3 items from 2016
Our countdown of the top 100 films of the 21st Century (so far) concludes here with the top 25.
Click here for Part 1! (#100-76)
Click here for Part 2! (#75-51)
Click here for Part 3! (#50-26)
The first decade and a half of the 21st century has brought a lot of changes to the landscape of film. The advancement and sophistication of computers has made realistic computer generated effects a mainstay in both big-budget and small-budget films. The internet and streaming technologies have given big Hollywood new competition in films produced independently and by non-traditional means. We went from purchasing films on yards of tape to plastic disks, and now we can simply upload them to the cloud. Advertisements for films have reached a higher, more ruthless level where generating hype through trailers and teasers is crucial for a film’s commercial success. Movie attendance has fluctuated along with the economy, but that hasn »
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Market sets scene for Berlin and Cannes but few deals sealed.
Sellers reported a slow start to the year at UniFrance’s annual Rendez-vous with French Cinema in Paris over the weekend (Dec 14-18) in terms of sealed deals but said the event had set the stage for sales at Berlin and even Cannes.
“Buyers are getting pickier. They want titles they’re 100% sure will work in their territories. You get the sense things are tougher for them and that they’re not prepared to take risks. They’re looking for the next La Famille Bélier or Serial (Bad) Weddings,” commented Olivier Albou of Other Angle Pictures, referring to two of France’s top comedy exports of the last 18 months.
Albou said there was strong interest for Other Angle titles The Roommates Party (Le Grand Partage), Full Speed (A Fond), by Babysitting director Nicolas Benamou, and A Mighty Team (La Dream Team), which opened the event on Thursday »
Snd has come on board Nicolas Boukhrief’s WWII-set romance drama “The Confession,” the helmer’s follow-up to gritty contempo thriller “Made in France,” and Pascal Bourdiaux’s comedy adventure “Family Heist,” with Jean Reno (“The Da Vinci Code,” “The Squad”).
Now in production, “The Confession” toplines Romain Duris (“The New Girlfriend,” “The Beat That My Heart Skipped”) and Marina Vacth (“Young and Beautiful”). The period drama turns on a young woman who confesses, while lying on her deathbed, that she fell in love with a priest in Occupied France during the Second World War.
Boukhrief’s latest film, “Made in France,” follows a journalist who infiltrates a jihadist cell in Paris. Pic, which was shot before the Charlie Hebdo and recent Paris terror attacks, will soon by released in France. “The Confession” marks a departure for Boukhrief who is known for directing high-voltage, bold genre films such as “Off Limits” and “Cash Truck. »
- Elsa Keslassy and John Hopewell
3 items from 2016
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