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2016 | 2013 | 2011 | 2010 | 2009

2 items from 2016


The Weekend Warrior 9/9/16: Sully, When the Bough Breaks, The Wild Life

7 September 2016 8:00 AM, PDT | LatinoReview | See recent LatinoReview news »

Welcome back to the Weekend Warrior, your weekly look at the new movies hitting theaters this weekend, as well as other cool events and things to check out.   

This Past Weekend:

As expected, Labor Day weekend wasn’t good for the two new wide releases at all, although the romantic drama The Light Between Oceans (DreamWorks), starring Michael Fassbender and Alicia Vikander, ended up doing far better of the two. Also as expected, Fede Alvarez’s Don’t Breathe (Screen Gems) won the weekend with a four-day total of $19.7 million, a little less than I predicted. The Light Between Oceans ended up with slightly over $6 million, roughly the same as my original prediction but 20th Century Fox’s thriller Morgan, starring Kate Mara, bomb-bomb-bombed with a ridiculously bad four-day opening of just $2.5 million in its first four days. The Mexican comedy No Manches Frida (Lionsgate/Pantelion) ended up faring better in just 362 theaters, »

- Edward Douglas

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Film Review: ‘The Wild Life’

26 March 2016 11:20 AM, PDT | Variety - Film News | See recent Variety - Film News news »

For nearly three centuries, audiences have marveled at the “strange surprizing adventures” of Robinson Crusoe, “who lived eight and twenty years, all alone in an un-inhabited island on the coast of America.” Well, not entirely alone. Crusoe shared his oasis with birds and beasts aplenty, and thanks to the magic of computer animation, the critters finally get a chance to tell their side of the story in “The Wild Life,” which plays like a watered-down version of Aardman’s “The Pirates! Band of Misfits.” Already released in Germany and rolling out across Europe in advance of Lionsgate’s Sept. 9 Stateside release, this tame, kid-friendly marooned cartoon should do well for nWave, the stereo-savvy Belgian animation studio behind “A Turtle’s Tale: Sammy’s Adventures” and “Thunder and the House of Magic,” whose dynamic use of 3D somewhat compensates for otherwise flat storytelling.

Whereas Crusoe recounted his own narrative in Daniel Dafoe’s first-person novel, »

- Peter Debruge

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2016 | 2013 | 2011 | 2010 | 2009

2 items from 2016


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