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Diane Miller (III)

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"The IMDb Show" Explores Midnight Movie Origins

"The IMDb Show" dives into the origins of midnight movies and finds out how The Room became a cult classic.

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Known For

Eight Days a Week
Eight Days a Week Editorial Department
(1997)
Love and Action in Chicago
Love and Action in Chicago Editorial Department
(1999)
McCinsey's Island
McCinsey's Island Editorial Department
(1998)
La Cucaracha
La Cucaracha Editorial Department
(1998)

Filmography

Hide Hide Show Show Editorial department (12 credits)
 2000 Just One Night (post-production coordinator)
 2000 Shadow Hours (post-production coordinator - as Diane Evangelista)
 1999 Love and Action in Chicago (post-production coordinator)
 1998 Lucinda's Spell (post-production coordinator - as Diane Evangelista)
 1998 La Cucaracha (post-production coordinator - as Diane Evangelista)
 1998 McCinsey's Island (post-production coordinator - as Diane Evangelista)
 1998 Anarchy TV (post-production coordinator - as Diane Evangelista)
 1997 Last Stand at Saber River (TV Movie) (post-production coordinator - as Diane Evangelista)
 1997 Eight Days a Week (post-production coordinator - as Diane Evangelista)
 1996 Ringer (post-production coordinator - uncredited)
 1996 Alone (Short) (post-production coordinator - as Diane Evangelista)
 1996 Red Ribbon Blues (assistant editor - as Diane Evangelista)
Hide Hide Show Show Visual effects (2 credits)
 2004 What the #$*! Do We (K)now!? (Documentary) (visual effects coordinator - as Diane Evangelista Miller)
 1997 Changing Habits (post production: digital video services - as Diane Evangelista)
Hide Hide Show Show Production manager (1 credit)
 2001 Wish You Were Dead (post-production supervisor - as Diane Evangelista)
Hide Hide Show Show Miscellaneous Crew (1 credit)
 2000 Labor Pains (production coordinator: additional photography)
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Personal Details

Alternate Names:

Diane Evangelista | Diane Evangelista Miller

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Paul Scheer on Why There Are No Bad Movies

Paul Scheer discusses The Disaster Artist and his love of awesomely bad movies. Plus, we dive into the origins of midnight movies and explore how The Room became a cult classic.

Watch now