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2016 | 2015 | 2008 | 2003 | 1991

2 items from 2016


UniFrance’s Rdv Q&A: Thomas Lilti On ‘Irreplaceable’

13 January 2016 12:02 PM, PST | Variety - Film News | See recent Variety - Film News news »

Paris– Rolling off “Hippocrate,” which world premiered at Cannes’ Critics Week to warm reviews, doctor-turned-filmmaker Thomas Lilti delved once again in the medical world with “Irreplaceable” (‘Medicin de campagne’) which Le Pacte will unveil at the UniFrance Rendez-Vous in New York. The social dramedy stars Francois Cluzet (“Intouchables”) as a devoted and revered countryside doctor whose life gets rocked by a middle-age woman who’s come from the city hospital to earn her chops. Challenging each other with opposite views on medicine, the pair eventually bonds and learns from one another. Le Pacte has already scored a flurry of deals with Athena (Benelux), Caramel (Spain), Mantarraya (Mexico), Sky digi (Tawain), Filmcoopi (Switzerland).

Variety: It’s the second feature you’ve made that’s set in the medical world. What is it about doctors that triggers your inspiration so much?

Thomas Lilti: Since I am a doctor it’s a »

- Elsa Keslassy

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Niney, Exarchopoulos, Haenel, Kateb Headline UniFrance Rendez-Vous

4 January 2016 10:41 AM, PST | Variety - Film News | See recent Variety - Film News news »

Paris – “Five,” featuring Pierre Niney, “Boss’s Daughter,” a Wild Bunch market premiere, and “Irreplaceable,” on Le Pacte’s books, will all screen at the 18th UniFrance Rendez-Vous with French Cinema, the biggest national film market in the world.

Other potential highlights, of new films screening, take in Indie Sales’ “Dofus – Book 1: Julith,” Bac’s “The Great Game,” Films Distribution’s “Good Luck Sam,” a EuropaCorp drama, “Stop Me Here,” Elle Driver’s “Jailbirds,” Pathe’s “Come What May” and The Other Angle’s “The Roommates Party.”

Running Jan. 14-18 in Paris, the Rendez-Vous will also highlight the state and direction of France’s movie export industry, the biggest in the world after the U.S. in its sales agents numbers and, with the U.K. –depending on the definition of what constitutes a U.K. film – in theatrical gross and companies revenues.

Putting this into perspective, the French and U. »

- John Hopewell and Elsa Keslassy

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2016 | 2015 | 2008 | 2003 | 1991

2 items from 2016


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