Marion Cecelia Douras was born in the borough of Brooklyn, New York on January 3, 1897. She had been bitten by the show biz bug early as she watched her sisters perform in local stage productions. She wanted to do the same. As Marion got older, she tried out for various school plays and did fairly well. Once her formal education had ended, Marion began her career as a chorus girl in New York City and eventually found herself in the famed Ziegfeld Follies. But she wanted more than to dance. Acting, to Marion, was the epitome of show business and aimed her sights in that direction. Her first film was Runaway, Romany (1917) when she was 20. Written by Marion and directed by her brother-in-law, the film wasn't exactly a box-office smash, but for Marion, it was a start and a stepping stone to bigger things. The following year Marion starred in three films, The Burden of Proof (1918), [error], and Cecilia of the Pink Roses (1918). The latter film was backed by newspaper magnate, William Randolph Hearst, with whom Marion would continue a long-term romantic relationship for the next 30 years. Because of Hearst's newspaper empire, Marion would be promoted as no actress before her. She appeared in numerous films over the next few years, with The Cinema Murder (1919) being one of the most suspenseful. In 1922, Marion appeared as Mary Tudor in the historical romantic epic, When Knighthood Was in Flower (1922). It was a film into which Hearst poured in millions of dollars as a showcase for her. Although Marion didn't normally appear in period pieces, she turned in a wonderful performance and the film turned a profit. Marion remained busy, one of the staples in movie houses around the country. At the end of the twenties, it was obvious that sound films were about to replace the silents. Marion was nervous because she had a stutter when she became excited and worried she wouldn't make a successful transition to the new medium, but she was a true professional who had no problem with the change. Time after time, film after film, Marion turned in masterful performances. In 1930, two of her better films were Not So Dumb (1930) and The Florodora Girl (1930). By the early 30s, Marion had lost her box office appeal and the downward slide began.
Had she been without Hearst's backing, she possibly could have been more successful. He was more of a hindrance than a help. Hearst had tried to push MGM executives to hire Marion for the role of Elizabeth Barrett in The Barretts of Wimpole Street (1934). Louis B. Mayer had other ideas and hired producer Irving Thalberg's wife, Norma Shearer instead. Hearst reacted by pulling his newspaper support for MGM without much impact. By the late 1930's Hearst was suffering financial reversals and it was Marion who bailed him out by selling off $1 million of her jewelry. Without her the Hearst Corporation might not be where it is today. Hearst's financial problems also spelled the end to her career. Although she had made the transition to sound, other stars fared better and her roles became fewer and further between. In 1937, a 40 year old Marion filmed her last movie, Ever Since Eve (1937). Out of films and with the intense pressures of her relationship with Hearst, Marion turned to more and more to alcohol. Despite those problems, Marion was a very sharp and savvy business woman. After the death of Hearst in 1951, Marion married for the first time at the age of 54, to Horace Brown. The union would last until she died of cancer on September 22, 1961 in Los Angeles, California. She was 64 years old.
Marion Davies, born Marion Cecilea Douras on January 3, 1897, was one of the great comedic actresses of the silent era and into the 30's. She began as a chorus girl in New York, first in the pony follies and later in the Ziegfield Follies. Her stage name came when she and her family passed the Davies Insurance Building. One of her sisters called out "Davies!!! That shall be my stage name," and the whole family took on that name. When Marion moved to California, she was already involved with William Randolph Hearst. They lived together at Hearst's San Simeon castle, a very elaborate mansion, which stands as a California landmark to this day. At San Simeon, they threw very elaborate parties, many of them costume parties. Frequent guests included Carole Lombard, Mary Pickford, Sonja Henie, Dolores del Rio - basically all of top names in Hollywood and other celebrities including the mayor of New York City, President Calvin Coolidge and Charles Lindbergh. When Hearst died, Marion did not really know what was going on. The night before, there had been a lot of people in the house. Marion was very upset by the large crowd of family and friends. She said it was too noisy and were disturbing Hearst by talking so loud. She was upset and had to be sedated. When she woke, her niece, Patricia Van Cleve Lake, and her husband, Arthur Lake, told her that Hearst was dead. Upon Patricia's death, it was revealed she had been the love child of Davies and Hearst. Marion was banned from Hearst's funeral.
Marion started lots of charities including a children's clinic that is still operating today. She was very generous and was loved by everyone who knew her. She went through a lot, even getting polio in the 1940's. She developed cancer of the jaw and died in 1961.
|Horace G. Brown||(31 October 1951 - 22 September 1961) (her death)|
Her offscreen stutter
She was the longtime, and sometimes long distance, mistress of newspaper magnate, William Randolph Hearst. Their life together was dubiously mirrored in the film, Citizen Kane (1941) and RKO 281 (1999) (TV), and more factually in The Cat's Meow (2001).
Mother-in-law of actor Arthur Lake, who best known for portraying "Dagwood Bumstead" in a series of Blondie movies in the '40s and '50s.
Interred at Hollywood Memorial Cemetery (now called Hollywood Forever), Hollywood, California, USA, in section B, east side of the lake.
Younger sister of actress Reine Davies.
Is portrayed by Kirsten Dunst in The Cat's Meow (2001), by Melanie Griffith in RKO 281 (1999) (TV), by Virginia Madsen in The Hearst and Davies Affair (1985) (TV) and by Heather McNair in Chaplin (1992)
In 1993, the family of Patricia van Cleve (wife of actor Arthur Lake) revealed, upon her death, that she was actually the child of Marion and William Randolph Hearst. Van Cleve had been raised by Davies' sister Rose and had always been introduced as her niece and Lake as her nephew.
Being the practical joker that she was, she once got President Calvin Coolidge drunk by feeding him wine and telling him it was fruit juice.
Her tomb at Hollywood Forever Cemetery is often overlooked though it is an imposing structure. It is a miniature Greek temple, which is appropriate since she was of Greek heritage, on the east side of the lake very close to the grave of Tyrone Power. Her family name of Douras appears over the doorway.
She was William Randolph Hearst's mistress for over 30 years. It was widely considered the "worst kept secret in Hollywood" that she lived with him in California while his wife Millicent resided in New York. His wife would not grant him a divorce so that he could marry Marion. Marion retired from the screen in the late 1930s so she could be with Hearst as his health was declining. When Hearst lay dying in 1951 at the age of 88, Marion was given a sedative by his lawyer. When she awoke several hours later, she discovered that Hearst had died and that his associates had removed his body as well as all his belongings and any trace that he had lived there with her. His family had a big formal funeral for him in San Francisco. Marion did not attend.
Sister-in-law of George Regas.
In addition to her acting career, she spent much of her time at Cosmopolitan Pictures as a production manager. She had been appointed to this position by William Randolph Hearst, who wanted to keep her close to him.
She had a long-standing reputation in the film industry for being extremely kind to the casts and crews of her films, going so far as to pay hospital bills anonymously if she heard that they were ill.
She was famous for doing dead-on impersonations of celebrities at parties. At least three impersonations made it into The Patsy (1928).
Profiled in book "Funny Ladies" by Stephen Silverman. 
When Davies was in England, she learned that forgotten silent actress Florence Turner, who had been a star at Vitagraph, was destitute, a compassionate Davies paid for her and her mother to return to the U.S., put them up in a hotel, and offered Turner a job with her production company.
In 1930 Cecil Beaton announced tat he was going to photograph the six most beautiful women in the movies. He chose Greta Garbo, Norma shearer, Alice white, Dolores Del Rio, Lillian Gish, and Marion Davies.
Davies was offered the Ina Claire role in "Claudia," but Hearst objected to her playing a character part as well as a character who died in the film.
During the1960 Democratic Convention held in Los Angeles, Davies turned her house over to Joseph P. Kennedy.
For 37 years William Randolph Hearst anointed gossip columnist Louella Parsons regularly reported in her column the catch phrase: "Marion never looked lovelier." Most readers considered it a pandering cliché.
Davies final live stage appearance was a 64 performance run in Ed Wynn's Carnival" in April 1920.
With me it was 5% talent and 95% publicity.
When asked by a reporter about the opulent library of books in her Riverside Drive residence in Manhattan, Davies reportedly said, " I'll r-read all these when I'm an old woman."
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