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Marco Ferreri (I) (1928–1997)

Marco Ferreri was born on May 11, 1928 in Milan, Lombardy, Italy. He was a writer and director, known for Tales of Ordinary Madness (1981), La Grande Bouffe (1973) and Dillinger Is Dead (1969). He was married to Jacqueline Ferreri. He died on May 9, 1997 in Paris, France. See full bio »


(age 68) in Paris, France

Movies for Food Lovers

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17 wins & 21 nominations. See more awards »

Known For


Hide Hide Show Show Writer (34 credits)
 1996 Nitrate Base (story and screenplay)
 1995 Do What Thou Wilt (TV Movie) (teleplay)
 1993 Diary of a Maniac (screenplay)
 1991 The Flesh
 1989 Le banquet (TV Movie) (adaptation)
 1988 Ya bon les blancs (story - dialogue)
 1986 I Love You (original idea) / (scenario & adaptation and dialogue)
 1984 The Future Is Woman (story and screenplay)
 1983 The Story of Piera (story and screenplay)
 1981 Tales of Ordinary Madness (adaptation) / (scenario)
 1979 Seeking Asylum (screenplay by) / (story)
 1978 Bye Bye Monkey (idea) / (scenario & adaptation)
 1978 Yerma (TV Movie) (adaptation)
 1976 The Last Woman (screenplay) / (story)
 1973 La Grande Bouffe (scenario & adaptation)
 1972 Love to Eternity (screenplay)
 1972 L'udienza (screenplay) / (story)
 1969 Dillinger Is Dead (screenplay) / (story)
 1969 The Seed of Man (story)
 1967 Her Harem (screenplay) / (story)
 1965 Oggi, domani, dopodomani (written by - segment "L'uomo dei 5 palloni")
 1964 Countersex (segment "Professore, Il")
 1964 The Ape Woman
 1963 The Conjugal Bed (story and screenplay)
 1962 Mafioso
 1960 El cochecito (screenplay)
 1959 The Little Apartment (writer)
 1959 The Children (writer)
 1953 Love in the City (segment "Paradiso per 3 ore")
Show Show Director (34 credits)
Show Show Actor (16 credits)
Show Show Miscellaneous Crew (5 credits)
Show Show Producer (2 credits)
Show Show Production manager (2 credits)
Show Show Production designer (1 credit)
Show Show Thanks (1 credit)
Show Show Self (13 credits)
Show Show Archive footage (4 credits)

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Did You Know?


Many of his films are black comedies or satirical observations of social conventions and middle-class sexual mores. He was at times criticised for his stridently bleak view of human nature. See more »

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