign language” (meaning – non English language) films and art house indies. On the commercial side they sell “genre” pictures, thrillers, horror.

Now that sales are successful, Morris now focuses his daily work on management, production, financing. He has produced approximately fifty films. Two of those films were directed by his high school friend who introduced him to filmmaking through Super 8 movies! Shoreline tends to be very loyal to the filmmakers it works with. If it picks up someone’s finished film, often Morris works with that filmmaker to produce the next film and perhaps even to manage him or her. As a producer Morris has had many award winning films and multiple films in Sundance and at The Toronto International Film Festival.

He has started a film financing company called Watermark. His partners here are the Swiss / London based Blue Pencil Investments. They will raise equity money for films, will give MGs (aka minimum guarantees) and sales advances. They will take all rights to world markets and license them to distributors through Shoreline.

A film he used to outline his way of working was the 2005 Sundance hit Marilyn Hotchkiss' Ballroom Dancing and Charm School, a romantic film about a couple meeting in a charm school, starring Robert Carlyle, Marisa Tomei, John Goodman and a cameo from Danny DeVito. These elements gave it heat for sales – Sundance, good cast, mini majors involved and CAA. Lots of CAA talent were cast in film. CAA was also brought in to sell U.S. rights post and during Sundance. Goldwyn acquired the film for U.S. distribution. For this deal CAA was proof (to the market) that the film had “the best elements”.

Another successful film out of Sundance in 2007 was The Signal which had a Usd $50,000 budget and made over $3 million Usd from the U.S. alone.

Shoreline acquires and sells lots of Spanish language films now. Some recent titles are Rabbit Woman, The Precocious and Brief Life of Sabina Rivas and 7 Boxes which has been to as many as seventy five film festivals.

Morris’ main philosophy for Shoreline films is, “get the films out in the biggest way possible”. Often these days this means going firstly to festivals as there is often no theatrical release. Festivals can lead to or even replace theatrical. Festivals spread the word, help marketing, get films seen and reviewed, and can even mean income when a festival will pay a screening fee.

Some recent titles he is proud of include A Perfect Man with Liev Schreiber which will be released theatrically in North America by IFC on November 1st, A Farewell To Fools with Harvey Keitel and Gerard Depardieu which will be released theatrically in North America by Monterey Media in the Spring. (About Liev Schreiber Morris says “a good name really helps” and he says that sometimes the films with known cast sell best). Also The Geography Club, which premiered at OutFest and will be released theatrically in North America by Breaking Glass on November 15th, the aforementioned 7 Boxes which will also be released theatrically in North America by Breaking Glass in February, and Baal Shem Tov, a Jewish film in clay animation which Morris says is a very rare film medium and because it belongs in a niche which has attracted much attention.

+++++++++++++

Shoreline’s website says the following about Morris’ work and career.

During the course of producing more than fifty films, Morris has structured deals that incorporate deferments, soft money and international co-productions in order to create financially-viable motion pictures. These productions focus on bankable genre content and star-driven projects that can secure success in a sometimes-uneven marketplace.

Notable amongst such productions are the modern classic Glengarry Glen Ross (Al Pacino, Jack Lemmon, Alec Baldwin, Ed Harris, Kevin Spacey, Alan Arkin) which led to an Academy Award Nomination for Al Pacino; The Man from Elysian Fields (Andy Garcia, Mick Jagger, Angelica Huston); The Visit (nominated for four Spirit Awards) and Marilyn Hotchkiss’ Ballroom Dancing & Charm School (John Goodman, Marisa Tomei, Octavia Spencer, Robert Carlyle, Danny DeVito).

Morris is no stranger to the festival circuit having films in the most distinguished festivals worldwide such as the Toronto International Film Festival, Berlin International Film Festival, and Sundance, where The Signal was sold in a multi million dollar bidding war hours after the world premiere.

Morris’s productions have spanned a variety of genres and locations, from a stereoscopic RealD 3D-animated film based on a comic book being released by Anchor Bay (The Amazing Adventures of the Living Corpse) to a wartime dark comedy starring Harvey Keitel and Gérard Depardieu (A Farewell to Fools). A documentary narrated by Jeff Bridges (Pablo), a co-production shot on location in China ( Wushu Warrior) a comedy that was the opening night gala film at Slamdance (Weirdsville), an action thriller shot in India starring Harvey Keitel (Beeper), a heist crime caper starring

Timothy Olyphant that premiered in The Berlin International Film Festival (High Life) and a South African feature dedicated to Morris’s mother (Master Harold And the Boys).

By consistently developing and acquiring projects that are attractive to domestic and foreign markets alike, Morris has ensured for over twenty years that Shoreline remains a stable yet versatile and ever-evolving organization.

+++++++++++

The website describes Shoreline like this:

Established by Morris Ruskin in 1992, Shoreline Entertainment's Worldwide Sales, Production, and Management divisions comprise one of the longest-running and most-respected film companies in the industry.

Shoreline presents itself via its quality participation at more than 15 major media markets and festivals a year and positions itself to nourish continuous relationships with broadcasters, distributors and festival programmers.

Shoreline has represented numerous award-winning films that have premiered at high profile Festivals such as Sundance, Toronto, Berlin, Tribeca, Rotterdam and San Sebastian, as well as films nominated for Spirit Awards and Golden Globes.

Such films include: The Man From Elysian Fields, 7 Boxes, Father’s Chair, Un Mundo Secreto, Freaky Deaky, Zona Sur, Undertow, Marilyn Hotchkiss’ Ballroom Dancing & Charm School, Weirdsville, High Life, The Signal, and The Maid.

Shoreline’s advertising presence includes a long-standing deal with the Hollywood Reporter for its back cover on the dailies during the Toronto International Film Festival, American Film Market, European Film Market (Berlinale), and Marche Du Film (Cannes).Moreover, Shoreline’s marketing efforts include sponsorship of the Buyers Lounge during the American Film Market. With more than 20 years of experience, Shoreline’s momentum is greater than ever.

++++++++++++

Lastly, some useful links to various that Shoreline supplied to us –

Here is a link to our website:

www.slefilms.com

Here is a link to an article Screen did on Watermark – which is the company we set up with Blue Pencil Investments to finance films -

http://www.shorelineentertainment.com/Pdfs/screendaily-bluepencil.pdf

The number of festivals 7 Boxes has played in to date is 75. It will be released theatrically in North America by Breaking Glass in February. It all started for 7 Boxes in San Sebastian. This year we had Rabbit Woman there, so we hope for the same success. Tom Davia is our director of festivals and alternative theatrical.

Here is a link to all the markets we attend:

http://www.shorelineentertainment.com/markets.html

Here is a link to the YouTube Baby Panda Sneezing that went viral

http://www.youtube.com/watch?v=EAcdvmnZ_GM

From this they made a family adventure film which we picked up. Here is a link to the film on our website:

http://www.shorelineentertainment.com/movies/SneezingBabyPanda.html

We’ve had success with family films and this is a title that is attracting a lot of interest from buyers.

Other hot Afm titles include:

A Perfect Man with Liev Schreiber who has heat from his new show Donavan.

http://www.shorelineentertainment.com/movies/PerfectMan.html

A Farewell to Fools which stars Gerard Depardieu and Harvey Keitel

http://www.shorelineentertainment.com/movies/Ipu.html

The Amazing Adventures of the Living Corpse which was bought by Anchor Bay for North America, UK, Australia and New Zealand.

http://www.shorelineentertainment.com/movies/Corpse.html

Sir Billi which is a family animated film with the voice of Sean Connery.

http://www.shorelineentertainment.com/movies/SirBilli.html

Freaky Deaky which is based on the novel by Elmore Leonard and stars Billy Burke, Christian Slater, Michael Jai White and Crispin Glover.

http://www.shorelineentertainment.com/movies/FreakyDeaky.html

The Geography Club which won the Audience Award at Outfest and will be released theatrically by Breaking Glass in November.

http://www.shorelineentertainment.com/movies/GeographyClub.html

Hidden Moon which stars Wes Bentley

http://www.shorelineentertainment.com/movies/HiddenMoon.html

was nominated for Eight prestigious Silver Goddess Awards, given by the

Mexican Film Press and Critics / Pecime on their 42nd. edition in 2013. The Silver Goddess Award is the most prestigious film award in Mexico.

1) Best Film of the year: Producers Antonio Ruiz, Ray Diaz Gonzalez, Rodrigo Lobo & Pepe

Bojórquez.

2) Best Director: Pepe Bojórquez

3) Best Screenplay: Pepe Bojórquez / David Howard

4) Best Actress: Ana Serradilla Winner

5) Best Supporting Actress: Alejandra Ambrosi

6) Best Actor "Best upcoming Lead Actor": Osvaldo de León

7) Best Female Actress in a feature role: Angélica María

8) Best Original Song: Hidden Moon. Performed by Il Volo. Music by Luis Bacalov. Spanish Lyrics by

Edgar Cortázar / Tony Renis / Humberto Gatica / Massimo Guantini. Produced by Humberto Gatica /

Tony Renis / David Franco. Winner
See full article at Sydney's Buzz »

'Iron Man 3' Creative Director Reveals Inspiration Behind '70s Throwback End Credits

by Brett White

Art of the Title has posted an interview with "Iron Man 3" Creative Director Danny Yount about the film's memorable end credits sequence, which mixes footage from all three Iron Man films together in one glorious, '70s throwback montage. The interview takes you through the end credits' entire creative process, from the more tech-driven first approach, to an animated Iron Man striptease, up through to the ultra-'70s demo that led to the final product.

"[Director] Shane [Black] is open to retro things — as evidenced in 'Kiss Kiss Bang Bang' — so he wanted something kind of like an old film title... like Pablo Ferro's 'Bullitt' titles," explains Yount. "And I'm a product of the '70s and '80s so I love old TV crime drama titles like 'The Dukes of Hazard' and 'Get Smart.' I'm also a huge fan of the classic comedies like 'Airplane!
See full article at MTV Splash Page »

How Stanley Kubrick Kept His Eye on the Budget, Down to the Orange Juice

  • Moviefone
Nothing revealed Stanley Kubrick's singular intelligence -- nor his endearing humor and humanity -- more than budgetary decisions. He wore his producer's hat as ingeniously as his director's one, confounding expectations. Before he arrived in New York for the opening of 2001, stories of his obsessive genius preceded him. He had a pilot's license, but wouldn't fly after monitoring the control towers at various airports, finding their safety inadequate. He knew the best dental procedures and rumors spread that he had an open telephone to the dentist's office when a family member underwent treatment. My first encounter with his financial concerns came shortly after Stanley, his wife, Christiane, and their daughters, Anya, Vivian and Katherina moved into a large suite at the Pierre Hotel upon their arrival in New York. It was his first visit to the United States in many years, after moving to England following Spartacus. His stay
See full article at Moviefone »

Rotterdam Photos And Notes

For almost two decades I’ve been traveling to the International Film Festival Rotterdam immediately following Sundance, struggling to keep my jet lag at bay while I attend a few Cinemart meetings, hit the informal but productive Cinemart cocktail hours, and delve into the fest’s always excellent and eclectic program. This year several fellower Sundancers made the trip as well, including sales agent Ryan Kampe, producer Adele Romanski, the Ifp’s Amy Dotson, the Sundance Institute’s Anne Lai, and director Terrence Nance, whose An Oversimplification of Her Beauty was programmed here and was one of the Park City’s true discoveries. Above is Nance, at right, pictured on the ground floor of the Doelen with Festival Director Rutger Wolfson.

“Rotterdam is the only festival with a 24-hour deejay,” Nance quipped to me. While I haven’t stumbled into the Doelen at 5:00 Am, Nance is not far from the truth.
See full article at Filmmaker Magazine »

Rotterdam 2012. Lineup for Regained Celebrates the Memory of Film

  • MUBI
The International Film Festival Rotterdam has announced the lineup for Regained, a "renewed" section of the Signals program devoted to what it calls "the memory of film." This year's edition promises a broader ranges of genres and "will consist not only of film projections, but also exhibitions, presentations and events."

To mark the 150th anniversary of Georges Méliès's birth, Regained will present Martin Scorsese's Hugo, the newly restored Le Voyage dans la Lune (1902) and Serge Bromberg's documentary on the restoration, Le Voyage extraordinaire. "In addition, under the title Retour de Flamme, Bromberg will be opening up his box of tricks for us with a live presentation of a series of unique cartoons illustrating how the 3D-effect has been stimulating animators’ imaginations for decades."

The world premiere of Martina Kudlácek's Fragments of Kubelka will be accompanied by screenings of seven of Peter Kubelka's shorts made between 1955 and 2003.

Richard Goldgewicht's Pablo,
See full article at MUBI »

Daily Briefing. Pablo Ferro in La and Hope in Athens

  • MUBI
Pablo Ferro is "more popularly known for his work as a master title sequence designer (Dr Strangelove and The Thomas Crown Affair among countless others) and occasionally an actor as well (Greaser's Palace)," writes Marcus Herring in an entry punctuated with clips and exclamations, "but Pablo also crafted a number of the most memorable trailers of all time…. The Cinefamily is devoting an entire evening to showcasing the genius of Pablo Ferro on Tuesday September 27th, with Pablo himself in attendance! He'll bring loads of unavailable commercials (Beachnut Gum!), rare 35mm trailers (the Japanese version of A Clockwork Orange!), lost animations, and of course, his famous title sequences. We'll finish everything off with an ultra-rare presentation of Pablo's 1969 short The Inflatable Doll, starring one of our favorite on-screen strangemen, Don Calfa!" More on Pablo Ferro from Holly Willis; plus, three sites dedicated to his work: 1, 2 and 3.

"Greece, of course,
See full article at MUBI »

DVD review: Forget The Film, Watch The Titles!

I’ve always loved ingenious title sequences. Saul Bass, who created some of the greatest movie openings of all time (Vertigo, Psycho, North by Northwest, Walk on the Wild Side, That’s Entertainment, Part II and a handful of Martin Scorsese films, to name just a few), remains one of my heroes, along with Maurice Binder (who did those unforgettable James Bond titles) and Pablo Ferro (who once sent me a hand-inked note in the exact typeface he used for Dr. Strangelove!). In recent years such talented conceptualists as Kyle Cooper and the team at yU & Co. have generated graphic ideas…
See full article at Leonard Maltin's Movie Crazy »

The 50 Greatest Opening Title Sequences of All Time

  • IFC
The 50 Greatest Opening Title Sequences of All Time
Let's begin at the beginning.

Opening titles do more than simply tell you who edited a film or designed its production. At their best, opening title sequences operate on the level of pure cinema, translating a movie's ideas into pure poetic imagery. A movie about the search for a missing girl opens with a title sequence about exposing secrets obstructed from view. A story about a troubled war veteran turned taxi driver begins with titles that mirror its protagonists warped perception through the use of warped visuals of New York City. We learn about the harsh realities of international arms dealing by following the path of a single bullet from factory to innocent victim's brain.

What makes an opening title sequence particularly outstanding? Bold graphic design and impressive cinematography are important, but how the design and cinematography is used is more important. These fifty films have style and substance. While
See full article at IFC »

See also

Credited With | External Sites