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2 items from 2016


Round-Up: #Horror & The Hallow Blu-rays, Lilin’S Brood Q&A, The Hotel Barclay, Terror Tales, Blood Bath

12 January 2016 8:20 AM, PST | DailyDead | See recent DailyDead news »

Scream Factory has announced two new Blu-rays that are set to hit shelves in April. We also have a Q&A with the directors of Lilin's Brood, details on the second season of The Hotel Barclay, stills from Terror Tales, and a teaser for Blood Bath.

#Horror and The Hallow Blu-rays: From Scream Factory: "We are proud to announce that we have two new IFC Midnight films planned for release on Blu-ray & DVD this April!

The Hallow (2015) When a London-based conservationist is sent to Ireland with his wife and infant child to survey an area of forest believed to be hallowed ground by superstitious locals, his actions unwittingly disturb a horde of demonic creatures who prey upon the lost. Alone and deep within the darkness of the remote wilderness, he must now fight back to protect his family against the ancient forces' relentless attacks. Starring Joseph Mawle (The Awakening, »

- Derek Anderson

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Best Classical Albums of 2015, Part Two

11 January 2016 9:17 PM, PST | www.culturecatch.com | See recent CultureCatch news »

This concludes my look back at 2015 with the newer new albums -- the ones with new, or at least contemporary, compositions, most by living composers.

1. Soloists/Warsaw Boys' Choir/Warsaw Philharmonic Male Choir/Warsaw Philharmonic Choir & Orchestra/Antoni Wit Penderecki: Magnificat; Kadisz (Naxos)   Naxos' invaluable Krzysztof Penderecki (b. 1933) project continues to bring us conductor Antoni Wit's impeccable renderings of the Polish composer's complex and challenging music, especially excelling in the choral works, as here.  One of the longer settings of this text (here nearly 45 minutes), Penderecki's Magnificat (1973-74) is also epic in sound, written in a high-avant style similar to his iconic St. Luke Passion, with extended singing effects (especially long glissandi, but also speaking and whispering), highly disjunctive melodies, extremely dense dissonance, and colorful cluster interjections by the orchestra, especially the winds.

It has a prominent if intermittent role for solo bassist (here Wojtek Gerlach), surprising »

- SteveHoltje

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2016 | 2013 | 2012 | 2011 | 2010 | 2009

2 items from 2016


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