Christopher Doyle products
| Asia-Pacific Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 2000 | Won | Best Cinematography |
for:
In the Mood for Love (2000). Shared with: Ping Bin Lee |
| 1983 | Won | Best Cinematography |
for:
That Day, on the Beach (1983). Shared with: Hui Kung Chang |
| Australian Film Institute | |||
| Year | Result | Award | Category/Recipient(s) |
| 2002 | Nominated | AFI Award |
Best Cinematography for: Rabbit-Proof Fence (2002). |
| Bangkok International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | Crystal Lens Award |
|
| Boston Society of Film Critics Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2008 | Won | BSFC Award |
Best Cinematography for: Paranoid Park (2007). Shared with: Rain Li |
| Brothers Manaki International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 2003 | Won | Audience Award |
for:
Hero (2002). |
| Golden Camera 300 |
for:
Hero (2002). Tied with Barry Ackroyd for Sweet Sixteen (2002/I). |
||
| Special Golden Camera 300 |
For exceptional contribution to the world film art. |
||
| Camerimage | |||
| Year | Result | Award | Category/Recipient(s) |
| 2003 | Nominated | Golden Frog |
for:
Hero (2002). |
| 2002 | Nominated | Golden Frog |
for:
Rabbit-Proof Fence (2002). |
| Cannes Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 2000 | Won | Technical Grand Prize |
for:
In the Mood for Love (2000). Shared with: Ping Bin Lee William Chang |
| Chicago Film Critics Association Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | CFCA Award |
Best Cinematography for: Hero (2002). Tied with Robert Richardson for The Aviator (2004). |
| 2002 | Nominated | CFCA Award |
Best Cinematography for: In the Mood for Love (2000). Shared with: Ping Bin Lee |
| Chlotrudis Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2005 | Nominated | Chlotrudis Award |
Best Cinematography for: Last Life in the Universe (2003). |
| 2002 | Won | Chlotrudis Award |
Best Cinematography for: In the Mood for Love (2000). Shared with: Ping Bin Lee |
| Film Critics Circle of Australia Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2002 | Nominated | FCCA Award |
Best Cinematography for: Rabbit-Proof Fence (2002). |
| Golden Bauhinia Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2003 | Won | Golden Bauhinia |
Best Cinematography for: Hero (2002). |
| 2001 | Won | Golden Bauhinia |
Best Cinematography for: In the Mood for Love (2000). |
| 1996 | Won | Golden Bauhinia |
Best Cinematography for: Fallen Angels (1995). |
| Golden Horse Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Nominated | Golden Horse Award |
Best Cinematography for: 2046 (2004). Shared with: Yiu-Fai Lai Pung-Leung Kwan |
| 2003 | Nominated | Golden Horse Award |
Best Visual Effect for: Infernal Affairs (2002). |
| 2002 | Won | Golden Horse Award |
Best Cinematography for: 3 Extremes II (2002). For the segment "Going Home". |
| 2000 | Won | Golden Horse Award |
Best Cinematography for: In the Mood for Love (2000). Shared with: Ping Bin Lee |
| 1997 | Won | Golden Horse Award |
Best Cinematography for: Happy Together (1997). |
| 1994 | Won | Golden Horse Award |
Best Cinematography for: Ashes of Time (1994). |
| Hawaii International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 1999 | Won | Excellence in Cinematography Award |
|
| Hong Kong Film Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2005 | Won | Hong Kong Film Award |
Best Cinematography for: 2046 (2004). Shared with: Yiu-Fai Lai Pung-Leung Kwan |
| Nominated | Hong Kong Film Award |
Best Cinematography for: Three... Extremes (2004). For the segment "Dumplings". |
|
| 2003 | Won | Hong Kong Film Award |
Best Cinematography for: Hero (2002). |
| Nominated | Hong Kong Film Award |
Best Cinematography for: 3 Extremes II (2002). For the segment "Going Home". |
Best Visual Effects for: Infernal Affairs (2002). |
| 2001 | Nominated | Hong Kong Film Award |
Best Cinematography for: In the Mood for Love (2000). Shared with: Ping Bin Lee |
| 1998 | Nominated | Hong Kong Film Award |
Best Cinematography for: Happy Together (1997). |
| 1997 | Nominated | Hong Kong Film Award |
Best Cinematography for: Temptress Moon (1996). |
| 1996 | Won | Hong Kong Film Award |
Best Cinematography for: Fallen Angels (1995). |
| 1995 | Won | Hong Kong Film Award |
Best Cinematography for: Ashes of Time (1994). |
| Nominated | Hong Kong Film Award |
Best Cinematography for: Chungking Express (1994). Shared with: Wai-keung Lau |
|
| 1991 | Won | Hong Kong Film Award |
Best Cinematography for: Days of Being Wild (1990). |
| 1990 | Nominated | Hong Kong Film Award |
Best Cinematography for: Shou huang de nu ren (1989). |
| 1987 | Won | Hong Kong Film Award |
Best Cinematography for: Lao niang gou sao (1986). |
| IF Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2002 | Nominated | IF Award |
Best Cinematography for: Rabbit-Proof Fence (2002). |
| Istanbul International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | Honorary Award |
|
| Los Angeles Film Critics Association Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2005 | 2nd place | LAFCA Award |
Best Cinematography for: 2046 (2004). Shared with: Yiu-Fai Lai Pung-Leung Kwan |
| 2001 | 2nd place | LAFCA Award |
Best Cinematography for: In the Mood for Love (2000). Shared with: Ping Bin Lee |
| National Society of Film Critics Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 2006 | Won | NSFC Award |
Best Cinematography for: 2046 (2004). Shared with: Pung-Leung Kwan Yiu-Fai Lai |
| 2005 | 2nd place | NSFC Award |
Best Cinematography for: Hero (2002). |
| 2002 | Won | NSFC Award |
Best Cinematography for: In the Mood for Love (2000). Shared with: Ping Bin Lee |
| New York Film Critics Circle Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2005 | Won | NYFCC Award |
Best Cinematographer for: 2046 (2004). Shared with: Yiu-Fai Lai Pung-Leung Kwan |
| 2004 | Won | NYFCC Award |
Best Cinematographer for: Hero (2002). |
| 2001 | Won | NYFCC Award |
Best Cinematographer for: In the Mood for Love (2000). Shared with: Ping Bin Lee |
| Online Film Critics Society Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2006 | Nominated | OFCS Award |
Best Cinematography for: 2046 (2004). Shared with: Pung-Leung Kwan Yiu-Fai Lai |
| 2005 | Won | OFCS Award |
Best Cinematography for: Hero (2002). |
| San Diego Film Critics Society Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | SDFCS Award |
Best Cinematography for: Hero (2002). Tied with John Mathieson for The Phantom of the Opera (2004). |
| Satellite Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2005 | Nominated | Satellite Award |
Outstanding Cinematography for: 2046 (2004). |
| Seattle Film Critics Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | Seattle Film Critics Award |
Best Cinematography for: Hero (2002). |
| Thailand National Film Association Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | National Film Association Award |
Best Cinematography for: Last Life in the Universe (2003). |
| Valladolid International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | Best Director of Photography |
for:
2046 (2004). Shared with: Pung-Leung Kwan Yiu-Fai Lai |
| Venice Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 1994 | Won | Golden Osella |
Best Cinematography for: Ashes of Time (1994). |
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