2 items from 2015
From Masters of Cinema:
Iconic American filmmaker Samuel Fuller began his career as a tabloid reporter, and thrillingly drew on those skills and experiences in his extraordinary labour-of-love Park Row. An exhilarating tribute to the ideals of the free press and noble popular journalism, this two-fisted tale of battles on and off the printed page in 1880s New York is a major American rediscovery.
When Phineas Mitchell (Gene Evans), a visionary newspaperman, launches his own title The Globe, his eye-catching headlines and approach quickly ignite with the New York readership. But less impressed is Charity Hackett (Mary Welch), proprietor of long-established rival The Star, and attempts to undercut The Globe soon escalate into all-out war.
Packing more dynamite into eight reels than most directors unleash over a career, Fuller’s self-financed Park Row is a passionate, »
- Tom Jennings
Post-production tampering mitigates against this Western by Sam Peckinpah finding its deserved reception from better-class audiences. Shortened release version is vague, confusing, and is being sold as routine action entry in saturation breaks where it should perform routinely, no more. Kris Kristofferson and acting debut of Bob Dylan provide youth lures. Rating: R.
“It feels like times have changed,” says Pat Garrett. “Times, maybe—not me," says Billy the Kid. A classical Sam Peckinpah exchange, reflecting one of the numerous obsessive themes that run through his latest Western. But times certainly haven’t changed for Peckinpah—for, despite the overdue success of his last venture, The Getaway, the embattled and iconoclastic director who revolutionized the Western with The Wild Bunch »
- Joe Dante
2 items from 2015
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