Taina Elg Poster


Jump to: Overview (1) | Mini Bio (1) | Spouse (2) | Trivia (8)

Overview (1)

Date of Birth 9 March 1930Impilahti, Finland

Mini Bio (1)

One of her country's most celebrated performers, Finnish actress and dancer Taina Elg was born in 1930 in Helsinki but later her family moved and lived in and around Finland, including Turku. Taina's mother was a Russian immigrant, pianist Helena Dobroumova, and her father was pianist Åke Elg. Her home later became a target during the Finnish-Soviet wars between 1939 and 1944 and when it became part of the Soviet Union, the family was forced to leave. After WWII they evacuated from Viipuri and returned to Helsinki.

At a very young age Taina trained in both ballet and acting. When the family returned to Helsinki, Taina continued with her dance and acting training and eventually she was invited to join the Finnish National Ballet. She appeared in a few homeland movies as early as age 10 and found a couple of obscure film roles as a teenager, one in which she danced.

Taina's international reputation began to grow when she joined the famed Sadler's Wells ballet dance company (The Royal Ballet) in London and then the Grand Ballet du Marquis de Cuevas, in Paris. A serious injury forced her to rethink her dancing career. Fortunately, she was discovered in London by American film producer Edwin H. Knopf and, on the heels of the spectacular Hollywood success fellow Scandinavian Anita Ekberg was having, MGM decided to sign Taina for a seven-year Hollywood contract.

She made her American debut for MGM with the secondary role of Elissa in the Lana Turner biblical costumer The Prodigal (1955). The following year MGM utilized her acting talents in their films Diane (1956), again starring Ms. Turner, and Gaby (1956) with Leslie Caron. For the afore-mentioned work she was honored with a Golden Globe award for female "foreign newcomer".

Taina was subsequently handed her best all-around opportunity by MGM to display her sublime dancing, sexy figure and comedic acting skills when asked to portray Angèle Ducros in Cole Porter's musical Les Girls (1957) opposite Gene Kelly and alongside fellow dazzlers Mitzi Gaynor and Kay Kendall. Receiving her second consecutive Golden Globe (tying with Kendall) for "Best Actress" in a musical, Les Girls (1957) also won the Golden Globe for "Best Picture - Musical" and an Oscar for its costume design.

More films came her way with Imitation General (1958) starring Glenn Ford and Red Buttons; the remake of the classic The 39 Steps (1959) opposite Kenneth More; the African adventure Watusi (1959) with George Montgomery and David Farrar and the war story Mission of Danger (1960), which was actually culled from a few TV episodes. None, however, could match the quality of Les Girls (1957).

Ms. Elg's Hollywood film career went into a steep decline at this juncture and she began focusing on TV projects, foreign films and especially theatre roles. Appearing on stage in such 1960s productions as "Redhead," "Silk Stockings," "Irma La Douce," "West Side Story," "The Sound of Music" and "There's a Girl in My Soup," she finally made her Broadway debut with the musical "Look to the Lilies" in 1970, which was based on the Oscar-winning film Lilies of the Field (1963).

She never found a strong footing again in films and has appeared in less than a handful since. Other than the 1961 Italian spectacle Bondage Gladiator Sexy (1961), she showed up in the musclebound Arnold Schwarzenegger's vehicle Hercules in New York (1970), Liebestraum (1991), and the Barbra Streisand feature The Mirror Has Two Faces (1996).

Her love for the stage was obvious and she remained as colorful than ever gracing such musicals as Sondheim's "A Little Night Music" (1973) in which she sang the haunting "Send in the Clowns." She also returned to Broadway in later years with the musicals "Where's Charley?", for which she earned a Tony nomination, "Nine" and "Cabaret". She appeared in the national tour of the musical "Titanic" in 1998-1999. On the non-musical stage she had strong roles in "Uncle Vanya," "I Hate Hamlet" "O Pioneers!" and, more recently, "Requiem for William" and Memory of a Summer" (both 2003).

In 2004, the actress received a special honor from her native Finland, when she was knight by the Order of the Lion of Finland. She is a naturalized American citizen.

The jazz guitarist Raoul Björkenheim is Taina's son from her first marriage (1953-1958) to Carl "Poku" Björkenheim. In 1985 she was married to Rocco Caporale, an Italian educator and professor of sociology. The couple lived in New York City until his death in 2008.

- IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Spouse (2)

Rocco Caporale (1982 - 30 June 2008) (his death)
Carl Björkenheim (1953 - 1958) (divorced) (1 child)

Trivia (8)

Is a naturalized US citizen.
Was nominated for Broadway's 1975 Tony Award as Best Supporting or Feature Actress (Musical) for a revival of "Where's Charley?".
Mother of Raoul Björkenheim
Replaced by Vivien Leigh in the musical "Tovarich" before the show reached Broadway.
When her film career declined, she sought stage roles in such musicals as "West Side Story," "The Sound of Music," "Can-Can," and "A Little Night Music," She returned to Broadway in later years with the musicals "Where's Charley?," "Nine" and "Cabaret".
Came to Hollywood as a foreign import on the heels of the success of fellow Scandinavian Anita Ekberg.
Her earliest professional engagements were as a dancer with the Sadler's Wells and Marquis de Cuevas troupes.
Is one of 20 actresses who did not receive an Oscar nomination for their Best Actress in a Comedy/Musical Golden Globe-winning performance; hers being for Les Girls (1957) (tied with Kay Kendall. The others, in chronological order, are: June Allyson for Too Young to Kiss (1951), Ethel Merman for Call Me Madam (1953), Jean Simmons for Guys and Dolls (1955), Kay Kendall for Les Girls (1957), Marilyn Monroe for Some Like It Hot (1959), Rosalind Russell for A Majority of One (1961) and Gypsy (1962), Patty Duke for Me, Natalie (1969), Twiggy for The Boy Friend (1971), Raquel Welch for The Three Musketeers (1973), Barbra Streisand for A Star Is Born (1976), Bernadette Peters for Pennies from Heaven (1981), Kathleen Turner for Romancing the Stone (1984) and Prizzi's Honor (1985), Miranda Richardson for Enchanted April (1991), Jamie Lee Curtis for True Lies (1994), Nicole Kidman for To Die For (1995), Madonna for Evita (1996), Renée Zellweger for Nurse Betty (2000), Sally Hawkins for Happy-Go-Lucky (2008), and Amy Adams for Big Eyes (2014).

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