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Robert Enders (I) (1919–2007)

Trivia:

Producer and director who began his career in advertising and directed radio programming for a time. He formed his own production company in the 1950s and later became a partner in Glenda Jackson's production company, Bowden Productions. Also a professor at both UCLA and USC, where he taught screenwriting.

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Known For

Filmography

Hide Hide Show Show Producer (14 credits)
 1988 American Playhouse (TV Series) (executive producer - 1 episode)
- Strange Interlude (1988) ... (executive producer)
 1978 Stevie (producer)
 1977 Nasty Habits (producer)
 1975 Hedda (producer)
 1975 The Maids (producer)
 1973 Voices (producer)
 1970 How Do I Love Thee? (producer)
 1970 Zig Zag (producer)
 1969 The Maltese Bippy (producer)
 1968 Rowan & Martin at the Movies (Documentary short) (producer - as Robert J. Enders)
 1968 The 40th Annual Academy Awards (TV Special) (associate producer)
 1966 High Noon: The Clock Strikes Noon Again (TV Movie) (producer)
 1961 A Thunder of Drums (producer - as Robert J. Enders)
 1960-1961 The Best of the Post (TV Series) (executive producer - 26 episodes)
- The Return (1961) ... (executive producer - as Robert J. Enders)
- The Thompsons of Thunder Ridge (1961) ... (executive producer - as Robert J. Enders)
- I'm No Hero (1961) ... (executive producer - as Robert J. Enders)
- Groper in the Dark (1961) ... (executive producer - as Robert J. Enders)
- Off the Set (1961) ... (executive producer - as Robert J. Enders)
Show Show Writer (6 credits)
Show Show Director (2 credits)
Show Show Soundtrack (1 credit)
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Personal Details

Publicity Listings:

1 Article | See more »

Alternate Names:

Robert J. Enders
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Did You Know?

Personal Quote:

There's room in a bookstore for Harold Robbins, Sidnet Sheldon, and Irving Wallace, these big-selling authors; yet there's also room for Camus. It's a shame it isn't the same in motion pictures where the small films can also run. See more »

Trivia:

Producer and director who began his career in advertising and directed radio programming for a time. He formed his own production company in the 1950s and later became a partner in Glenda Jackson's production company, Bowden Productions. Also a professor at both UCLA and USC, where he taught screenwriting.

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