| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 2000 | Won | Oscar |
Best Effects, Sound Effects Editing for: The Matrix (1999) |
| BAFTA Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2000 | Won | BAFTA Film Award |
Best Sound for: The Matrix (1999) Shared with: David Lee John T. Reitz Gregg Rudloff David E. Campbell |
| Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2000 | Nominated | Emmy |
Outstanding Sound Editing for a Miniseries, Movie or a Special for: The Crossing (2000) (TV) Shared with: Christopher Sheldon (sound supervisor) Jim Borgardt (adr supervisor) Charles W. Ritter (dialogue editor) Willy Allen (dialogue editor) Sherry Whitfield (music editor) Jerry Trent (foley artist) Andrew Lackey (sound editor) |
| Motion Picture Sound Editors, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 2009 | Nominated | Golden Reel Award |
Best Sound Editing - Sound Effects and Foley in a Feature Film for: Speed Racer (2008) Shared with: William R. Dean (supervising sound editor) Scott Curtis (supervising foley editor) David A. Whittaker (sound editor) Drew Yerys (sound editor) Bryan O. Watkins (sound editor) Christopher S. Aud (sound editor) Adam Kopald (sound editor) David Werntz (sound editor) Mike Chock (sound editor) Tom Ozanich (sound editor) David Lee Fein (foley artist) John Roesch (foley artist) |
| 2008 | Won | Golden Reel Award |
Best Sound Editing - Direct to Video for: Return to House on Haunted Hill (2007) (V) Shared with: William R. Dean (supervising sound editor) Christopher Alba (supervising foley editor) Stephanie Brown (supervising dialogue editor) Bobbi Banks (supervising adr editor) Drew Yerys (sound editor) Greg Hedgepath (sound design) Richard Adrian (sound design) Paul Hackner (dialogue editor) Andrew Twite (dialogue editor) Greg Ward (dialogue editor) Angela Hackner (dialogue editor) Tied with Robert Hargreaves, Mark Keatts, Mark Keefer, Mike Garcia, Christine H. Luethje and John Hegedes for Superman/Doomsday (2007) (V). |
| Nominated | Golden Reel Award |
Best Sound Editing - Dialogue and ADR for Feature Film for: Ghost Rider (2007) Shared with: Stephanie Flack (supervising dialogue editor) Bobbi Banks (supervising adr editor) David A. Cohen (dialogue editor) Chris Hogan (dialogue editor) Fred Stafford (adr editor) |
|
| 2004 | Nominated | Golden Reel Award |
Best Sound Editing in Domestic Features - Sound Effects & Foley for: The Matrix Reloaded (2003) Shared with: Julia Evershade (supervising sound editor) Thom Brennan (supervising foley editor) Eric Lindemann (sound effects editor) Michael Edward Johnson (sound effects editor) Andrew Lackey (sound effects editor) Mark Larry (sound effects editor) Richard Adrian (sound effects editor) Michael W. Mitchell (sound effects editor) |
| 2003 | Won | Golden Reel Award |
Best Sound Editing in Animated Features for: Treasure Planet (2002) Shared with: Julia Evershade (supervising sound editor/supervising dialogue editor/supervising adr editor) Andrew Lackey (supervising foley editor) Richard Adrian (sound editor) |
| 2002 | Nominated | Golden Reel Award |
Best Sound Editing in Television - Effects & Foley, Long Form for: Club Land (2001) (TV) Shared with: Christopher Sheldon (supervising sound editor) Lynette Villalobos (supervising foley editor) Eddie Kim (sound designer) |
| 2000 | Won | Golden Reel Award |
Best Sound Editing - Effects & Foley for: The Matrix (1999) Shared with: Thom Brennan (supervising foley editor) Julia Evershade (sound editor) Eric Lindemann (sound editor) David Grimaldi (sound editor) Susan Dudeck (sound editor) Valerie Davidson (foley editor) Nancy Barker (assistant sound editor) David McRell (assistant sound editor) Barbara Delpuech (assistant sound editor) Frank Long (assistant sound editor) Noel McIntosh (assistant sound editor) John Roesch (foley artist) Hilda Hodges (foley artist) Eric Lindemann (sound effects designer) John T. Reitz (re-recording mixer) Gregg Rudloff (re-recording mixer) David E. Campbell (re-recording mixer) Kevin E. Carpenter (re-recording mixer) Mary Jo Lang (foley mixer) Carolyn Tapp (foley recordist) |
| Nominated | Golden Reel Award |
Best Sound Editing - Dialogue & ADR for: The Matrix (1999) Shared with: Charles W. Ritter (supervising dialogue editor) Julia Evershade (supervising adr editor) Susan Dudeck (dialogue editor) |
|
| 1997 | Won | Golden Reel Award |
Best Sound Editing - Television Movies of the Week - Sound Effects & Foley for: Gotti (1996) (TV) Shared with: Kini Kay (foley editor) Charles W. Ritter (dialogue editor) Todd Toon |